Jeder für sich und Gott gegen alle (1974)

Director:

Werner Herzog

Writer:

Werner Herzog (writer)

Release Date:

1 November 1974 (West Germany)

Genre:

Biography | Drama | History

Plot:

Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828...

Plot Keywords:

Captive | Dwarf | Isolation | Exploitation | Sensitivity

Awards:

6 wins & 1 nomination

Cast

  (Cast overview, first billed only)

Bruno S.	...	Kaspar Hauser
Walter Ladengast	...	Professor Daumer
Brigitte Mira	...	Kathe, Servant
Willy Semmelrogge	...	Circus director
Michael Kroecher	...	Lord Stanhope
Hans Musäus	...	Unknown Man
Marcus Weller
Gloria Doer	...	Frau Hiltel
Volker Prechtel	...	Hiltel the prison guard
Herbert Achternbusch	...	Bavarian Chicken Hypnotizer
Wolfgang Bauer
Wilhelm Bayer	...	Taunting Farmboy
Franz Brumbach
Johannes Buzalski
Helmut Döring	...	Little King

Also Known As:

Every Man for Himself and God Against All
Kaspar Hauser - Jeder für sich und Gott gegen alle (West Germany)
The Enigma of Kaspar Hauser (International: English title)
The Mystery of Kaspar Hauser (International: English title) (dubbed version)

Runtime:

110 min

Country:

West Germany

Language:

German

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Australia:PG | Canada:G (Québec) | Canada:PG (Ontario) | Sweden:11 | UK:PG | West Germany:12 (bw)

Filming Locations:

Dinkelsbühl, Bavaria, Germany

Company:

Filmverlag der Autoren

Quotes:

Kaspar Hauser: Mother, I am so far away from everything.

Movie Connections:

Featured in Was ich bin, sind meine Filme (1979)

Wunderbar

This is the third Werner Herzog film I have watched. The first two were Signs of Life and Aguirre: The Wrath of God. All for themselves and God against All is by far my favorite Herzog movie (and my favorite title). The exploration of Kaspar's primitive mind was fascinating and, at times, even humorous. I enjoyed Kaspar's disdain for the arrogant priests and scientists (but especially the priests!). Like every Werner Herzog movie I've seen thus far, the film does not progress at breakneck speed. This is definitely a turn-off to most movie-goers. I can relate. (Signs of Life had me checking my signs of life). However, I felt that the significant and often humorous dialogue more than made up for the admittedly slow pace.