| Photos (see all 34 | slideshow) | Videos (see all 12) |
| Gene Wilder | ... | Dr. Frankenstein | |
| Peter Boyle | ... | The Monster | |
| Marty Feldman | ... | Igor | |
| Cloris Leachman | ... | Frau Blücher | |
| Teri Garr | ... | Inga | |
| Kenneth Mars | ... | Inspector Kemp | |
| Richard Haydn | ... | Herr Falkstein | |
| Liam Dunn | ... | Mr. Hilltop | |
| Danny Goldman | ... | Medical Student | |
| Oscar Beregi Jr. | ... | Sadistic Jailor (as Oscar Beregi) | |
| Arthur Malet | ... | Village Elder | |
| Anne Beesley | ... | Little Girl | |
| Monte Landis | ... | Gravedigger | |
| Rusty Blitz | ... | Gravedigger | |
| John Madison | ... | A Villager | |
| Johnny Dennis | ... | Orderly in Frankenstein's class | |
| Rick Norman | ... | A Villager | |
| Rolfe Sedan | ... | Train conductor | |
| Terence Pushman | ... | A Villager (as Terrence Pushman) | |
| Randolph Dobbs | ... | Third Villager (Joe) | |
| Norbert Schiller | ... | Emcee at Frankenstein's show | |
| Pat O'Hara | ... | A Villager (as Patrick O'Hara) | |
| Michael Fox | ... | Helga's Father | |
| Lidia Kristen | ... | Helga's Mother | |
| Madeline Kahn | ... | Elizabeth | |
| Richard A. Roth | ... | Insp. Kemp's Aide (as Richard Roth) | |
| Gene Hackman | ... | Blindman | |
| rest of cast listed alphabetically: | |||
| Leon Askin | ... | Herr Waldman (scenes deleted) | |
| John Carradine | ... | Beaufort Frankenstein (voice) (scenes deleted) | |
| Ian Abercrombie | ... | Second villager (uncredited) | |
| Mel Brooks | ... | Werewolf / Cat Hit by Dart / Victor Frankenstein (voice) (uncredited) | |
| Lou Cutell | ... | Frightened villager (uncredited) | |
| Berry Kroeger | ... | First Village Elder (uncredited) | |
| Jeff Maxwell | ... | Medical Student (uncredited) | |
| Clement von Franckenstein | ... | (uncredited) | |
Directed by | |||
| Mel Brooks | |||
Writing credits | ||
| Gene Wilder | (screen story and screenplay) and | |
| Mel Brooks | (screen story and screenplay) | |
| Mary Shelley | (novel "Frankenstein") (as Mary Wollstonecraft Shelley) | |
Produced by | |||
| Michael Gruskoff | .... | producer | |
Original Music by | |||
| John Morris | |||
Cinematography by | |||
| Gerald Hirschfeld | (director of photography) | ||
Film Editing by | |||
| John C. Howard | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | |||
Production Design by | |||
| Dale Hennesy | |||
Set Decoration by | |||
| Robert De Vestel | (as Bob de Vestel) | ||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Edwin Butterworth | .... | makeup artist (as Ed Butterworth) | |
| Mary Keats | .... | hair stylist | |
| William Tuttle | .... | makeup designer | |
Production Management | |||
| Frank Baur | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Marvin Miller | .... | assistant director | |
| Barry Stern | .... | second assistant director | |
Art Department | |||
| Anthony Goldschmidt | .... | graphic designer | |
| Jack M. Marino | .... | property master (as Jack Marino) | |
| Charles Sertin | .... | assistant property master | |
| Hendrik Wynands | .... | construction coordinator (as Hank Wynands) | |
| Edward T. McAvoy | .... | scenic artist (uncredited) | |
Sound Department | |||
| Gene S. Cantamessa | .... | production sound mixer (as Gene Cantamessa) | |
| Don Hall | .... | sound editor | |
| Richard Portman | .... | production sound re-recordist | |
Special Effects by | |||
| Hal Millar | .... | special effects | |
| Henry Millar Jr. | .... | special effects | |
Visual Effects by | |||
| Matthew Yuricich | .... | matte artist (uncredited) | |
Stunts | |||
| Roger Creed | .... | stunt coordinator (uncredited) | |
| Jesse Wayne | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| James Plannette | .... | gaffer | |
| Richard Tim Vanik | .... | camera operator (as Tim Vanik) | |
Costume and Wardrobe Department | |||
| Carolyn Ewart | .... | wardrobe: women | |
| Phyllis Garr | .... | wardrobe: women | |
| Dick James | .... | wardrobe: men | |
| Ed Wynigear | .... | wardrobe: men | |
Editorial Department | |||
| Stanford C. Allen | .... | assistant editor | |
| William D. Gordean | .... | assistant editor | |
Music Department | |||
| John Morris | .... | conductor | |
| John Morris | .... | orchestrator | |
| Jonathan Tunick | .... | orchestrator | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
Other crew | |||
| Anthony Goldschmidt | .... | title designer | |
| Ray Quiroz | .... | script supervisor | |
Thanks | |||
| Ken Strickfaden | .... | special thanks: original Frankenstein laboratory equipment (as Kenneth Strickfaden) | |
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| Frankenstein | Bride of Frankenstein | All Quiet on the Western Front | The Curse of Frankenstein | The Revenge of Frankenstein |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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Mel Brooks' parodies are like your favorite, worn-out couch. You know it's not the greatest in style, taste and quality, but it just feels so damn comfortable. Of late, most of Mel's spoofs have been off the mark, his work mellowing into predictability. In fact, you really have to go all the way back to 1974 to see Brooks at his sharpest. In that year we were awarded "Blazing Saddles" AND "Young Frankenstein."
Perhaps "Young Frankenstein" is not definitive Mel Brooks, although he directed it. Gene Wilder, who not only stars but co-wrote it with Mel, was the inspiration to make this movie. And it's his influence, I think, that brings the best out in Mel. When spoofing a historical era, movie genre or legendary tale, Brooks' satirical bag of tricks always included a hodgepodge of crude sight gags, burlesque schtick and stale Jewish jokes done at rapid-fire pace. The plot became an after-thought, working around the barrage of unsubtle humor. In targeting the classic Frankenstein' series, however, Brooks worked in reverse, wisely focusing on plot, tone and atmosphere, then complementing them with clever, carefully constructed bits.
A rich staple of comedy pros from Brooks' fun factory (Mel graciously did not cast himself here) were employed to wring out the most laughs possible out of the fresh, inventive material. Gene Wilder plays the frizzy-haired, eruptive college professor Frederick Frankenstein (pronounced FRONK-en-STEEN), grandson of the infamous scientist, who gives in to the maniacal tendencies of his mad ancestor after inheriting the late Baron's Teutonic castle. His simmer-to-boil antics have seldom been put to better use, while only pop-eyed Marty Feldman, who gets to break the fourth wall as Igor (prounouced EYE-gor), the dim, oddball assistant, could milk a hump for all its worth. Kenneth Mars too gets a lot of mileage out of his one-armed, slush-mouthed inspector. In the film's most difficult role, Peter Boyle's appearance as the Monster is jarring at first, looking like a cross between Herman Munster and Uncle Fester. But he increasingly wins you over, earning even a little empathy along the way. His character is the most crucial for this parody to work right and he succeeds, figuring in a high percentage of the comedy highlights.
Representing the distaff side, Madeline Kahn is one cool cucumber, stealing focus whenever she's on camera as the placid, meticulous, hopelessly stuck-up fiancee Elizabeth; Cloris Leachman sinks her teeth into the role of the grotesque Frau Blücher, whose mere mention of her name sends horses into panic; and Teri Garr is delightful as a dinghy Deutschlander who assists Frankenstein in his wild experiments and other things.
An amalgamation of Universal's earliest and best Frankenstein' movies ("Frankenstein," "Bride of Frankenstein" and "Son of Frankenstein," this spoof relies on close imitation and Brooks took painstaking methods to recreate the look and feel of James Whale's original sets, black-and-white photography and musical score. It pays off in spades.
Nearly 30 years later, this movie still leaves me in stitches. Wilder and Garr's revolving secret door bit is still priceless, as is Cloris Leachman's ovaltine' routine and the Wilder/Boyle "Puttin' On the Ritz" tie-and-tail duet. Boyle and the unbilled Gene Hackman in the "Blind Hermit" scene ripped off from "Bride of Frankenstein" are uproarious, easily winning the award for sustained hilarity in a single sketch. Add Feldman's hump and Mars' troublesome mechanical arm and what you have is rib-tickling entertainment from start to finish. Madeline Kahn's post-coital, cigarette-smoking scene with ol zipperneck' who leaves her in a sexual snit must go down in Hollywood annals as the funniest scene ever caught on camera. Certainly Jeanette MacDonald's puristic rendition of "Ah, Sweet Mystery of Life" will never have quite the same meaning again after you've heard Madeline's spin on it.
"Blazing Saddles" indeed has its insane moments but when it comes to toasting Mel Brooks in the years to come, "Young Frankenstein" should certainly stand front and center when representing this clown prince of comedy.