| Photos (see all 11 | slideshow) |
| Ernest Borgnine | ... | Jonathan Corbis | |
| Tom Skerritt | ... | Tom Preston | |
| Joan Prather | ... | Julie Preston | |
| Eddie Albert | ... | Dr. Sam Richards | |
| William Shatner | ... | Mark Preston | |
| Ida Lupino | ... | Mrs. Preston | |
| Woody Chambliss | ... | John (as Woodrow Chambliss) | |
| Keenan Wynn | ... | Sheriff Owens | |
| Claudio Brook | ... | Preacher | |
| Erika Carlsson | ... | Aaronessa Fyffe | |
| George Sawaya | ... | Steve Preston | |
| John Travolta | ... | Danny | |
| Tony Cortex | ... | First Captor | |
| Lisa Todd | ... | Lilith | |
| Anton LaVey | ... | High Priest | |
| Diane LaVey | ... | Priscilla Corbis | |
| Robert Wallace | ... | Matthew Corbis |
Directed by | |||
| Robert Fuest | |||
Writing credits(in alphabetical order) | ||
| James Ashton | writer | |
| Gabe Essoe | writer | |
| Gerald Hopman | writer | |
Produced by | |||
| James V. Cullen | .... | producer | |
| Michael S. Glick | .... | producer | |
| Gerald Hopman | .... | associate producer | |
| Sandy Howard | .... | executive producer | |
| Louis Peraino | .... | producer (uncredited) | |
Original Music by | |||
| Al De Lory | |||
Cinematography by | |||
| Álex Phillips Jr. | |||
Film Editing by | |||
| Michael Kahn | |||
Casting by | |||
| Lea Stalmaster | |||
Production Design by | |||
| Nikita Knatz | |||
Art Direction by | |||
| José Rodríguez Granada | |||
Set Decoration by | |||
| Carlos Grandjean | |||
Makeup Department | |||
| Ellis Burman Jr. | .... | special makeup effects artist | |
Production Management | |||
| Terry Morse Jr. | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Mario Cisneros | .... | assistant director | |
| Rafael Portillo | .... | second unit director | |
Sound Department | |||
| Gene Eliot | .... | sound effects editor | |
| Tony Garber | .... | dialogue editor | |
| Manuel Topete | .... | sound mixer | |
| Jack R. Woltz | .... | sound re-recording mixer (as Jack Woltz) | |
Special Effects by | |||
| Federico Farfán | .... | special effects | |
| Thomas L. Fisher | .... | special effects (as Thomas Fisher) | |
| Carol Wenger | .... | special effects | |
| Cliff Wenger | .... | special effects | |
Visual Effects by | |||
| Linwood G. Dunn | .... | special photographic effects | |
| Michael Matusek | .... | telecine colorist (2006 digital restoration) | |
| Don Weed | .... | special photographic effects (as Don W. Weed) | |
Camera and Electrical Department | |||
| Rafael Delong | .... | key grip | |
| Luis García | .... | gaffer | |
| Manuel Gómez Urquiza | .... | camera operator: second unit | |
| Felipe L. Mariscal | .... | camera operator | |
Costume and Wardrobe Department | |||
| Carol Wenger | .... | wardrobe supervisor | |
Editorial Department | |||
| Peter E. Berger | .... | assistant editor (as Peter Berger) | |
| Paul LaMastra | .... | assistant editor | |
Music Department | |||
| Milton Lustig | .... | music editor | |
| Don Sorkin | .... | music consultant | |
Other crew | |||
| Sam Askinazy | .... | publicist | |
| Anton LaVey | .... | technical advisor (as Anton Szandor Lavey) | |
| James A. Mendrala | .... | electronic effects | |
| James A. Mendrala | .... | video | |
| Theodore R. Parvin | .... | production associate | |
| Ana Maria Quintana | .... | script supervisor | |
| Jaime H. Shandera | .... | video | |
| Linda Sony | .... | production coordinator | |
| 'Chema' Hernandez | .... | head wrangler (uncredited) | |
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| To the Devil a Daughter | Trick or Treat | Deadly Blessing | The City of the Dead | The Boogeyman |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
This film made a massive impression on me, I'm afraid. Everything about it is revolting. It's one of only three programmes I've ever seen that caused me to vomit repeatedly.
The story is fairly pedestrian, but the concept and effects are extremely disturbing. I did not know until reading the comments here that Anton Le Vey was a consultant on the movie, but I guess this, finally, is the explanation for why a basically run of the mill picture had such a bad impression on me that even now, 26 years after watching it, it still causes me to shudder at the very thought. It does have a very "authentic occult feel" that might be impenetrable or just "silly" to many, but having at one time been very well informed on the subject, I think it would be fair to say that I recognised references to what I now consider very psychologically damaging concepts embedded in this film.. and now I know why!... so I am glad I looked this up. I wouldn't urge anyone to watch this, other than to observe how gut-wrenchingly revolting it is. I realise it was *meant* to be entertaining and fun, but I do see some much darker elements within that are less well intentioned