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Jeder für sich und Gott gegen alle (1974)
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Overview
User Rating:
Release Date:
1 November 1974 (West Germany) morePlot:
Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828... more | add synopsisAwards:
6 wins & 1 nomination moreUser Comments:
The story of a soul moreCast
(Cast overview, first billed only) | Bruno S. | ... | Kaspar Hauser |
| Walter Ladengast | ... | Professor Daumer |
| Brigitte Mira | ... | Kathe, Servant |
| Willy Semmelrogge | ... | Circus director |
| Michael Kroecher | ... | Lord Stanhope |
| Hans Musäus | ... | Unknown Man |
| Marcus Weller | ||
| Gloria Doer | ... | Frau Hiltel |
| Volker Prechtel | ... | Hiltel the prison guard |
| Herbert Achternbusch | ... | Bavarian Chicken Hypnotizer |
| Wolfgang Bauer | ||
| Wilhelm Bayer | ... | Taunting Farmboy |
| Franz Brumbach | ||
| Johannes Buzalski | ||
| Helmut Döring | ... | Little King |
Additional Details
Also Known As:
Every Man for Himself and God Against AllKaspar Hauser - Jeder für sich und Gott gegen alle (West Germany)
The Enigma of Kaspar Hauser
The Mystery of Kaspar Hauser
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Parents Guide:
Add content advisory for parentsRuntime:
110 minCountry:
West GermanyLanguage:
GermanColor:
Color (Eastmancolor)Aspect Ratio:
1.66 : 1 moreSound Mix:
MonoCertification:
Australia:PG | Canada:G (Québec) | Canada:PG (Ontario) | Sweden:11 | UK:PG | West Germany:12 (bw)Fun Stuff
Quotes:
Opening caption: Do you not then hear this horrible scream all around you that people usually call silence. moreFAQ
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"This is the story of a soul", someone said and I agree because loneliness is here described through a slow moving plot and endless silences which make us see Kaspar Hauser not as a man but as something more sulfuric, almost a being from outer space. The performance of Bruno S. is simply moving and caused me a lot of tears and the use of time through the narration is perfect for a film of this kind. The poetic vision of Werner Herzog is very peculiar and unique and you can love it or hate it but you cannot ignore it. Herzog doesn't care about the audience, he tells what it wants in the way he likes and that's the praise and the defect of European cinema and it's what makes the difference between European authors and American ones.