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Directed by | |||
| Guy Hamilton | |||
Writing credits | ||
| Richard Maibaum | (screenplay) and | |
| Tom Mankiewicz | (screenplay) | |
| Ian Fleming | (novel) uncredited | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Charles Orme | .... | associate producer | |
| Harry Saltzman | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Ted Moore | (director of photography) | ||
| Oswald Morris | (director of photography) | ||
Film Editing by | |||
| Raymond Poulton | |||
| John Shirley | |||
Casting by | |||
| Weston Drury Jr. | (as Weston Drury Jnr.) | ||
| Maude Spector | |||
Production Design by | |||
| Peter Murton | |||
Art Direction by | |||
| John Graysmark | (co-art director) | ||
| Peter Lamont | (co-art director) | ||
Makeup Department | |||
| Paul Engelen | .... | chief makeup artist | |
| Mike Jones | .... | hairdresser | |
| Nick Maley | .... | makeup artist: title sequence (uncredited) | |
Production Management | |||
| Claude Hudson | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Derek Cracknell | .... | assistant director | |
| Raymond Becket | .... | second assistant director (uncredited) | |
| Terence Churcher | .... | second assistant director (uncredited) | |
| Ray Freeborn | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Leon Davis | .... | construction manager | |
| Patrick Weymouth | .... | props | |
| Ernest Archer | .... | assistant art director (uncredited) | |
| Peter Childs | .... | draughtsman (uncredited) | |
| John Chisholm | .... | prop man (uncredited) | |
| Peter Howitt | .... | set dresser (uncredited) | |
| Tim Hutchinson | .... | set designer (uncredited) | |
Sound Department | |||
| Ken Barker | .... | dubbing mixer | |
| Charles Crafford | .... | dubbing editor | |
| Gordon Everett | .... | sound recordist | |
| Christopher Lancaster | .... | dubbing editor | |
| Jim Shields | .... | dubbing editor (as Jimmy Shields) | |
Special Effects by | |||
| John Stears | .... | special effects | |
Visual Effects by | |||
| Derek Meddings | .... | miniatures | |
| Cliff Culley | .... | matte artist (uncredited) | |
| Roy Field | .... | opticals (uncredited) | |
Stunts | |||
| W.J. Milligan Jr. | .... | stunt coordinator | |
| Gillian Aldam | .... | stunts (uncredited) | |
| Leslie Crawford | .... | stunts (uncredited) | |
| Bill Cummings | .... | stunts (uncredited) | |
| Eddie Eddon | .... | stunts (uncredited) | |
| Martin Grace | .... | stunt double: Roger Moore (uncredited) | |
| Christopher Lee | .... | stunt driver (uncredited) | |
| W.J. Milligan Jr. | .... | stunt double: Roger Moore (uncredited) | |
| W.J. Milligan Jr. | .... | stunt driver (uncredited) | |
| Terence Plummer | .... | stunts (uncredited) | |
| Eddie Powell | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Doug Robinson | .... | stunts (uncredited) | |
| Roy Street | .... | stunts (uncredited) | |
| Rocky Taylor | .... | stunts (uncredited) | |
| Paul Weston | .... | stunts (uncredited) | |
| 'Bumps' Williard | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| John Harris | .... | second unit cameraman | |
| Bob Kindred | .... | camera operator | |
| Bert Bosher | .... | gaffer (uncredited) | |
| Bob Penn | .... | still photographer (uncredited) | |
| Mike Roberts | .... | focus puller (uncredited) | |
| David Wynn-Jones | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Elsa Fennell | .... | wardrobe supervisor | |
| Evelyn Gibbs | .... | wardrobe assistant (uncredited) | |
Music Department | |||
| John Barry | .... | conductor | |
| John Barry | .... | music arranger | |
| Lulu | .... | singer: title song | |
| Monty Norman | .... | composer: James Bond theme | |
| Vic Flick | .... | musician: guitar (uncredited) | |
| Sidney Margo | .... | music contractor (uncredited) | |
Other crew | |||
| Brian Bailey | .... | production accountant | |
| Reginald A. Barkshire | .... | assistant to producers (as Reginald Barkshire) | |
| Maurice Binder | .... | title designer: main title | |
| Albert R. Broccoli | .... | presenter | |
| Frank Ernst | .... | location manager | |
| Santa Pestonji | .... | production coordinator: Bangkok | |
| Eric Rattray | .... | location manager | |
| Harry Saltzman | .... | presenter | |
| Elaine Schreyeck | .... | continuity | |
| Geoff Freeman | .... | unit publicist (uncredited) | |
| Josie Fulford | .... | continuity: second unit (uncredited) | |
| Doris Spriggs | .... | assistant: Roger Moore (uncredited) | |
| Michael G. Wilson | .... | EON productions: legal and administration (uncredited) | |
| Michael G. Wilson | .... | technical consultant (uncredited) | |
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| GoldenEye | The World Is Not Enough | On Her Majesty's Secret Service | For Your Eyes Only | Licence to Kill |
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This exciting ninth Bond entry gets the greatest villain named Scaramanga,here's his biography : he was born in a circus,his father was ringmaster and mother a English snakes charmer.He was a spectacular trick-shot artist when ten and a local Rio gunman at 15.The KGB trained him in Europe where he became an overworked and underpaid assassin.He went independent in the late 50s,his current price : one million dollars a hit .No photograph on file and unknown domicile but he does have on distinguishing feature,however: a superfluous papilla and mammary gland,a third nipple.He always uses a golden bullet ,hence ¨Man with the golden gun¨.He sends a golden bullet to MI6 with number on 007 and a note requesting special delivery to Bond,it's initialled with a ¨S¨ and Scaramanga's fingerprints were on it.Scaramanga tries the death of 007 ,face to face , a duel between titans: The golden gun against Walther gun. James Bond is assigned to retrieve a piece of equipment named Solex that can be used for a device to create the sun's energy.Bond explains when he kills it's under specific orders of government and those he kills are themselves killers.Roger Moore is a sympathetic and magnificent Bond,he earns in irony,suavity and smoothness.In an interview Moore tells about the shooting : ¨It looks a paradise on the screen but it was terrible hot,the entire unit had boils because you could never take a shower.It was uncomfortable ,it looks romantic and then they went over Macao.We're shooting all those scenes of gambling and so that's all go over there and we've got tables going over there with the Blackjack and he made quite money at the gambling table during the five months of shooting¨.¨The film contains spectacular fights ,the lieutenant Hip's nieces are a students of the karate school ,the scene was played for laughs,but the women cast were Tae-Kwon-do champions and very accomplished athletes.The struggles were carefully choreographed and performed like a dance routine requiring each participant to hit their mark at the correct time¨.Film is made by Eon productions limited on location in Hong Kong,Macau,Thailand and a Pinewood Studios,London,England.The atmosphere is faithful to the actual location but the interiors on a set at Pinewood Studios. The motion picture is well directed by Guy Hamilton