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The Golden Voyage of Sinbad (1974)
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Overview
User Rating:
Release Date:
12 April 1974 (West Germany) moreTagline:
Dynarama Means Supreme Adventure! morePlot:
Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic... more | add synopsisAwards:
2 wins moreUser Comments:
Mostly excellent film, but there are a couple flaws moreCast
(Complete credited cast)| John Phillip Law | ... | Captain Sinbad | |
| Caroline Munro | ... | Margiana | |
| Tom Baker | ... | Prince Koura | |
| Douglas Wilmer | ... | Vizier | |
| Martin Shaw | ... | Rachid | |
| Grégoire Aslan | ... | Hakim (as Gregoire Aslan) | |
| Kurt Christian | ... | Haroun | |
| Takis Emmanuel | ... | Achmed | |
| David Garfield | ... | Abdul (as John D. Garfield) | |
| Ferdinando Poggi | ... | Kali stand-in (as Fernando Poggi) | |
| Aldo Sambrell | ... | Omar |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
USA:105 minLanguage:
EnglishColor:
Color (Eastmancolor)Aspect Ratio:
1.66 : 1 moreSound Mix:
MonoCertification:
Canada:G (Ontario) | Singapore:PG | Iceland:12 | Finland:K-12 (1978) | Finland:K-16 (1974) | Ireland:G | Sweden:11 | UK:U | USA:GFun Stuff
Trivia:
When Sinbad and the others land on Lemuria there is a cliff along the left side of the beach with carvings on it. According to an interview given by Ray Harryhausen this cliff doesn't actually exist. The scene was shot on a popular beach in Spain and the cliff is a matte painting that was put in to hide all the spectators. moreGoofs:
Continuity: In the opening scenes when we see Sinbad collect the amulet once the creature has dropped it, the amulet moves from Sinbad's hands, to his feet and back to his hands between shots. moreQuotes:
The Oracle of all knowledge: [the Keeper has summoned the Oracle of All Knowledge from it's well and before Sinbad and his comrades, surrounded by licking flames, appears an image of a face like a bearded man with horns like a ram growing from it's head, a thick mane of hair and a demonic smile that shows it's rotting teeth] Two tablets brought forth to the light, yet a third remains from sight. A final place must still be found, a place that lies deep below the ground...Sinbad: It speaks in riddles!
The Oracle of all knowledge: No race is lost until in fact it's won, and close behind you comes the black and evil son spawned by the devil, suckled upon black milk of human form... Clad in robes of silk... Destiny... Destiny... Destiny is invisible and yet visible, and men may try to hide yet it's waters mark it clearly like a rainbow in the sky...
[...]
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After Sinbad (Jon Phillip Law) happens upon a strange gold "bauble" while at sea, his ship ends up at a town where a similar gold piece is kept by a Vizier (Douglas Wilmer), whose city is threatened by the evil prince Koura (Tom Baker). Sinbad, his crew, the Vizier, and two other people from the town begin an adventure to solve the mystery of the "baubles".
This is a fine fantasy/adventure film, and definitely one worth watching by any fans of the genre, as well as Ray Harryhausen fans. Mostly excellent, The Golden Voyage of Sinbad also has a couple of flaws that brought my score down to an 8 out of 10.
The main problem is that the film tends to meander at times. There are also a few minor problems with direction or editing, such as the less-than-convincing sword fight in the cave near the end of the film. Also, the mostly episodic nature of the script lessens the overall impact. It often feels like a string of short stories arbitrarily strung together, although in the end, the overarching goal ties the film together well enough.
But what "short stories" those are! The script, production/set design and costumes easily propel you into a captivating fantasy world, and Harryhausen's creatures, as always, are a delight to watch. No, they're not exactly realistic--no more realistic looking than cgi, in my opinion--but I'm not looking for realism when I watch a film like this. I'm looking for brilliant artistry, especially if it has a horror edge, and Harryhausen's stop-motion animated creatures fit the bill.
Most of the scenarios in the film are cleverly conceived. They're constantly leading to intriguing puzzles that have to be solved by our heroes, somewhat similar to a fantasy role-playing computer game, which films like this surely influenced. This maintains a gradually heightening suspense throughout the length of the film, as each puzzle tends to be more difficult than the previous one, and most are accompanied by fascinating beasties of some kind.
Although this genre is not usually noted for its fantastic performances, everyone in The Golden Voyage of Sinbad does a great job. Even as a Doctor Who fan who grew up watching the Tom Baker era of that show, it took me awhile to figure out who Baker was here. He is a joy to watch as a slightly campy villain. An even bigger joy to watch was Caroline Munro, who is breathtakingly beautiful. And Law, as Sinbad, is completely convincing and cool.
As long as you don't expect a masterpiece, you should have a lot of fun watching this film.