The Texas Chain Saw Massacre (1974)

User Rating:

7.5/10   

Director:

Tobe Hooper

Writers:

Kim Henkel (story) and
Tobe Hooper (story)

Release Date:

1 October 1974 (USA)

Genre:

Horror | Thriller

Tagline:

The idyllic summer's day that became a nightmare of fear and blood... [UK Video]

Plot:

Five friends visiting their grandpa's old house are hunted down and terrorized by a chainsaw wielding killer and his family of grave-robbing cannibals.

Plot Keywords:

Grandfather | Cannibal | Chainsaw | Leatherface | Hitchhiker

Awards:

1 win

Cast

Marilyn Burns	...	Sally Hardesty
Allen Danziger	...	Jerry
Paul A. Partain	...	Franklin Hardesty
William Vail	...	Kirk
Teri McMinn	...	Pam (as Teri Mcminn)
Edwin Neal	...	Hitchhiker
Jim Siedow	...	Old Man
Gunnar Hansen	...	Leatherface
John Dugan	...	Grandfather
Robert Courtin	...	Window Washer
William Creamer	...	Bearded Man
John Henry Faulk	...	Storyteller
Jerry Green	...	Cowboy
Ed Guinn	...	Cattle Truck Driver
Joe Bill Hogan	...	Drunk

Also Known As:

Headcheese (USA) (working title)
Leatherface (USA) (working title)
Stalking Leatherface (USA) (alternative title)
The Texas Chainsaw Massacre (USA) (alternative spelling)

Runtime:

83 min | Germany:75 min (new longer Version)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

West Germany:(Banned) | New Zealand:R18 | Canada:13+ (Quebec) (re-rating: 2004) | Sweden:15 (re-rating: 1994) (cut) (re-rating: 2001) (uncut) | Sweden:15 (re-rating) (2001) (uncut) | UK:18 (re-rating: 1999) | Canada:18+ (Quebec) (original rating: 1974) | UK:R (original rating: 1975) | Finland:(Banned) (1984) | Finland:K-18 (1996) | UK:(Banned) (original rating) | Italy:VM14 (re-rating) (2003) | Italy:VM18 (original rating) | Brazil:18 (1998) | Brazil:(Banned) | Australia:(Banned) (original rating) | Belgium:16 (video rating) | West Germany:18 (cut) | New Zealand:R16 (re-rating) (2007) (uncut) | Singapore:M18 (re-rating) | Italy:VM18 (DVD rating) | Argentina:16 | Australia:R | Canada:R | Chile:(Banned) (re-rating) (1978) | Chile:18 (original rating) | Denmark:15 (video rating) | France:-16 (re-rating) | France:X (original rating) | Hong Kong:III | Iceland:(Banned) (original rating) | Iceland:16 (re-rating) | Ireland:(Banned) (original rating) | Ireland:18 | Japan:R-15 | Netherlands:16 | Norway:(Banned) (video rating) | Norway:18 (re-rating) (1997) (uncut) | South Korea:18 | Spain:18 | Sweden:(Banned) (1984) | USA:R | Singapore:(Banned) | Germany:BPjM Restricted

Filming Locations:

Austin, Texas, USA

Company:

Vortex

Trivia:

Some urban legends say that the the "real" Texas Chainsaw Massacre took place near Poth, (a small town about 50 miles south of San Antonio. This is false. The film is fictional and based loosely on the life of Wisconsin serial killer Ed Gein (as is the classic Psycho (1960)).

Goofs:

Continuity: When the van pulls up to the service station and the cook comes out there is a red open sign on the door. Later it is gone.

Quotes:

[first lines]
Narrator: The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives...

Movie Connections:

Spoofed in Hollywood Chainsaw Hookers (1988)

Soundtrack:

GLAD HAND

All the remakes and imitators are just swimming in its wake...

With the recent box-office success achieved by the latest remake of 1974's `The Texas Chainsaw Massacre,' it's worth looking back at Tobe Hooper's original horror classic.

The movie tells a fairly simple tale at heart. A group of five teenagers driving through rural Texas happen upon a deranged, cannibalistic family. Psychological terror and chainsaws ensue.

Yet despite this simplicity, what is it about `The Texas Chainsaw Massacre' that continues to succeed so with its audience? Outside of one memorial scene involving a meet hook; the movie is not particularly gory by today's standards. The film's characters and actual scares are not that remarkable.

The power of `The Texas Chainsaw Massacre' lies in its atmosphere and in what H.P. Lovecraft called `the oldest and strongest kind of fear': the fear of the unknown. The later of these two staples of great horror is often cast aside in modern horror movies-especially in those churned out by the great Hollywood engine. Instead, every mystery must be explained away, every mask ultimately pulled from a monster's face, and not a moment of exposition is spared. It is interesting to note that the filmmakers behind the latest `Chainsaw' film chose to implement all three of these stylistic vices in their remake.

In the original, the feeling of dread and mounting paranoia creeps over the viewer in slow but steady waves. The first scene in the film depicts a desecrated grave with a voiceover of radio newscast, immediately followed by an opening credits sequence set against a backdrop of roaring solar flares. This, along with some idle astrological chatter on the part of one of the teenagers early on, leads to a feeling of cosmic disarray in the lonely Texas hills they traverse.

Questions about the villain's mask or the field of cars under camouflage netting are left for the viewer to answer on his or her own. At worst, in the loss of any acceptable answer, they are forced to ponder that terrible and limitless gulf of the imagination: the unknown.

In it's later stages, the film becomes a cacophonous world of throat-peeling screaming, blood-shot eyes, laughter, and grinding machinery. One is forced to recall the solar flares in the film's opening credits. In the climax of famous dinner scene, there is a feeling of cosmic forces pressing in on reality and warping it into some crude mockery of order, as if the world were but a TV or radio signal distorted into madness by flares on the surface of the sun.

In the 29 years since `The Texas chainsaw Massacre' hit theaters, there have been countless imitators and four additional films in the franchise, three of them remakes. Yet as loved and influential as the original classic has been, many who would seek to emulate its vision seem to overlook its true strengths.