| William Finley | ... | Winslow / The Phantom | |
| Paul Williams | ... | Swan | |
| Jessica Harper | ... | Phoenix | |
| Gerrit Graham | ... | Beef | |
| George Memmoli | ... | Philbin | |
| Archie Hahn | ... | The Juicy Fruits / The Beach Bums / The Undeads | |
| Jeffrey Comanor | ... | The Juicy Fruits / The Beach Bums / The Undeads | |
| Peter Elbling | ... | The Juicy Fruits / The Beach Bums / The Undeads (as Harold Oblong) | |
| Colin Cameron | ... | Band | |
| David Garland | ... | Band | |
| Gary Mallaber | ... | Band | |
| Art Munson | ... | Band | |
| Mary Margaret Amato | ... | Swan's Entourage | |
| Rand Bridges | ... | Swan's Entourage | |
| James Bohan | ... | Swan's Entourage | |
| Herb Pacheco | ... | Assassin | |
| Jennifer Ashley | ... | Groupie | |
| Janit Baldwin | ... | Groupie | |
| Janus Blythe | ... | Groupie (as Janis Eve Lynn) | |
| Katherine Mastellos | ... | Groupie | |
| Robin Mattson | ... | Groupie | |
| Patrice Rohmer | ... | Groupie | |
| Ruthy Ross | ... | Groupie (as Ruthey Ross) | |
| Cheryl Smith | ... | Groupie | |
| April Troy | ... | Groupie | |
| Walter Foster | ... | Cop | |
| Peter Harrell | ... | Cop | |
| Troy Haskins | ... | Judge | |
| Gene Gross | ... | Warden | |
| Henry Calvert | ... | Nightwatchman | |
| Ken Carpenter | ... | Stagehand | |
| Sam Forney | ... | Stagehand | |
| Leslie Brewer | ... | Surfgirl | |
| Celia Derr | ... | Surfgirl | |
| Linda Larimer | ... | Surfgirl | |
| Roseanne Romine | ... | Surfgirl | |
| Nydia Amagas | ... | Dancer | |
| Sara Ballantine | ... | Dancer | |
| Kristi Bird | ... | Dancer | |
| Cathy Buttner | ... | Dancer | |
| Linda Cox | ... | Dancer | |
| Jane DeFord | ... | Dancer | |
| Bibi Hansen | ... | Dancer | |
| Robin Jeep | ... | Dancer | |
| Deen Summers | ... | Dancer | |
| Judy Washington | ... | Dancer | |
| Susan Weiser | ... | Dancer | |
| Janet Savarino | ... | Singing Twin | |
| Jean Savarino | ... | Singing Twin | |
| Keith Allison | ... | Country & Western Singer | |
| Bobby Birkenfeld | ... | Guy | |
| Sandy Catton | ... | Black Singers (as Sandy Catton & friends) | |
| William Donovan | ... | Reporter | |
| Edmund Lane | ... | Reporter (as Scott Lane) | |
| Dennis Olivieri | ... | Reporter | |
| Adam Wade | ... | Reporter | |
| Nancy Moses | ... | Back-Up Singer | |
| Diana Walden | ... | Back-Up Singer | |
| Sherri Adeline | ... | Girl in Ticket Line | |
| Carol O'Leary | ... | Betty Lou | |
| Marty Bongfeldt | ... | Mini-bopper (as Marty Bongfeld) | |
| Coleen Crudden | ... | Mini-bopper | |
| Bridgett Dunn | ... | Mini-bopper | |
| William Shephard | ... | Rock Freak | |
| rest of cast listed alphabetically: | |||
| Shelly Desai | ... | Dental Health Volunteer #1 (uncredited) | |
| Ray Kennedy | ... | Beef (singing voice) (uncredited) | |
| Rod Serling | ... | Introductory Narrator (voice) (uncredited) | |
Directed by | |||
| Brian De Palma | |||
Writing credits | ||
| Brian De Palma | (written by) | |
Produced by | |||
| Michael Arciaga | .... | associate producer | |
| Gustave M. Berne | .... | executive producer (as Gustave Berne) | |
| Jeffrey L. Hayes | .... | associate producer (as Jeffrey Hayes) | |
| Paul Lewis | .... | associate producer | |
| Edward R. Pressman | .... | producer | |
| Lynn Pressman-Raymond | .... | assistant producer (as Lynn Raymond) | |
| Bill Scott | .... | associate producer | |
Original Music by | |||
| Paul Williams | |||
Cinematography by | |||
| Larry Pizer | (director of photography) | ||
Film Editing by | |||
| Paul Hirsch | |||
Casting by | |||
| Sylvia Fay | |||
| Gino Havens | |||
| Peggy Taylor | |||
Production Design by | |||
| Jack Fisk | |||
Costume Design by | |||
| Rosanna Norton | |||
Makeup Department | |||
| John Chambers | .... | makeup designer | |
| Rolf Miller | .... | makeup artist | |
| Anna Sugano | .... | hair stylist | |
Production Management | |||
| Gary Kent | .... | unit manager | |
| Thomas Lightburn | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Michael J. Dmytryk | .... | assistant director (as Michael Dmytryk) | |
| Robert Enrietto | .... | second assistant director | |
Art Department | |||
| Michel Levesque | .... | construction coordinator (as Michael Levesque) | |
| Erik L. Nelson | .... | property master (as Erik Nelson) | |
| Sissy Spacek | .... | set dresser | |
| Brian Swain | .... | construction coordinator | |
Sound Department | |||
| Harriet Fidlow | .... | assistant sound editor (as Harriet Glickstein) | |
| Al Gramaglia | .... | sound mixer | |
| Dan Sable | .... | sound editor | |
| David Schneiderman | .... | boom operator | |
| James M. Tanenbaum | .... | sound (as James Tanenbaum) | |
Special Effects by | |||
| Greg Auer | .... | special effects | |
Stunts | |||
| Andy Epper | .... | stunt double: Winslow (as Andrew Epper) | |
| James Gambino | .... | stunt double: Swan | |
| Jim Lovelett | .... | stunt double: Winslow | |
| Steven Richmond | .... | stunt double: Swan | |
Camera and Electrical Department | |||
| John L. Black | .... | grip (as John Black) | |
| Terry Bowen | .... | second assistant camera | |
| Richard Cronn | .... | best boy | |
| Sean Doyle | .... | assistant camera | |
| Robert Elfstrom | .... | special photography for wedding | |
| Cary Griffith | .... | grip | |
| Tim Griffith | .... | gaffer | |
| Maurice Horton | .... | electrician | |
| Bruce Kaye | .... | second assistant camera | |
| Paul Marcus | .... | electrician | |
| Jack Palinkas | .... | key grip | |
| James Signorelli | .... | special photography for wedding | |
| Darryl Smith | .... | electrician | |
| Mike Taylor | .... | grip | |
| Ronnie Taylor | .... | camera operator (as Ronald Taylor) | |
| Philip Sloan | .... | electrician: Dallas (uncredited) | |
Costume and Wardrobe Department | |||
| Peter Jamison | .... | associate costume designer | |
Editorial Department | |||
| Paul Hirsch | .... | montage | |
Music Department | |||
| Michael Arciaga | .... | music supervisor | |
| Jules Chaikin | .... | music supervisor | |
| John Fox | .... | assistant music editor | |
| Ed Norton | .... | music editor | |
| George Aliceson Tipton | .... | composer: additional score | |
| George Aliceson Tipton | .... | conductor: additional scoring | |
| Paul Williams | .... | music producer | |
Other crew | |||
| Alexa Bodrero | .... | assistant to director | |
| Ken Carpenter | .... | production assistant | |
| Judith Cohen | .... | production secretary | |
| Adrian Cumming | .... | production assistant | |
| J. Daniel Dusek | .... | production assistant (as Dan Dusek) | |
| Peter Elbling | .... | choreographer (as Harold Oblong) | |
| Karen Gilbert | .... | production assistant | |
| Deborah Howe | .... | assistant to producer | |
| Cassandra Kaye | .... | script supervisor | |
| William Shephard | .... | choreographer for wedding | |
| Stanley Weiser | .... | production assistant | |
| Edward Summer | .... | marketing consultant (uncredited) | |
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| The Phantom of the Opera | Sid and Nancy | Repo! The Genetic Opera | Face Eater | The Phantom of the Opera |
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My father wouldn't let me see this in 1974 (I was 11) and I recall him reporting a coworker's opinion that the film should have been rated "R."
So finally, in 2005, I see the film at age 42.
The film is disturbing on a variety of levels. First and foremost, I realized that most of the players are now in their late 50's and 60's. Disturbing, why? Well, because there's a band out there called "the Undead" (Bobby Steele, ex-Misfits) who, turns out, stole (or did he?) his name from Phantom of the Paradise's "the Undeads" Likewise, the Undeads in this film were doing in 1974 what Scandinavian death metal bands _started_ doing in the early 1990's. Furthermore, did the Damned's Dave Vanian rip off the Undead's gimmick?
I felt uneasy realizing that, had I seen the movie when it came out, I probably wouldn't have gotten any of the jokes; I wouldn't have laughed out loud at Beef, the lesbian jokes, the parody of self-important wimpy rockers. And I wouldn't have appreciated the successful composite of Phantom of the Opera, Faust, Picture of Dorian Gray, etc.
The acting is top-notch - the only way "camp" gets laughs. Paul Williams's Swan is the most black-hearted villain I've seen.
The wait was worth it for me on this one.