| Photos (see all 6 | slideshow) |
| Diana Ross | ... | Tracy | |
| Billy Dee Williams | ... | Brian | |
| Anthony Perkins | ... | Sean | |
| Jean-Pierre Aumont | ... | Christian Rosetti | |
| Beah Richards | ... | Florence | |
| Nina Foch | ... | Miss Evans | |
| Marisa Mell | ... | Carlotta Gavina | |
| Lenard Norris | ... | Wil | |
| Jerome Arnold | ... | Campaign Worker | |
| Pemon Rami | ... | Campaign Worker | |
| Obelo | ... | Campaign Worker | |
| Ira Rogers | ... | Stalker | |
| Kristine Cameron | ... | Instructress | |
| Ted Liss | ... | Sweatshop Foreman | |
| Bruce Vilanch | ... | Dress Manufacturer | |
| Don Howard | ... | Dress Manufacturer | |
| Albert Rosenberg | ... | Dress Manufacturer | |
| Marvin Corman | ... | Cab Driver | |
| E. Rodney Jones | ... | Radio Announcer (voice) | |
| Dan Daniel | ... | Giuseppe (as Daniel Daniele) | |
| Princess Galitzine | ... | Princess Galitzine | |
| Jacques Stany | ... | Auctioneer - Fashion Show | |
| Achille Brugnini | ... | Salesman (as Achille Brunini) | |
| Edward Van Sickle | ... | Ad Agency Executive (as Edward Van Sycle) | |
| Giovanni Di Benedetto | ... | Ad Agency Executive (as Gianni Di Benedetto) | |
| Roger Bill Brown | ... | Ad Agency Executive | |
| C. Mitchell | ... | Ad Agency Executive | |
| rest of cast listed alphabetically: | |||
| Denise Gordy | ... | (uncredited) | |
| Jesse Kitten | ... | Unemployed Lathe Operator (uncredited) | |
| Robert Townsend | ... | Extra (uncredited) | |
Directed by | |||
| Berry Gordy | |||
| Tony Richardson | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Toni Amber | story | |
| John Byrum | screenplay | |
Produced by | |||
| Jack Ballard | .... | producer | |
| Rob Cohen | .... | producer | |
Original Music by | |||
| Michael Masser | |||
Cinematography by | |||
| David Watkin | |||
Film Editing by | |||
| Peter Zinner | |||
Casting by | |||
| Joe Scully | |||
Art Direction by | |||
| Aurelio Crugnola | |||
| Leon Ericksen | (as Leon Erickson) | ||
Costume Design by | |||
| Diana Ross | |||
Makeup Department | |||
| Franco Corridoni | .... | makeup artist | |
| Wally Schwartz | .... | makeup artist | |
| Jerry Turnage | .... | makeup supervisor (as Jerry Tournage) | |
Production Management | |||
| Mario Olivieri | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Piero Amati | .... | second assistant director | |
Sound Department | |||
| Don H. Matthews | .... | sound recordist (as Don Matthews) | |
| Richard Portman | .... | sound re-recording mixer | |
| Kay Rose | .... | sound editor | |
Casting Department | |||
| Pemon Rami | .... | casting | |
Music Department | |||
| Lee Holdridge | .... | musical director | |
Other crew | |||
| Sioux Richards | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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"Mahogany" is one of those movies you don't necessarily want to go out of your way to see, but want to <have seen>. Fortunately, late night cable frequently provides one with the opportunity to catch up on the classics. The plot is straight out of 1937, with the slightly disturbing--to modern ears--message that one's own personal ambition should always take a back seat to love. Diana Ross is luminous, funny, charming and beautiful in a role that doesn't ask much of her but to pose - her delivery and timing are good, but the dialogue she's asked to utter sounds pretty campy today. Anthony Perkins as a creepy, dangerous character - wow, big stretch. Billy Dee Williams as the Honest Politician Who Loves Her - well, he's good, but you could have hired a Steiff teddy bear to play that role. Love those costumes. Have to wonder whether Tracy's designs were set up to be appallingly bad (and they are) so that the audience would object less to her decision to give up on the fashion world.
In my view, the best quote is not the oft-trotted out one about success, but: "You're only young once; you can be immature forever."
The overall "stand by your man" message is singularly abhorrent, but "Mahogany" is such fine kitsch that even the staunchest feminist will laugh, despite herself.