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Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| Mario Puzo | (novel "The Godfather") | |
| Francis Ford Coppola | (screenplay) and | |
| Mario Puzo | (screenplay) | |
Produced by | |||
| Francis Ford Coppola | .... | producer | |
| Gray Frederickson | .... | co-producer | |
| Fred Roos | .... | co-producer | |
| Mona Skager | .... | associate producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| Barry Malkin | |||
| Richard Marks | |||
| Peter Zinner | |||
Casting by | |||
| Jane Feinberg | |||
| Mike Fenton | (as Michael Fenton) | ||
| Vic Ramos | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Angelo P. Graham | (as Angelo Graham) | ||
Set Decoration by | |||
| George R. Nelson | |||
Costume Design by | |||
| Theadora Van Runkle | |||
Makeup Department | |||
| Naomi Cavin | .... | hair stylist | |
| Charles H. Schram | .... | makeup artist (as Charles Schram) | |
| Dick Smith | .... | makeup artist | |
Production Management | |||
| Mario Cotone | .... | unit manager: Sicily | |
| Valerio De Paolis | .... | production supervisor: Sicily (as Valerio DePaolis) | |
| Michael S. Glick | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | assistant director (as Newton Arnold) | |
| Burt Bluestein | .... | second assistant director | |
| Tony Brandt | .... | assistant director: Sicily | |
| Alan Hopkins | .... | second assistant director | |
| Michael Kusley | .... | second assistant director (as Mike Kusley) | |
| Henry J. Lange Jr. | .... | second assistant director | |
| Charles Myers | .... | second assistant director (as Chuck Myers) | |
Art Department | |||
| Joe Chevalier | .... | assistant set decorator: Sicily | |
| Douglas E. Madison | .... | property master (as Doug Madison) | |
| V.R. Bud Shelton | .... | property master (as V. Bud Shelton) | |
Sound Department | |||
| Howard Beals | .... | sound effects editor | |
| Mark Berger | .... | sound montage associate | |
| Nathan Boxer | .... | production sound recordist | |
| James Fritch | .... | sound effects editor (as Jim Fritch) | |
| Pat Jackson | .... | sound montage associate | |
| James J. Klinger | .... | sound effects editor (as Jim Klinger) | |
| Walter Murch | .... | sound montage | |
| Walter Murch | .... | sound re-recordist | |
| Charles M. Wilborn | .... | production sound recordist (as Chuck Wilborn) | |
| James Perdue | .... | playback sound (uncredited) | |
| Ben Sobin | .... | playback sound (uncredited) | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
| Joe Lombardi | .... | special effects | |
Stunts | |||
| Steven Burnett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| William Gereghty | .... | assistant camera (as Bill Gereghty) | |
| Ralph Gerling | .... | camera operator | |
| George Holmes | .... | gaffer | |
| Bob Rose | .... | key grip | |
| Robert D. McBride | .... | first assistant camera (uncredited) | |
| Bruce McBroom | .... | still photographer (uncredited) | |
Casting Department | |||
| Emy DeSica | .... | casting: Sicily | |
| Maurizio Lucci | .... | casting: Sicily | |
| Maurice Schell | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Sandra Burke | .... | wardrobe | |
| Nancy McArdle | .... | wardrobe | |
| George Newman | .... | wardrobe | |
| Marie Osborne | .... | wardrobe | |
| Marilyn Putnam | .... | wardrobe | |
| Eric Seelig | .... | wardrobe | |
| Thomas Welsh | .... | wardrobe (as Tommy Welsh) | |
Editorial Department | |||
| George Berndt | .... | assistant editor | |
| Lisa Fruchtman | .... | assistant editor | |
| Bobbe Kurtz | .... | assistant editor | |
| Michael Kirchberger | .... | apprentice editor (uncredited) | |
Music Department | |||
| George Brand | .... | music editor | |
| Carmine Coppola | .... | composer: additional music | |
| Carmine Coppola | .... | conductor | |
Transportation Department | |||
| Chris Haynes | .... | driver (uncredited) | |
| Hugh Kelly | .... | driver (uncredited) | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor (as B.J. Bachman) | |
| Serena Canevari | .... | script supervisor: Sicily | |
| Randy Carter | .... | location assistant | |
| Ronald Colby | .... | location supervisor: New York (as Ron Colby) | |
| Jack English | .... | location coordinator | |
| Deborah Fine | .... | researcher | |
| Wayne Fitzgerald | .... | title designer | |
| John Franco | .... | script supervisor | |
| Sonya Friedman | .... | subtitler | |
| Edward Guthmann | .... | advisor: senate hearings (as Ed Guthman) | |
| Mona Houghton | .... | location assistant | |
| Melissa Mathison | .... | location assistant | |
| Tammy Newell | .... | coordinator: Miami | |
| Bruno Perria | .... | production assistant: Sicily | |
| Eileen Peterson | .... | unit publicist | |
| Romano Pianti | .... | translator: Sicilian | |
| Nanette Siegert | .... | production secretary | |
| Carl Skelton | .... | location auditor | |
| Peter Zinner | .... | foreign post-production | |
| Stephen A. Glanzrock | .... | production assistant: New York (uncredited) | |
| Jesse Wayne | .... | location assistant (uncredited) | |
Thanks | |||
| James Caan | .... | thanks: The producers would like to thank, for his special participation in this film | |
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| The Godfather | Scarface | The Departed | Once Upon a Time in America | Novecento |
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To me and probably to many other people The Godfather Part II is more of a continuation than sequel to The Godfather. Just look at the IMDb rating and you'll see I'm not the only one who feels this way. To me it as good as the first.
The acting may have been better than the acting in the original. Robert De Niro gave a perfect subtle performance as Vito Corleone. His portrayal was powerful and breathtaking. When I think De Niro I definitely do not think subtle and smooth but that is exactly what he was in here. It is definitely one of his top three performances in his career. The depth in his portrayal was able to justify the Vito Corleone that Marlon Brando portrayed in the first. Al Pacino gave a very strong performance playing Michael Corleone. In here we get to see more of the tough decisions that have to be made and the consequences of certain actions. Al Pacino perfectly displayed the amount of thought and struggle that goes into and comes out of every action you make; the way it affects relationships, family, power and influence. Diane Keaton was not really given a lot of room to act in the first but in here she is very good. She did not play the stereotypical wife who always stands behind her husband but rather the woman with a mind of her own who is willing to go after what she feels she deserves. Robert Duvall again to me was the glue to the movie. Just having him in there kind of makes you feel safe. John Cazale also had more of an impact in here than in the first playing the half-witted brother always needing to be bailed out. A lot of these characters sound so familiar and stereotypical but in The Godfather Part II every character is played out with such extraordinary depth. Everyone from Talia Shire who gave a fine performance to Lee Strasberg all the way down to the kid who played young Vito Corleone were perfect. Part II seems to me to be more of a character study than the original.
The directing once again is perfect. Francis Ford Coppola know or at least knew how to make a movie. The first to Godfather movie are done so precisely and perfectly that nothing really sticks out because they are so perfect throughout. Coppola just lets his actors play everything out as he should with type of cast he has here. Not to many movies can maintain such a consistent flow over 3 hours let alone even an hour and 45 minutes.
The writing may not have been quite as good as the first in terms of quoting but the storyline was perfect. Seeing the decisions made by new mob boss Michael Corleone was common sense but flashing back on Vito Corleone's life was genius. The storyline to me could not have been better and Coppola and Puzo do a great job with it all the way.
Like the first the cinematography was amazing but it had a slightly different tone to it. The first had more of a majestic, mythical look to it. In Part II you feel the modern times creeping in and the Corleones having to adjust to it. Part II has more of a corrupt and evil twist to it but I guess the end signifies that. The music obviously the same as the first was perfect and just fit so greatly with the rest of the movie.
The first to movies of The Godfather series are really like the same movie. They are not the same though, they are actually very different but the greatness of them both and the continuation of the storyline from the first to the second really create a strong band between each other. To me it is only a sequel in that it was the second movie of a great series. No let downs, no disappointments just a continuation of of the greatness from the first one.