| Photos (see all 27 | slideshow) |
| Katharine Ross | ... | Joanna Eberhart | |
| Paula Prentiss | ... | Bobbie Markowe | |
| Peter Masterson | ... | Walter Eberhart | |
| Nanette Newman | ... | Carol Van Sant | |
| Tina Louise | ... | Charmaine Wimpiris | |
| Carol Eve Rossen | ... | Dr. Fancher (as Carol Rossen) | |
| William Prince | ... | Ike Mazzard | |
| Carole Mallory | ... | Kit Sunderson | |
| Toni Reid | ... | Marie Axhelm | |
| Judith Baldwin | ... | Patricia Cornell | |
| Barbara Rucker | ... | Mary Ann Stravros | |
| George Coe | ... | Claude Axhelm | |
| Franklin Cover | ... | Ed Wimpiris | |
| Robert Fields | ... | Raymond Chandler | |
| Michael Higgins | ... | Mr. Cornell | |
| Josef Sommer | ... | Ted Van Sant (as Josef Somer) | |
| Paula Trueman | ... | Welcome Wagon Lady | |
| Martha Greenhouse | ... | Mrs. Kirgassa | |
| Simon Deckard | ... | Dave Markowe | |
| Remak Ramsay | ... | Mr. Atkinson | |
| Mary Stuart Masterson | ... | Kim Eberhart | |
| Ronny Sullivan | ... | Amy Eberhart | |
| John Aprea | ... | Young Cop | |
| Matt Russo | ... | Moving Man 1 | |
| Anthony Crupi | ... | Moving Man 2 | |
| Kenneth McMillan | ... | Market Manager | |
| Dee Wallace | ... | Nettie | |
| Tom Spratley | ... | Charlie the Doorman | |
| Patrick O'Neal | ... | Dale Coba | |
| rest of cast listed alphabetically: | |||
| Emma Forbes | ... | Alison Van Sant (uncredited) | |
| Dennis Kear | ... | Young Grocery Boy (uncredited) | |
Directed by | |||
| Bryan Forbes | |||
Writing credits | ||
| Ira Levin | (novel) | |
| William Goldman | (screenplay) | |
Produced by | |||
| Gustave M. Berne | .... | executive producer | |
| Roger M. Rothstein | .... | associate producer | |
| Edgar J. Scherick | .... | producer | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Enrique Bravo | |||
| Owen Roizman | |||
Film Editing by | |||
| Timothy Gee | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Gene Callahan | |||
Set Decoration by | |||
| Robert Drumheller | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
Makeup Department | |||
| Andy Ciannella | .... | makeup artist | |
| Romaine Greene | .... | hair stylist | |
| Dick Smith | .... | makeup artist (uncredited) | |
Production Management | |||
| Neil A. Machlis | .... | unit manager (as Neil Machlis) | |
Second Unit Director or Assistant Director | |||
| Michael Haley | .... | second assistant director (as Mike Haley) | |
| Peter R. Scoppa | .... | first assistant director (as Peter Scoppa) | |
Art Department | |||
| Don Bachardy | .... | draughtsman | |
| Stanley Cappiello | .... | scenic artist | |
| Joseph M. Caracciolo | .... | property master | |
Sound Department | |||
| Janet Davidson | .... | sound editor | |
| Jack Fitzstephens | .... | sound editor | |
| James Sabat | .... | sound mixer | |
| Dick Vorisek | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Enrique Bravo | .... | camera operator | |
| Muky | .... | still photographer | |
| Gary Muller | .... | second assistant camera | |
| Tom Priestley Jr. | .... | first assistant camera | |
| Dusty Wallace | .... | gaffer | |
| Robert Ward | .... | key grip (as Bob Ward) | |
Costume and Wardrobe Department | |||
| Peggy Farrell | .... | wardrobe | |
| George Newman | .... | wardrobe | |
Editorial Department | |||
| Patrick McMahon | .... | assistant editor | |
| Irving Rathner | .... | negative cutter | |
Music Department | |||
| Suzanne Ciani | .... | musician: electronic music | |
| Michael Small | .... | conductor | |
Transportation Department | |||
| Raymond Hartwick | .... | transportation | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor | |
| Martin Fribush | .... | executive: Fadsin Cinema Associates | |
| Shari Leibowitz | .... | production secretary | |
| Gaetano Lisi | .... | production assistant (as Tom Lisi) | |
| Kay Summersby | .... | fashion consultant | |
| Robert Ellis | .... | title designer (uncredited) | |
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This movie holds up surprisingly well, nearly twenty five years after its first release. The premise could still intrigue today - there are still men who would like nothing better than to have the women in their lives be less human. I guess now women want the same things and this is known as progress.
Anywho, the movie is great and if it were up to me, Katherine Ross' birthday would be a national holiday. She is terrific and beautiful and is matched by best buddy Paula Prentiss. Tina Louise and Nanette ("I'll die if I don't get this recipe") Newman are also memorable. The final shots of Ross are chilling, and top off a memorable movie.