| Sorrell Booke | ... | Harvey Beckman | |
| Gene Evans | ... | Papa Doc | |
| Taylor Lacher | ... | Rick | |
| Joan McCall | ... | Julie | |
| Shelley Morrison | ... | Ruth | |
| Carolyn Stellar | ... | Lovely (as Carolyn Steller) | |
| John Durren | ... | Ralph | |
| Leif Garrett | ... | David | |
| Gail Smale | ... | Sister Hannah | |
| Dawn Lyn | ... | Moe | |
| Tierre Turner | ... | Brian | |
| Tia Thompson | ... | Susan | |
| Henry Beckman | ... | Dr. Brown |
Directed by | |||
| Sean MacGregor | |||
| David Sheldon | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Sandra Lee Blowitz | co-writer | |
| John Durren | writer | |
| Dylan Jones | story | |
Produced by | |||
| Michael Blowitz | .... | producer | |
| Albert Cole | .... | associate producer | |
| Dylan Jones | .... | producer | |
| Jordan M. Wank | .... | executive producer | |
Original Music by | |||
| William Loose | |||
Cinematography by | |||
| Paul Hipp | |||
| Michael Shea | (as Mike Shea) | ||
Film Editing by | |||
| Byron 'Buzz' Brandt | |||
Art Direction by | |||
| Jac McAnelly | |||
Production Management | |||
| Sandra Lee Blowitz | .... | executive in charge of production | |
| Beryl Gelfond | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Walter Dominguez | .... | second assistant director | |
| Leo Weyman | .... | assistant director | |
Art Department | |||
| Dennis Nodine | .... | property master | |
| Richard N. McGuire | .... | illustrator (uncredited) | |
Sound Department | |||
| Jeff Jarvis | .... | boom operator | |
| Larry Merrill | .... | sound effects | |
| Clark Will | .... | sound | |
Stunts | |||
| Paul Knuckles | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Michael Cohan | .... | still photographer | |
| Mike Evans | .... | best boy | |
| Bob McVay | .... | gaffer | |
| Mike Paladin | .... | still photographer | |
| Mike Petrich | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Judy Durren | .... | wardrobe | |
Editorial Department | |||
| George C. Villaseñor | .... | assistant editor (as George Villasenor) | |
Music Department | |||
| William Loose | .... | conductor | |
Other crew | |||
| Patricia L. Brotz | .... | unit publicist | |
| Leeland F. Cook | .... | technical advisor | |
| Robert C. Fowler | .... | production assistant | |
| Hannah Hempstead | .... | script supervisor | |
| Toby Wank | .... | production associate | |
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| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
As "Devil Times Five" progressed, I became increasingly unnerved, and by the end, I was somewhat impressed with how it had obtained an R rating. Celebrating its sixth birthday in 1974, the MPAA showed its contradictory colors by allowing this offensive 'psycho kid' flick to pass through its halls unmolested; in 1976, John Carpenter would have his "Assault on Precinct 13" threatened with an X for the murder of a child. So, I guess as long as kids are doing the killing--and as long as they're killing adults (instead of other kids, can't have that in these post-Columbine days, unless it's an 'art film' like "Elephant")--and as long as the kids are certifiable (yet still obnoxiously kid-like) psychopaths, their bloodlust is 'safe' to peddle as 'entertainment.' "Devil Times Five" is relatively well-produced and well-acted, but also alarmingly distasteful and uneven. While mobsters and mob-like personnel gather at an isolated château for wife-swapping, drinking, and bickering, aforementioned brats survive a van crash that leads them to said château. And here begin the problems. Per the needs of the contrived script, the adults are required to be incompetent at every turn, even after these kids have shown visible signs of abnormal behavior (and what the hell is up with a prepubescent Leif Garrett dressing in drag?). Using mental illness as a justifiable excuse for wholesale slaughter, the murder scenes possess a tone more distasteful for what they require of the pint-sized actors (while some are clearly achieved through strategic edits, the principle remains) than the simulated carnage itself. Perhaps the most offensive scene involves a fully nude woman being drowned in a bath while piranhas go to work, with two of the murdering kids present (how charming that they are later seen dragging the nude corpse through the snow!). No wonder Leif Garrett became so messed up... Hollywood tends to tread cautiously with subject matter like this--"Friday the 13th" made the murder of teen-agers an 'acceptable' entertainment (and I like my fair share of that series), while murderous children have been relegated to demons ("Pet Sematary," also threatened with an X in 1989) and otherwise cherubic stars (Macaulay Culkin in "The Good Son"). But to reference "Devil Times Five" in the company of mainstream entertainment is giving it far more credit than it deserves--I know, I know, the '70s WERE a different time for the MPAA (I'll definitely concur, and not in a negative sense, either), but this film left me feeling queasy and uncomfortable for all the wrong reasons. Proceed with caution.