|
| Danny Arnold | .... | executive producer / producer (60 episodes, 1974-1980) |
| Gary Shaw | .... | associate producer / co-producer (45 episodes, 1975-1980) |
| Chris Hayward | .... | producer (35 episodes, 1975-1976) |
| Arne Sultan | .... | producer (8 episodes, 1975) |
| Roland Kibbee | .... | producer (5 episodes, 1976) |
| Tim Steele | .... | associate producer (3 episodes, 1975) |
| Noam Pitlik | .... | producer (3 episodes, 1979-1980) |
| Tony Sheehan | .... | producer (3 episodes, 1979-1980) |
| Mark Goode | .... | associate producer / producer (2 episodes, 1975) |
|
| Reinhold Weege | .... | co-producer (unknown episodes, 1978-1979) |
| Frank Dungan | .... | producer (unknown episodes) |
| Jeff Stein | .... | producer (unknown episodes) |
| |
|
| Jordan P. Davis | .... | executive in charge of production / post-production supervisor / ... (54 episodes, 1975-1980) |
| Don Richetta | .... | post-production supervisor (39 episodes, 1975-1977) |
| Ed Rossi | .... | unit manager (22 episodes, 1975-1976) |
| John Rea | .... | unit manager (22 episodes, 1976-1977) |
| Gary Shaw | .... | unit manager (10 episodes, 1975) |
| Bud Molin | .... | post-production executive / post-production manager (7 episodes, 1975) |
| Jordon P. Davis | .... | executive in charge of production (5 episodes, 1975) |
| Willie Geiger | .... | unit manager (2 episodes, 1975) |
| Perry L. Krauss | .... | post-production supervisor (2 episodes, 1979-1980) |
| |
|
| George Spiro Dibie | .... | lighting consultant (58 episodes, 1975-1979) |
| Grant Velie | .... | lighting technician / lighting director (50 episodes, 1975-1977) |
| Chester Jackson | .... | camera operator (40 episodes, 1975-1977) |
| Ron Brooks | .... | camera operator (38 episodes, 1975-1977) |
| Warren Cress | .... | camera operator (29 episodes, 1975-1977) |
| Noel Newman | .... | camera operator / assistant camera (24 episodes, 1976-1977) |
| Jim Balden | .... | camera operator (18 episodes, 1975-1976) |
| Herbert Weiss | .... | video operator (11 episodes, 1976-1977) |
| Bud Holland | .... | camera operator (9 episodes, 1975-1976) |
| John Lee | .... | camera operator (7 episodes, 1976-1977) |
| Jim Angel | .... | camera operator (5 episodes, 1975-1976) |
| Jack Denton | .... | lighting director / lighting technician (5 episodes, 1975-1976) |
| Herm Falk | .... | camera operator (4 episodes, 1975-1976) |
| Ed Payne | .... | camera operator (2 episodes, 1975) |
| |
|
| Susan Beavers | .... | production assistant (52 episodes, 1975-1977) |
| Shirley Albertini | .... | associate to producer (44 episodes, 1975-1977) |
| Darrell Gentry | .... | studio supervisor (40 episodes, 1975-1977) |
| Noble Moore | .... | technical director (40 episodes, 1975-1977) |
| Bud Untiedt | .... | engineering supervisor (36 episodes, 1975-1977) |
| Gary Shaw | .... | stage manager (29 episodes, 1975-1977) |
| Don Corvan | .... | associate director / stage manager (29 episodes, 1975-1976) |
| James Woodworth | .... | stage manager (22 episodes, 1975-1976) |
| Jerry Markus | .... | associate director (22 episodes, 1976-1977) |
| Jeffrey Melman | .... | stage manager (22 episodes, 1976-1977) |
| Tony Sheehan | .... | story editor / script editor (22 episodes, 1976-1977) |
| Lori Openden | .... | production assistant (17 episodes, 1975-1976) |
| Keith Winikoff | .... | video (17 episodes, 1975-1976) |
| Ernie Buttelman | .... | technical director (15 episodes, 1975) |
| Sam Potter | .... | video (15 episodes, 1976-1977) |
| Frank Dandridge | .... | associate to producer (13 episodes, 1975) |
| Horace Scott | .... | engineering supervisor (12 episodes, 1976-1977) |
| Ed Duzik | .... | stage manager (11 episodes, 1975-1979) |
| Shirley Stein | .... | production assistant (11 episodes, 1975) |
| John McElveney | .... | studio supervisor (9 episodes, 1976-1977) |
| Lee Fairchild | .... | stage manager (8 episodes, 1975-1977) |
| Lee Bernhardi | .... | associate director (8 episodes, 1975) |
| Jerry Blumenthal | .... | stage manager (6 episodes, 1975-1976) |
| Terry Finkel | .... | associate to producer (6 episodes, 1975) |
| Cherryll Bider | .... | production assistant (6 episodes, 1977-1979) |
| Bob Gabrielson | .... | engineering supervisor (4 episodes, 1976) |
| Rick Feuchter | .... | studio supervisor (4 episodes, 1977) |
| Franklin Melton | .... | associate director (3 episodes, 1975) |
| Tim Steele | .... | production consultant (3 episodes, 1975) |
| Ruth Siroonian | .... | production auditor (3 episodes, 1977) |
| Dick Amos | .... | stage manager (2 episodes, 1975) |
| Lee Berbhardi | .... | associate director (2 episodes, 1975) |
| Gus Dato | .... | engineering supervisor (2 episodes, 1975) |
| Selig Frank | .... | stage manager (2 episodes, 1975) |
| Lee Lochhead | .... | associate to producer (2 episodes, 1975) |
| John Westbrook | .... | technical director (2 episodes, 1975) |
| Frank Dungan | .... | story editor (2 episodes, 1979-1980) |
| Jeff Stein | .... | story editor (2 episodes, 1979-1980) |
| |
Trivia:
One of the props used on the police station set was a chalkboard used to show whether the policemen were on-duty or off-duty. When the show ended, the chalkboard was donated to the Smithsonian Television Museum. In addition to the names of the characters on the show, the board listed other names which were those of technicians who worked on the show's crew. The Smithsonian also has the police badges used by the actors (signed by producer
Danny Arnold) and
Jack Soo's coffee mug.
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Quotes:
Wojo:
[
arriving at stakeout location, carrying cases of equipment] Hey Barn! I got everything we need! I got 10-guage shotguns, 12-guage shotguns, tow phone, and
[
opens largest case]
Wojo:
tear gas!
Captain Barney Miller:
Did you bring a chair?
Wojo:
Chair?
Captain Barney Miller:
[
gestures to empty apartment] There's no place to sit down.
Wojo:
Ooh, sorry.
Captain Barney Miller:
[
looks into equipment case] I see you brought grenades too, huh?
Wojo:
Just a thought.
Captain Barney Miller:
If we don't use all this stuff, you're not going to feel bad, are you?
[
...]
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"Barney Miller" showed the gritty realism of police work in New York City in the 1970s, albeit with humor. Skits about the impending bankruptcy of the city, some of the futile criminal behavior (man stuck inside ductwork trying to burglarize a store), the mundane day in, day out existence of police officers with the occasional heart-pounding, adrenalin rush of excitement, and of course, what we in the profession called "the hairbags" - the old cops, forever full of stories, content to live in the past as Inspector Lugar exemplifies. To those who say "Barney Miller" is dated, I say the show is a timeless slice of life, and can be set in almost any locale and time period. The cast could not have been picked with any more brilliance, and the production was seamless. I say "Barney Miller" is a classic for the generations.