| Photos (see all 6 | slideshow) | Videos (see all 2) |
| Warren Oates | ... | Frank Mansfield | |
| Richard B. Shull | ... | Omar Baradansky | |
| Harry Dean Stanton | ... | Jack Burke | |
| Ed Begley Jr. | ... | Tom Peeples | |
| Laurie Bird | ... | Dody White Burke | |
| Troy Donahue | ... | Randall Mansfield | |
| Warren Finnerty | ... | Sanders | |
| Robert Earl Jones | ... | Buford | |
| Patricia Pearcy | ... | Mary Elizabeth | |
| Millie Perkins | ... | Frances Mansfield | |
| Steve Railsback | ... | Junior | |
| Tom Spratley | ... | Mister Peeples | |
| Charles Willeford | ... | Ed Middleton | |
| Pete Munro | ... | Packard | |
| Kermit Echols | ... | Fred Reed | |
| Ed Smith | ... | Whipple | |
| Jimmy Williams | ... | Buddy Waggoner | |
| John Trotter | ... | Hansen | |
| Lois Zeitlin | ... | Lucille | |
| Joe Bentley | ... | Peach Owen | |
| A.B. Greeson | ... | Pete Chocolate | |
| Bob Hannah | ... | Deputy sheriff (as Bob Earl Hannah) | |
| Sara Rickman | ... | Martha Middleton | |
| Meg Brush | ... | Mary Elizabeth's mother | |
| Oliver Coleman | ... | Senator Foxhall | |
| Donnie Fritts | ... | Gangleader - old man mask | |
| Bobby Dunn | ... | Gambler | |
| Kim Bernard | ... | Gambler | |
| Ank Carleton | ... | Captain Mack | |
| Billy Abbott | ... | Referee | |
| rest of cast listed alphabetically: | |||
| Dickey Betts | ... | Cigarette mask (uncredited) | |
| Steven Gaydos | ... | Nixon mask (uncredited) | |
Directed by | |||
| Monte Hellman | |||
Writing credits(in alphabetical order) | ||
| Charles Willeford | novel "Cockfighter" | |
| Charles Willeford | screenplay | |
Produced by | |||
| Roger Corman | .... | producer | |
| Samuel W. Gelfman | .... | co-producer | |
Original Music by | |||
| Michael Franks | |||
Cinematography by | |||
| Néstor Almendros | |||
Film Editing by | |||
| Lewis Teague | |||
| Monte Hellman | (uncredited) | ||
Casting by | |||
| Michael Chinich | |||
| Don Phillips | |||
Art Direction by | |||
| Charles L. Hughes | (as Charlie Hughes) | ||
| Pat Mann | |||
Production Management | |||
| Peter Cornberg | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Don Walters | .... | first assistant director | |
Art Department | |||
| Ed Turney | .... | props | |
Sound Department | |||
| Lee Alexander | .... | sound mixer | |
| Richard Bryce Goodman | .... | boom operator | |
| Kendrick Sweet | .... | sound effects | |
Camera and Electrical Department | |||
| Laurie Bird | .... | still photographer | |
| Leslie Otis | .... | first assistant camera | |
| Larry Robertson | .... | grip | |
| Tom Skarda | .... | best boy | |
| Bill Tharp | .... | key grip | |
| Hal Trussell | .... | gaffer | |
Costume and Wardrobe Department | |||
| Linda Civitello | .... | assistant wardrobe | |
| Carol Hammond | .... | wardrobe | |
| Patty Shaw | .... | wardrobe | |
Editorial Department | |||
| Hal Harrison | .... | assistant editor | |
Other crew | |||
| Leonard Allen | .... | location coordinator | |
| Frances Doel | .... | script girl | |
| Frances Doel | .... | script supervisor (as Frances Kimbrough) | |
| Steven Gaydos | .... | production assistant | |
| John Trotter | .... | technical advisor | |
| Bob Watkins | .... | production assistant | |
| Lois Zeitlin | .... | production assistant | |
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| Croupier | Supercock | The Treasure of the Sierra Madre | River's Edge | My Own Private Idaho |
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| Full cast and crew | Company credits | External reviews |
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"Cockfighter" is not an easy movie. It doesn't have one of those carbon-copy scripts that you can write like cheap romance novels. It doesn't have characters that cater to what the stars think will make them look good. There is no spoon-feeding here.
Just re-released for sale on tape (and DVD), this film is now available again for those who like to watch a movie that honestly takes you someplace that few of us have ever been. Warren Oates plays a character who lives by a moral code much like the people in the pulp westerns and detective stories -- a man's honor is shown by his actions, and his willingness to see his convictions through to whatever end may come. After letting his pride destroy his chance of winning a high honor amongst cockfighters, he takes a vow of silence that will last until he earns that honor.
While the scenes of actual cockfights can be distressing, they are essential to showing the viewer the main character's struggle as well as his obsession. When the character's love interest is added to the equation, the story takes on an epic quality formerly reserved for tales of a knight trying to win the love of his lady and the respect of his peers.
Perhaps that may be giving the film too much credit, but I don't think so. While there are plenty of exploitational elements to draw a wide audience, the actual meat of the film is a man seeking redemption and honor.
Find this movie. Watch it. Enjoy it. And see if it doesn't stick in your mind a heck of a lot longer than the average contemporary "Hollywood" movie.