[
opening lines]
The Presenter:
P:Ladies and gentlemen, you are about to see an unforgettable show, a film destined to become immortal, as immortal as the music which will follow, and which will be interpreted through animation. Beginning with his childhood fantasies, the greatest ambition that burns and swells in the soul of every creative animator is to illustrate music, to give visual form and color to its notes. With this film, we have finally succeeded in achieving this union of animation and classical music, a union we are sure is destined to live on throughout the history of film. A new and original film that has even astonished us, the men responsible, the men who, quite modestly speaking, can be called its creators. A film in which - in which -
[
consults a cue card]
The Presenter:
A film in which you will see the music and listen to the drawings. You might call it a film of magic, a fantasia.
The Presenter:
[
Phone rings - Presenter answers; the caller is not heard]
The Presenter:
Hello. Yes. Who's speaking? Who is this? What do you mean, who am I? Who is it you wish to speak to? Eh? California?
The Presenter:
[
To camera] It's Hollywood.
The Presenter:
[
To phone] Hello! Yes! What? You've already -
The Presenter:
[
To phone] Hello! Yes! What? You've already -
The Presenter:
Look, if this is some joke, I'm in no mood --
[
...]
more
Many many years ago, I saw this film and I was absolutely transfixed. This film cannot helped BUT be compared to Fantasia due to the fact that they mention this themselves. But what sets this film apart is its absolutely brilliant interpretations, in animated form, of these wonderful classical pieces that don't get as much attention as the ones Fantasia made popular amongst the general public. And there is one classical piece, above all, that was so brilliantly interpreted that it STILL stands out as one of the most moving pieces ever to be put on screen and that is the "Valse Triste" segment set to the music of Sibelius. Don't get me wrong, Disney's "clean" animation of Fantasia is a wonderful film, but none of its segment moved me as much as Valse Triste. And I think it's free form, scrubby, its understated color use and none heavy handed animation fits BRILLIANTLY here. You don't feel you are watching an animation, you feel as you are watching a painter, with each stroke, visualize the musical note of this wonderful classical piece. You get to see the abandon cat go from fantasy, reality, fantasy, that you wish you could adopt the poor cartoon kitty. If you are a teacher of music, especially classical, get this film and show it to your students, if they are not moved, then nothing will move them. This is the type of stuff that stays with you for YEARS and I guarantee you will be the better for it.