| Photos (see all 12 | slideshow) |
| Paul Newman | ... | Harper | |
| Joanne Woodward | ... | Iris | |
| Anthony Franciosa | ... | Broussard (as Tony Franciosa) | |
| Murray Hamilton | ... | Kilbourne | |
| Gail Strickland | ... | Mavis | |
| Melanie Griffith | ... | Schuyler | |
| Linda Haynes | ... | Gretchen | |
| Richard Jaeckel | ... | Franks | |
| Paul Koslo | ... | Candy | |
| Joe Canutt | ... | Glo | |
| Andrew Robinson | ... | Pat Reavis (as Andy Robinson) | |
| Coral Browne | ... | Olivia | |
| Richard Derr | ... | James | |
| Helena Kallianiotes | ... | Elaine Reavis | |
| Leigh French | ... | Red Head | |
| Peter Dassinger | ... | Peter | |
| James Fontenot | ... | Bartender | |
| Tommy McLain | ... | Nightclub Band (as Tommy McLain and his Mule Train Band) | |
| Martin Ahrens | ... | Cajun Heavy #1 | |
| Philippe Blenet | ... | Cajun Heavy #2 | |
| Jerome Greene | ... | Butler | |
| Cecil Elliott | ... | Motel Switchboard Operator |
Directed by | |||
| Stuart Rosenberg | |||
Writing credits | ||
| Tracy Keenan Wynn | (screenplay) & | |
| Lorenzo Semple Jr. | (screenplay) & | |
| Walter Hill | (screenplay) | |
| Ross Macdonald | (novel) (as Ross MacDonald) | |
| Eric Roth | uncredited | |
Produced by | |||
| David Foster | .... | producer | |
| Hawk Koch | .... | associate producer (as Howard W. Koch Jr.) | |
| Lawrence Turman | .... | producer | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Gordon Willis | (director of photography) | ||
Film Editing by | |||
| John C. Howard | |||
Casting by | |||
| Alan Shayne | |||
Production Design by | |||
| Paul Sylbert | |||
Art Direction by | |||
| Edwin O'Donovan | (as Ed O'Donovan) | ||
Set Decoration by | |||
| Phil Abramson | |||
Makeup Department | |||
| Kaye Pownall | .... | hair stylist | |
| Monty Westmore | .... | makeup artist | |
| Carrie White | .... | hair stylist: Miss Woodward | |
Production Management | |||
| Arthur S. Newman Jr. | .... | production manager (as Arthur Newman) | |
Second Unit Director or Assistant Director | |||
| Hawk Koch | .... | assistant director (as Howard W. Koch Jr.) | |
| Lee Rafner | .... | second assistant director | |
Art Department | |||
| Joe Acord | .... | construction coordinator | |
| Gregg H. Bilson | .... | assistant props (as Gregg Bilson) | |
| Pat O'Connor | .... | property master | |
| Bill Parks | .... | construction coordinator | |
Sound Department | |||
| Clint Althouse | .... | boom operator (as Clint Althaus) | |
| Hal Barns | .... | sound effects editor | |
| Les Fresholtz | .... | sound re-recording mixer | |
| Larry Jost | .... | sound mixer | |
| Billie Owens | .... | sound effects editor | |
| Arthur Piantadosi | .... | sound re-recording mixer | |
| Arthur H. Pullen | .... | sound effects editor | |
| Richard Tyler | .... | sound re-recording mixer (as Dick Tyler) | |
Special Effects by | |||
| Chuck Gaspar | .... | special effects | |
| Henry Millar | .... | special effects (as Henry Millar Sr.) | |
Stunts | |||
| Stan Barrett | .... | stunt coordinator | |
| Joe Canutt | .... | stunts (uncredited) | |
| Dean Smith | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Arthur Brooker | .... | key grip (as Art Brooker) | |
| Ralph Gerling | .... | camera operator | |
| George Holmes | .... | gaffer | |
| Mel Traxel | .... | unit still photographer | |
| Richard Yuricich | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Donald Brooks | .... | wardrobe designer: Miss Woodward | |
| Norma Brown | .... | costumer: women | |
| Richard Bruno | .... | wardrobe supervisor (as Dick Bruno) | |
| Jules Melillo | .... | assistant costumer: men (as Jules M. Melillo) | |
| Vicki Sánchez | .... | costumer: women (as Vicki Sanchez) | |
Editorial Department | |||
| Carroll Timothy O'Meara | .... | assistant editor (as Tim O'Meara) | |
Music Department | |||
| Donald Harris | .... | music editor | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Paul Casella Jr. | .... | transportation captain | |
Other crew | |||
| Rosalyn Catania | .... | production secretary | |
| Carl Combs | .... | unit publicist | |
| Betty Crosby | .... | script supervisor | |
| Ralph M. Leo | .... | production auditor (as Ralph Leo) | |
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What a lesson this is in how slight humor moves out of its zone in time!
When this was new, Paul Newman delivered a perfect character, one with smart, funny lines, an attitude and a sexual presence.
We saw New Orleans, which then by definition was something of a fun joke. We had sexual encounters with four sexy women. And we had one impressive stunt. Newman's character is trapped in an abandoned mental hospital. He and the villain's sexy wife have as few clothes as the raters will allow, and fill the room with water with the plan of floating to a skylight to escape.
When we saw this new, somehow we didn't care that Newman's 50 year old body was not attractive. The sexy women who include a seventeen year old Melanie Griffith, are by today's standards as outside the profile of humorous sex and the other humor is. Nothing works here, including the 70's shirts and hair styles.
When Newman finally thought he achieved a level of competence in acting decades later this would be one of the main films he would mention as horrible.
Except for Newman, Woodward and Lolita Griffith, all the actors were pulled from the TeeVee pool, and look like it.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.