| Photos (see all 4 | slideshow) |
| Vincent Price | ... | Paul Toombes | |
| Peter Cushing | ... | Herbert Flay | |
| Robert Quarry | ... | Oliver Quayle | |
| Adrienne Corri | ... | Faye | |
| Linda Hayden | ... | Elizabeth Peters | |
| Natasha Pyne | ... | Julia | |
| Barry Dennen | ... | Blount | |
| Catherine Willmer | ... | Louise | |
| Ellis Dayle | ... | Alfred | |
| Jenny Lee Wright | ... | Carol | |
| John Garrie | ... | Harper | |
| Ian Thompson | ... | Bradshaw | |
| Julie Crosthwaite | ... | Ellen | |
| Peter Halliday | ... | Psychiatrist | |
| rest of cast listed alphabetically: | |||
| Boris Karloff | ... | Clip from 'The Raven' (archive footage) | |
| Debra Paget | ... | Clips from 'The Haunted Palace' (archive footage) | |
| Michael Parkinson | ... | TV Interviewer | |
| Basil Rathbone | ... | Clip from 'Tales of Terror' (archive footage) | |
| George Blackler | ... | George the Make-Up Artist (uncredited) | |
| Antony Carbone | ... | Clip from 'Pit and the Pendulum' (archive footage) (uncredited) | |
| Robert Cawdron | ... | CID Inspector (uncredited) | |
| Earl Rhodes | ... | Boy Fishing (uncredited) | |
| Christopher Sandford | ... | Reporter (uncredited) | |
| Patrick Westwood | ... | Clip from 'Pit and the Pendulum' (archive footage) (uncredited) | |
Directed by | |||
| Jim Clark | |||
Writing credits(in alphabetical order) | ||
| Angus Hall | novel "Devilday" | |
| Ken Levison | screenplay | |
| Greg Morrison | screenplay | |
Produced by | |||
| Samuel Z. Arkoff | .... | executive producer | |
| John Dark | .... | associate producer | |
| Max Rosenberg | .... | producer | |
| Milton Subotsky | .... | producer | |
Original Music by | |||
| Douglas Gamley | |||
Cinematography by | |||
| Ray Parslow | |||
Art Direction by | |||
| Tony Curtis | |||
Makeup Department | |||
| George Blackler | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Michael Green | .... | third assistant director | |
| Allan James | .... | first assistant director | |
| Nigel Wooll | .... | second assistant director (uncredited) | |
Sound Department | |||
| Gerry Humphreys | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Ian Smith | .... | clapper loader | |
Costume and Wardrobe Department | |||
| Dulcie Midwinter | .... | costumes | |
Music Department | |||
| Douglas Gamley | .... | conductor | |
Other crew | |||
| David Sheldon | .... | production executive | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
No bones about it. This film is not very good. It has so few moments of inspiration that I really have little to say in its favor. Let's tackle what is wrong with the film first. The story is threadbare and in many ways very illogical and incomprehensible. The ending makes little sense even though its billed as a "twist" ending. Paul Toombes, the co-creator of Dr. Death, was suspected of beheading his wife to be in Hollywood many years ago. He is brought to London by the other co-creator, writer Henry Flay, at least a dozen years later. Years of self-guilt, self-denial, and psychological analysis. So far so good. People begin to die again of course, but the three main suspects from many years ago are back. Vincent Price as Toombes, Peter Cushing as Flay, and Robert Quarry as a producer are all in London and all involved in a return to televisionshow of the retired Dr. Death. Toombes looks very guilty as we constantly see a pair of hands without a face put gloves on indicating someone is about to die. Little mystery here. It can only be one of three people, and the way the film is shot you know that it is unlikely Toombes did it...especially as one of the murders takes place while he is being interviewed. Now our suspects are down to two...and it is so incredibly easy to figure out the identity of the killer that I would go so far as to say there is NO mystery in this film. Any how, the story climaxes with an unrealistic and unexplained plot element that must have been scavenged from the throw-away red herring pile of Agatha Christie as something she would not even have the temerity to use and expect people to believe. I found myself after viewing th film filled with a great deal of disappointment that such huge talents were wasted. this was a co-production from Amicus and AIP. I think AIP just let the producer and director use a lot of Price's work from the old Corman-Poe movies. There are clips from The Raven, Tales of Terror, The Pit and the Pendulum(in black and white no less as it's advertised as one of Toombe's early works), and several others.The fact that the clips were used demonstrates the budget used in the film and the apparent lack of creativity and originality used in the film. Was there anything good? Yes, the pairing of Price and Cushing in ANY film is always worth a look. Price is excellent in some scenes, particularly those dealing with the business of the horror business. Cushing has little screen time but is effective for the most part. Quarry, though given little to do, is also a bonus. The real acting talent goes to Adrienne Corri as a woman whose body has been burned and has a penchant for spiders. Her character is totally unrealistic, but Corri really does a great job with what she is given. Themake-up of the Dr. Death character is fantastic. I think more could have been done with that. The biggest problem for me is not what the end product was but what it could have been. Vincent Price and Peter Cushing has shared so little screen time together that this movie could have been their penultimatepairing..for some it may be as I cannot think of but only one other film where they share any considerable screen time...House of the Long Shadows. For my money that is a far better film than this(and I am not particularly crazy about that film either)and at least gives the two actors time to thrust and parry against each other. In this film they have little to do. Such a shame!