| Photos (see all 1 | slideshow) |
| Yves Montand | ... | Martin | |
| Catherine Deneuve | ... | Nelly | |
| Luigi Vannucchi | ... | Vittori | |
| Tony Roberts | ... | Alex Fox | |
| Bobo Lewis | ... | Miss Mark | |
| Dana Wynter | ... | Jessie Coutances | |
| Gabriel Cattand | |||
| Vernon Dobtcheff | ... | Coleman | |
| Luis Gerardo Tovar | ... | Ribeiro | |
| Geoffrey Carey | |||
| Toni Maestri | |||
| Rina Franchetti | |||
| Luisa Maris | |||
| Aurora Maris | |||
| Carlo Plattner | |||
| rest of cast listed alphabetically: | |||
| Gustavo Blanco | ... | Granada | |
| Peggy Romero | ... | Jeune Fille Noire | |
| Jean Guidoni | ... | Musicien à la noce de Vittorio (uncredited) | |
| Jean-Michel Lacor | ... | Le Concierge (uncredited) | |
Directed by | |||
| Jean-Paul Rappeneau | |||
Writing credits(in alphabetical order) | ||
| Jean-Loup Dabadie | writer | |
| Élisabeth Rappeneau | writer | |
| Jean-Paul Rappeneau | writer | |
Produced by | |||
| Ralph Baum | .... | executive producer | |
| Raymond Danon | .... | producer | |
| Jean-Luc Ormières | .... | producer | |
Original Music by | |||
| Michel Legrand | |||
Cinematography by | |||
| Pierre Lhomme | |||
| Antoine Roch | |||
Film Editing by | |||
| Marie-Josèphe Yoyotte | |||
Production Design by | |||
| Max Douy | |||
Costume Design by | |||
| Catherine Leterrier | |||
Makeup Department | |||
| Jean-Pierre Eychenne | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Jean-Michel Lacor | .... | assistant director | |
Sound Department | |||
| Harald Maury | .... | sound | |
Special Effects by | |||
| Paul Trielli | .... | special effects | |
Other crew | |||
| Bénédicte Kermadec | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
After thirty, I suppose a legend is able to do pretty much what she wants. Here, Catherine Deneuve, tiring of being the glacial Grace Kelly type for Bunuel, Truffaut et les autres opts for very effective physical comedy alongside Yves Montand.
They do Cary Grant-Katharine Hepburn-style farcical routines very well. Deneuve, escaping from her frenetic fiance, hooks up with Montand, who is himself fleeing marital and business entanglements. Tony Roberts, seen in Woody Allen films of the period, does very well as the club owner from whom Deneuve steals a Toulouse-Lautrec, and who must track down the dizzy blonde in Venezuela to get it back. Jean-Paul Rappeneau's direction is accomplished and the scenery is gorgeous. There is a car chase that actually is funny, and I can't recall the last one that made me laugh.