Overview
Release Date:
8 February 1974 (USA)
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Plot:
A poor Afro-American family make the best of things in the Chicago housing projects.
full summary
Awards:
Nominated for 3 Golden Globes.
Another 1 win
&
4 nominations
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User Comments:
THE most misunderstood show of all time
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| Eric Monte | | (55 episodes, 1974-1979) |
| Mike Evans | | (52 episodes, 1974-1979) |
| Norman Paul | | (26 episodes, 1974-1978) |
| Norman Lear | | (25 episodes, 1974-1979) |
| Jack Elinson | | (19 episodes, 1974-1976) |
| John Baskin | | (18 episodes, 1974-1977) |
| Roger Shulman | | (18 episodes, 1974-1977) |
| Bob Peete | | (11 episodes, 1974-1977) |
| Sid Dorfman | | (9 episodes, 1976-1978) |
| Michael G. Moye | | (9 episodes, 1978-1979) |
| Allan Manings | | (7 episodes, 1974-1977) |
| Michael S. Baser | | (6 episodes, 1976-1978) |
| Kim Weiskopf | | (6 episodes, 1976-1978) |
| Bruce Howard | | (5 episodes, 1975-1978) |
| Dick Bensfield | | (5 episodes, 1975) |
| Perry Grant | | (5 episodes, 1975) |
| Austin Kalish | | (5 episodes, 1976-1977) |
| Irma Kalish | | (5 episodes, 1976-1977) |
| Bill Davenport | | (4 episodes, 1974-1976) |
| Lou Derman | | (4 episodes, 1974-1976) |
| John Donley | | (4 episodes, 1974-1976) |
| Kurt Taylor | | (4 episodes, 1974-1976) |
| Joseph Bonaduce | | (4 episodes, 1978-1979) |
| Mark Fink | | (4 episodes, 1978-1979) |
| Wayne Kline | | (4 episodes, 1978-1979) |
| Bruce Kalish | | (3 episodes, 1977-1978) |
| Robert Wolterstorff | | (2 episodes, 1974-1977) |
| Thad Mumford | | (2 episodes, 1974-1975) |
| Roland Wolpert | | (2 episodes, 1974) |
| Patricia Edwards | | (2 episodes, 1975) |
| Phillip Wickham Taylor | | (2 episodes, 1977-1978) |
| John Ashley Hamilton | | (2 episodes, 1977) |
| Gordon Mitchell | | (2 episodes, 1977) |
| Lloyd Turner | | (2 episodes, 1977) |
| Gene Farmer | | (2 episodes, 1978-1979) |
| Judi Ann Mason | | (2 episodes, 1978-1979) |
| Len Riley | | (2 episodes, 1978-1979) |
| Bud Slocomb | | (2 episodes, 1978-1979) |
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| Allan Manings | .... | executive producer / producer (20 episodes, 1974-1977) |
| Norman Paul | .... | producer / executive producer (17 episodes, 1975-1979) |
| Jack Elinson | .... | producer (14 episodes, 1975-1977) |
| Whitney J. LeBlanc | .... | associate producer (9 episodes, 1975-1976) |
| Austin Kalish | .... | executive producer / producer (8 episodes, 1977-1978) |
| Irma Kalish | .... | executive producer / producer (8 episodes, 1977-1978) |
| George Sunga | .... | associate producer / producer (8 episodes, 1977-1978) |
| Viva Knight | .... | associate producer (5 episodes, 1975) |
| Norman Lear | .... | executive producer (3 episodes, 1974-1975) |
| Sid Dorfman | .... | producer (3 episodes, 1978-1979) |
| Ken Stump | .... | associate producer (3 episodes, 1978-1979) |
| Camilla Dunn | .... | associate producer (2 episodes, 1974) |
| Gordon Mitchell | .... | producer (2 episodes, 1978) |
| Lloyd Turner | .... | producer (2 episodes, 1978) |
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| Don Nicholl | .... | producer (unknown episodes) |
| Bernard West | .... | producer (unknown episodes) |
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| Rita Riggs | .... | wardrobe / costumer (3 episodes, 1974-1976) |
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| Dave Grusin | .... | composer: theme music (1 episode, 1975) |
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| Norman Lear | .... | developer / developed for television by / ... (26 episodes, 1974-1979) |
| John Baskin | .... | story editor (15 episodes, 1975-1977) |
| Allan Manings | .... | script supervisor (15 episodes, 1975-1977) |
| Bob Peete | .... | production consultant / program consultant / ... (15 episodes, 1975-1977) |
| Roger Shulman | .... | story editor (15 episodes, 1975-1977) |
| Jack Elinson | .... | script supervisor / story editor (14 episodes, 1974-1976) |
| Norman Paul | .... | script supervisor / story editor (14 episodes, 1974-1976) |
| Hal Alexander | .... | associate director (10 episodes, 1975-1977) |
| Jay Sommers | .... | script editor (6 episodes, 1976) |
| Drew Handley | .... | associate director (6 episodes, 1977-1979) |
| Sid Dorfman | .... | executive script consultant / script editor (6 episodes, 1977) |
| Gary Shimokawa | .... | associate director (4 episodes, 1975) |
| Buddy Borgen | .... | stage manager (2 episodes, 1974-1975) |
| Richard Draney | .... | stage manager (2 episodes, 1975-1976) |
| Austin Kalish | .... | script supervisor (2 episodes, 1977) |
| Irma Kalish | .... | script supervisor (2 episodes, 1977) |
| Joseph Bonaduce | .... | story editor (2 episodes, 1979) |
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| Len Uslaner | .... | technical director (unknown episodes) |
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Additional Details
Runtime:
USA:30 min (including commercials) (133 episodes)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Trivia:
During the first season, J.J. would answer the phone by saying "Heloooooooo", but in later years he would answer it by saying "Cello".
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Quotes:
J.J.:
Looks just like me, slim, black and DYN-O-MITE.
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Soundtrack:
Good Times
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FAQ
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Message Boards
Discuss this movie with other users on
IMDb message board for "Good Times" (1974)
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Recommendations
Related Links

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I realize everyone has their own opinion, but, I don't know . . . I think the critics of this show miss the point of the show. I don't find it stereotypical or shuckin'/jivin' at all. This was a family that just happened to be black and live in the projects. They didn't dwell on it. They were actually trying to do everything they could to get out of the projects. JJ wanted to be an artists. Thelma, a dancer. Michael, involved in legal/justice. Seems to me nowadays, the projects or ghetto life is romanticized (see BET videos or MTV videos), whereas the Evans family in "Good Times" was trying to get out and onto something better. Headed by two parents who realized there own shortcomings (lack of education, money), but didn't they try to lead by example by teaching their kids values, strong work ethic and didn't they try to IMPROVE the lives of THEIR children? They tried to show their kids to strive for more in life, DESPITE obstacles. James tried to work several jobs, just so Florida could stay home and tend to the needs of the house/family. Some may find that chauvinistic by today's standards, but, I'm not so sure about that. Seems to me when at least one parent was in the home, children were a bit more manageable. What better representation of a family values can you ask for? A great show! Better than most of the family comedies today!