| Photos (see all 45 | slideshow) | Videos (see all 10 NEW) |
| Sissy Spacek | ... | Carrie White | |
| Piper Laurie | ... | Margaret White | |
| Amy Irving | ... | Sue Snell | |
| William Katt | ... | Tommy Ross | |
| Betty Buckley | ... | Miss Collins | |
| Nancy Allen | ... | Chris Hargensen | |
| John Travolta | ... | Billy Nolan | |
| P.J. Soles | ... | Norma Watson | |
| Priscilla Pointer | ... | Mrs. Eleanor Snell | |
| Sydney Lassick | ... | Mr. Fromm | |
| Stefan Gierasch | ... | Mr. Henry Morton | |
| Michael Talbott | ... | Freddy DeLois | |
| Doug Cox | ... | The Beak | |
| Harry Gold | ... | George Dawson | |
| Noelle North | ... | Freida Jason | |
| Cindy Daly | ... | Cora Wilson | |
| Deirdre Berthrong | ... | Rhonda Wilson | |
| Anson Downes | ... | Ernest Peterson | |
| Rory Stevens | ... | Kenny | |
| Edie McClurg | ... | Helen Shyres | |
| Cameron De Palma | ... | Bobby Erbeter - boy on the bicycle | |
| rest of cast listed alphabetically: | |||
| Terry Bolo | ... | Bad Girl (uncredited) | |
| Michael Towers | ... | Vance or Towers (prom band) (uncredited) | |
| Glen Vance | ... | Vance or Towers (prom band) (uncredited) | |
Directed by | |||
| Brian De Palma | |||
Writing credits(in alphabetical order) | ||
| Lawrence D. Cohen | writer | |
| Stephen King | novel | |
Produced by | |||
| Brian De Palma | .... | producer | |
| Paul Monash | .... | producer | |
| Louis A. Stroller | .... | associate producer | |
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| Mario Tosi | |||
Film Editing by | |||
| Paul Hirsch | |||
Casting by | |||
| Harriet B. Helberg | |||
Art Direction by | |||
| Jack Fisk | |||
| Bill Kenney | (as William Kenney) | ||
Set Decoration by | |||
| Robert Gould | |||
Costume Design by | |||
| Rosanna Norton | |||
Makeup Department | |||
| Wes Dawn | .... | makeup artist (as Wesley Dawn) | |
| Adele Taylor | .... | hair stylist | |
| Ron Snyder | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Donald Heitzer | .... | first assistant director | |
| Bill Scott | .... | second assistant director (as William Scott) | |
| Dick Ziker | .... | second unit director (as Richard Ziker) | |
Art Department | |||
| Gary Seybert | .... | property master | |
| Michael Casey | .... | leadman (uncredited) | |
Sound Department | |||
| Lois Freeman | .... | assistant sound editor | |
| Bert Hallberg | .... | sound mixer (as Bertil Hallberg) | |
| David Rust | .... | boom operator | |
| Dan Sable | .... | sound editor | |
| Dick Vorisek | .... | sound re-recording supervisor | |
Special Effects by | |||
| Greg Auer | .... | special effects (as Gregory M. Auer) | |
| Ken Pepiot | .... | special effects (as Kenneth Pepiot) | |
Stunts | |||
| Dick Ziker | .... | stunt coordinator (as Richard Ziker) | |
| Janet Brady | .... | stunts (uncredited) | |
| Glory Fioramonti | .... | stunts (uncredited) | |
| Mags Kavanaugh | .... | stunt double (uncredited) | |
| Mary Peters | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Dustin Blauvelt | .... | first assistant camera (as Dusty Blauvelt) | |
| Joseph Cosko Jr. | .... | second assistant camera (as Joseph Cosko) | |
| Jim Dyer | .... | best boy grip (as James Dyer) | |
| Gene Griffith | .... | key grip (as Eugene Griffith) | |
| Joel King | .... | camera operator | |
| Ken Miller | .... | dolly grip (as Kenneth Miller) | |
| Joe Pender | .... | gaffer | |
| Jerome L. Posner | .... | best boy (as Jerome Posner) | |
| Dave Friedman | .... | still photographer (uncredited) | |
| Wynn Hammer | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Agnes Lyon | .... | costumer | |
Editorial Department | |||
| Maria Iano | .... | apprentice editor | |
| Michael Kirchberger | .... | assistant editor | |
Music Department | |||
| Michael Arciaga | .... | music supervisor | |
| Natale Massara | .... | conductor | |
Transportation Department | |||
| Gary Littlefield | .... | transportation | |
Other crew | |||
| Wendy Bartel | .... | secretary to Mr. DePalma | |
| James L. Carter | .... | production assistant | |
| Angelo Corallis | .... | craft service | |
| Dow Griffith | .... | location manager | |
| Patricia Heade | .... | production secretary | |
| Hannah Scheel | .... | script supervisor | |
| Robert Sinclair | .... | auditor | |
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| Carrie | La noche del terror ciego | Halloween | Dèmoni | L'uccello dalle piume di cristallo |
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Youthful energy. That's what this is -- and what it is about.
Spacek, King and Depalma are all at their most committed exuberance. Sometimes callow, but sometimes so rawly honest one often tingles quite apart from the story. See it on this basis alone. DePalma's camera has a sense of dance -- Scorcese does too, but DePalma's is more emotional. Spacek is so clean in her acting that her ability frightens. How strange it went away, like a poltergism.
The story has a haunting tone, also centered on youth and yearning. Menarche as a horror, the innocent acceptance/fear of the basest religion, the brash director intelligently spoofing Hitchcock. Odd mix that, so an odd and intriguing experience.