| Laura Gemser | ... | Emanuelle | |
| Gabriele Tinti | ... | Roberto | |
| Ely Galleani | ... | Frances | |
| Ivan Rassimov | ... | Prince Sanit | |
| Venantino Venantini | ... | David | |
| Giacomo Rossi-Stuart | ... | Jimmy | |
| Koike Mahoco | ... | Gee | |
| Fausto Di Bella | |||
| Gaby Bourgois | |||
| Chris Avram | ... | Thomas Quizet | |
| Attilio Duse | |||
| Debra Berger | ... | Debra | |
| rest of cast listed alphabetically: | |||
| Giuseppe Marrocco | ... | Uomo al ristorante (uncredited) | |
Directed by | |||
| Joe D'Amato | |||
Writing credits(in alphabetical order) | ||
| Ottavio Alessi | story | |
| Maria Pia Fusco | screenplay | |
| Maria Pia Fusco | story | |
| Piero Vivarelli | story | |
Original Music by | |||
| Nico Fidenco | |||
Cinematography by | |||
| Joe D'Amato | (as Aristide Massaccesi) | ||
Film Editing by | |||
| Vincenzo Tomassi | |||
Art Direction by | |||
| Franco Gaudenzi | |||
Set Decoration by | |||
| Mario Paladini | |||
Costume Design by | |||
| Bruna Laurini | |||
Makeup Department | |||
| Maria Grazia Nardi | .... | makeup artist | |
Production Management | |||
| Giuseppe Auriemma | .... | unit manager | |
| Silvio Colecchia | .... | unit manager | |
| Oscar Santaniello | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Donatella Donati | .... | assistant director | |
Sound Department | |||
| Nick Alexander | .... | dubbing supervisor | |
| Massimo Loffredi | .... | sound recordist | |
| Tullio Petricca | .... | boom operator | |
| Roberto Petrozzi | .... | sound recordist | |
| Guglielmo Smeraldi | .... | boom operator | |
Camera and Electrical Department | |||
| Vittorio Biffani | .... | still photographer | |
| Luigi Conversi | .... | camera operator | |
| Luciano Dionisi | .... | assistant camera | |
Editorial Department | |||
| Sergio Altigieri | .... | second assistant editor | |
| Carlo Della Corte | .... | third assistant editor | |
| Bruno Micheli | .... | first assistant editor | |
Music Department | |||
| Giacomo Dell'Orso | .... | conductor (as G. Dell'Orso) | |
Other crew | |||
| Ulderico Arditi | .... | production coordinator | |
| Gioia Donati | .... | script supervisor (as Gioia Maria Donati) | |
|
|
|
|
|
| Goodbye Emmanuelle | Emanuelle - Perché violenza alle donne? | Choses secrètes | L'uomo che guarda | Emanuelle fuga dall'inferno |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section | Add this title to MyMovies |
Emanuelle in Bangkok is the second entry in the Black Emanuelle series begun by Bitto Albertini then continued on into infamy by Joe D'Amato.
Laura Gemser returns as the intrepid globetrotting reporter Emanuelle who is sent on a mission to Bangkok to interview the King's nephew. She is accompanied to Bangkok by her on-again-off-again lover Roberto (Gemsers real-life husband Gabriele Tinti) who is on his way to begin an archaeology dig in Morocco.
Emanuelle never quite gets her interview as she has her passport & photography equipment stolen then is brutally gang-raped by a group of thugs employed by the government, so she decides to join Roberto in Morocco. Not having a passport isn't a problem, she just f@cks an airport official for a free pass.
Once in Morocco Emanuelle discovers Roberto is now engaged to an English woman, so they all decide to engage in some group sex, which seems to straighten everything out. Soon Emanuelle falls madly in love with the daughter of an American ambassador and spends the rest of her days either involved in some in lesbian bubble bath action or f@cking Roberto and/or any other man who crosses her path.
Being still early in the series, there is less of the sleaze and nastiness that some of the other films are so well known for, basically it's a sexy travelogue piece. Emanuelle is inhibition-free and generous with her body so pretty much every dude she meets gets to have a go.
A couple of notable scenes include: a sequence of 'natural' animal violence where a Shrew-like creature fights a cobra, and wins. The fully-clothed gang-rape where afterwards Emanuelle hangs out and chats cheerfully with her assailants, and a Bangkok stripper performing the notorious ping-pong ball trick.
Ultimately this isn't D'Amato's best Emanuelle film but if you're looking for some mindless (and often dull) softcore fare then check this out, otherwise I'd suggest going for either Emanuelle in America, Emanuelle and the Last Cannibals or Emanuelle Around the World (XXX version).