| Roy Dotrice | ... | Charles Dickens / ... (13 episodes, 1976) | |
| John F. Landry | ... | Dolby (12 episodes, 1976) | |
| Diana Coupland | ... | Mrs. Catherine Dickens (9 episodes, 1976) | |
| Adrienne Burgess | ... | Catherine Dickens / ... (8 episodes, 1976) | |
| Gene Foad | ... | Charles Dickens as a young man (7 episodes, 1976) | |
| Lois Baxter | ... | Mary Hogarth (7 episodes, 1976) | |
| Simon Bell | ... | Charles Dickens as a boy (6 episodes, 1976) | |
| Graham Faulkner | ... | Fred Dickens (6 episodes, 1976) | |
| Holly Palance | ... | Miss Baldwin (6 episodes, 1976) |
Series Directed by | |||
| Marc Miller | (7 episodes, 1976) | ||
| Michael Ferguson | (6 episodes, 1976) | ||
Series Writing credits | ||
| Wolf Mankowitz | (13 episodes, 1976) | |
| Marc Miller | (13 episodes, 1976) | |
Series Produced by | |||
| David Cunliffe | .... | executive producer (13 episodes, 1976) | |
| Marc Miller | .... | producer (13 episodes, 1976) | |
Series Original Music by | |||
| Monty Norman | (13 episodes, 1976) | ||
Series Film Editing by | |||
| Tudor Lloyd | (13 episodes, 1976) | ||
Series Production Design by | |||
| Alan Pickford | (13 episodes, 1976) | ||
| Vic Symonds | (13 episodes, 1976) | ||
Series Second Unit Director or Assistant Director | |||
| Mervyn Cumming | .... | first assistant director (unknown episodes) | |
| Graeme MacArthur | .... | third assistant director (unknown episodes) | |
Series Sound Department | |||
| Terry Cavagin | .... | dubbing mixer (13 episodes, 1976) | |
| Terry Ricketts | .... | sound recordist (13 episodes, 1976) | |
Series Camera and Electrical Department | |||
| Charles B. Wilson | .... | film camera (13 episodes, 1976) | |
Series Music Department | |||
| Ivor Raymonde | .... | conductor (13 episodes, 1976) | |
Series Other crew | |||
| Robert Crossley | .... | stage manager (11 episodes, 1976) | |
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| External reviews | IMDb TV section | IMDb Biography section |
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I worked as an extra on Dickens of London (Yorkshire Television) for a number of episodes, mostly on location in the Yorkshire Dales. It was an enormously pleasurable experience and every member of the cast and crew, no matter how senior or junior, was delightful. The two Dotrices were fantastic to watch and I picked up a number of hints just by observing and ear-wigging their off-camera and rehearsal times; their discussions with the director; concerns about camera angles, timing, delivery, checking the scripts for awkward construction, etc. As a result of studying these professionals (Ben Kingsley, John Slater and others also), plus the way they communicated and worked with each other I moved up the pecking order over the following year to walk-on; speaking walk-on; small parts; and then on to full parts on other YTV programmes. It was a remarkable experience, and at a mere $35 for a very long day's work, a fine investment for my future. I would like to thank Karen Dotrice and her father, Roy, for their - unbeknownst to them - tuition and guidance during 1976.