IMDb > Embryo (1976)

Overview

User Rating:
4.9/10   408 votes
MOVIEmeter: ?
Down 19% in popularity this week. See why on IMDbPro.
Director:
Ralph Nelson
Writers:
Anita Doohan (writer)
Jack W. Thomas (screenplay)
(more)
Contact:
View company contact information for Embryo on IMDbPro.
Release Date:
21 May 1976 (USA) more
Genre:
Horror | Sci-Fi more
Tagline:
From Embryo to woman in 4 and a half weeks.
Plot:
A scientist doing experiments on a human fetus discovers a method to accelerate the fetus into a mature adult in just a few days... more | add synopsis
Awards:
1 nomination more
User Comments:
Retro Sci-Fi Gem more (19 total)

Cast

  (in credits order) (verified as complete)

Rock Hudson ... Dr. Paul Holliston
Barbara Carrera ... Victoria Spencer

Diane Ladd ... Martha Douglas

Roddy McDowall ... Frank Riley
Anne Schedeen ... Helen Holliston
John Elerick ... Gordon Holliston
Vincent Baggetta ... Collier
Jack Colvin ... Dr. Jim Winston
Joyce Brothers ... Herself (as Dr. Joyce Brothers)
Dick Winslow ... John Forbes
Ken Washington ... Dr. Brink
Lina Raymond ... Janet Novak
Sherri Zak ... Nurse
Joyce Spitz ... Trainer
George Sawaya ... Policeman
Hank Robinson ... Ambulance Attendant
Chuck Comisky ... Fireman
rest of cast listed alphabetically:
Bob Reynolds ... Doctor (uncredited)
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Directed by
Ralph Nelson 
 
Writing credits
(in alphabetical order)
Anita Doohan  writer
Jack W. Thomas  screenplay
Jack W. Thomas  story

Produced by
Anita Doohan .... producer
Michael S. Glick .... associate producer
Sandy Howard .... executive producer
Arnold H. Orgolini .... producer
 
Original Music by
Gil Melle 
 
Cinematography by
Fred J. Koenekamp 
 
Film Editing by
John A. Martinelli 
 
Casting by
Lea Stalmaster 
 
Production Design by
Joe Alves  (as Joseph Alves Jr.)
 
Set Decoration by
Phil Abramson 
 
Costume Design by
Moss Mabry 
 
Makeup Department
Edwin Butterworth .... makeup designer
John Chambers .... makeup designer
Frank Griffin .... makeup designer
Lynn Del Kail .... hair stylist
Mark Reedall .... makeup artist
Daniel C. Striepeke .... makeup artist (as Dan Striepeke)
Daniel C. Striepeke .... makeup designer (as Dan Striepeke)
 
Production Management
Michael S. Glick .... unit production manager
 
Second Unit Director or Assistant Director
Gary Credle .... second assistant director
Michael S. Glick .... assistant director
 
Sound Department
Bud Alper .... sound mixer
George Fredrick .... sound editor
 
Special Effects by
Roy Arbogast .... special effects
 
Stunts
Everett Creach .... stunt coordinator
Jerry Brutsche .... stunts (uncredited)
Kevin N. Johnston .... stunts (uncredited)
Dick Warlock .... stunts (uncredited)
 
Camera and Electrical Department
John Murray .... key grip
Gene Stout .... gaffer
 
Costume and Wardrobe Department
Sandra Burke .... wardrobe
Nick Mezzanotti .... wardrobe
 
Editorial Department
Scott C. Eyler .... assistant editor
 
Music Department
Gil Melle .... conductor
 
Transportation Department
James D. Brubaker .... transportation coordinator (as James Brubaker)
 
Other crew
Charles R. Brinkman .... technical advisor (as Charles R. Brinkman III M.D.)
Renee Brown .... auditor
Cindy Cullen .... animal trainer (as Cindy James Cullen)
Chip Fowler .... production coordinator
Bonnie Pendergast .... script supervisor
 
Crew believed to be complete


Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
Created to Kill (USA) (reissue title)
more
Runtime:
104 min
Country:
USA
Language:
English
Color:
Color
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Mono

Fun Stuff

Movie Connections:
Edited into 42nd Street Forever Part 4 (2009) (V) more

FAQ

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11 out of 14 people found the following comment useful.
Retro Sci-Fi Gem, 18 December 2005
Author: Crap_Connoisseur from Australia

This film has aged as gracefully as Mickey Rourke. The special effects are hilariously bad, the lab equipment belongs in a museum and the plot is dubious to say the least. And yet, these are the very things that make "Embryo" such entertaining viewing.

I think it's only fair to judge special effects in old movies by the technology available to the filmmakers at the time. However, even by 1970s standards, the special effects in this film are remarkably unconvincing. The obvious use of dolls for babies, the fluffy toy that doubles for a dog and the mesmerising plastic canine foetus are all memorable. Personally, I find these kind of effects utterly charming. They inject humour into the film (albeit unintentionally) and due to their lack of authenticity, make the subject matter of experimenting on foetuses more palatable.

Technology junkies will love the bus sized computers and pre-historic lab equipment. The film's heartening lack of moralising is almost as much of its time as the outdated hardware. I hate to think how preachy this film would be if it were made today.

This film is a bizarre and amusing time capsule of 1970s technology and morality. See it, if only for the bewildering dog foetus.

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