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| Barbra Streisand | ... | Katie Morosky | |
| Robert Redford | ... | Hubbell Gardner | |
| Bradford Dillman | ... | J.J. | |
| Lois Chiles | ... | Carol Ann | |
| Patrick O'Neal | ... | George Bissinger | |
| Viveca Lindfors | ... | Paula Reisner | |
| Allyn Ann McLerie | ... | Rhea Edwards | |
| Murray Hamilton | ... | Brooks Carpenter | |
| Herb Edelman | ... | Bill Verso | |
| Diana Ewing | ... | Vicki Bissinger | |
| Sally Kirkland | ... | Pony Dunbar | |
| Marcia Mae Jones | ... | Peggy Vanderbilt | |
| Don Keefer | ... | Actor | |
| George Gaynes | ... | El Morocco Captain | |
| Eric Boles | ... | Army Corporal | |
| Barbara Peterson | ... | Ashe Blonde | |
| Roy Jenson | ... | Army Captain | |
| Brendan Kelly | ... | Rally Speaker | |
| James Woods | ... | Frankie McVeigh | |
| Constance Forslund | ... | Jenny (as Connie Forslund) | |
| Robert Gerringer | ... | Dr. Short | |
| Susan Blakely | ... | Judianne (as Susie Blakely) | |
| Edward Power | ... | Airforce (as Ed Power) | |
| Susanne Zenor | ... | Dumb Blonde (as Suzanne Zenor) | |
| Dan Seymour | ... | Guest | |
| rest of cast listed alphabetically: | |||
| Dorian Cusick | ... | Professor's Wife (uncredited) | |
| Robert Dahdah | ... | Officer Passing Plaza (uncredited) | |
| Beverly Goodman | ... | Young Lady Pedestrian (uncredited) | |
| Marvin Hamlisch | ... | Guest at movie screening (uncredited) | |
| Don Koll | ... | Officer Dining (uncredited) | |
| Bruce Pecheur | ... | Party guest (uncredited) | |
| Cornelia Sharpe | ... | Girl at Party (uncredited) | |
| Andrea True | ... | Extra (uncredited) | |
Directed by | |||
| Sydney Pollack | |||
Writing credits | ||
| Arthur Laurents | (written by) | |
| David Rayfiel | uncredited | |
Produced by | |||
| Richard A. Roth | .... | associate producer (as Richard Roth) | |
| Ray Stark | .... | producer | |
Original Music by | |||
| Marvin Hamlisch | |||
Cinematography by | |||
| Harry Stradling Jr. | (director of photography) | ||
Film Editing by | |||
| John F. Burnett | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
Set Decoration by | |||
| William Kiernan | |||
Costume Design by | |||
| Dorothy Jeakins | |||
| Moss Mabry | |||
Makeup Department | |||
| Donald Cash Jr. | .... | makeup artist | |
| Gary Liddiard | .... | makeup artist | |
| Kaye Pownall | .... | hair stylist | |
Production Management | |||
| Russell Saunders | .... | unit production manager (as Russ Saunders) | |
Second Unit Director or Assistant Director | |||
| Hawk Koch | .... | assistant director (as Howard Koch Jr.) | |
| Jerry Ziesmer | .... | second assistant director | |
Art Department | |||
| Richard M. Rubin | .... | property master | |
Sound Department | |||
| Richard Portman | .... | sound re-recordist | |
| Kay Rose | .... | sound effects | |
| Jack Solomon | .... | sound | |
| Sharron Miller | .... | sound editor (uncredited) | |
| Jerry Trent | .... | dance foley (uncredited) | |
Camera and Electrical Department | |||
| Albert Taffet | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Bernie Pollack | .... | costume supervisor (uncredited) | |
Editorial Department | |||
| Margaret Booth | .... | supervising editor | |
Music Department | |||
| Ken Runyon | .... | music editor | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
Transportation Department | |||
| Paulie DiCocco | .... | driver: Barbra Streisand (uncredited) | |
| James Morris | .... | transportation (uncredited) | |
Other crew | |||
| Betty Crosby | .... | script supervisor | |
| Phill Norman | .... | title designer | |
| Carol Shapiro | .... | unit publicist | |
| Nicholas Barber | .... | stand-in (uncredited) | |
| Grover Dale | .... | choreographer (uncredited) | |
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| News articles | IMDb Drama section | IMDb USA section |
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I think the word for this movie is, gorgeous. Nothing I've seen (I haven't seen a lot, but still) has compared to the chemistry, the depth of feeling, and the realistic portrayal of two opposites both beautiful in their own right. This movie is a testament to the way we were really, how it was beautiful to be decadent and disgusting in the thriving 50's, of the attractive "waspishness" of Ivy leaguers, of politics and war. The movie is not dated either, its quality making it appealing to a whole spectrum of people who would normally not be interested in something this good. I first saw this movie in a history class and to my surprise most of the people in the class loved it, people who would normally go see "Titanic" and rave about it for days. I think that is, if not something else, at least evidence of this movie's depth, quality, feeling, (and although very sentimental) realism. If you enjoy the finer things in life, dim the lights, fix yourself a vodka martini straight up, and watch "The Way We Were".