| Kiel Martin | ... | White Folks | |
| Mel Stewart | ... | Blue Howard | |
| Dallas Edward Hayes | ... | Dot Murray | |
| Beverly Ballard | ... | Susan | |
| Vernee Watson-Johnson | ... | Cleo Howard | |
| Donald Symington | ... | Morrison | |
| Don Fellows | ... | Phillips | |
| Tom Anderson | ... | Felix the Fixer | |
| Clebert Ford | ... | Josephus | |
| Fuddle Bagley | ... | Percy | |
| Ted Lange | ... | Melvin the Pimp | |
| Tony Mazzadra | ... | Nino Parelli | |
| David Thomas | ... | Frascatti | |
| Jim King | ... | Duke | |
| Anthony Charnota | ... | Bobby | |
| John Aquino | ... | Frank | |
| Jan Leighton | ... | Carlson | |
| Byron Sanders | ... | Parkview Hotel Clerk | |
| Dick Boccelli | ... | Vincent | |
| Jim Mapp | ... | Doc Harris | |
| Bob Brooker | ... | DuSable Hotel Clerk | |
| Ronald Carter | ... | Bartender | |
| Celeste Creech | ... | 1st Hooker | |
| Deloris Brown-Harper | ... | 2nd Hooker | |
| Jacqueline Weiss | ... | Aunt Rose | |
| Father James Kelly | ... | Priest | |
| Charles Weldon | ... | Tough | |
| Charles G. Clarke | ... | Cab Driver |
Directed by | |||
| Larry Yust | |||
Writing credits | ||
| Robert Beck | (novel) (as Iceberg Slim) | |
| A. Neuberg | (screenplay) & | |
| T. Raewyn | (screenplay) and | |
| Larry Yust | (screenplay) | |
Produced by | |||
| Marshall Backlar | .... | producer (as Marshal Backlar) | |
| James Levitt | .... | executive producer | |
Original Music by | |||
| James Bond | |||
Cinematography by | |||
| Isidore Mankofsky | (director of photography) | ||
Film Editing by | |||
| Peter Parasheles | |||
Makeup Department | |||
| Kenig Glubin | .... | makeup artist | |
Production Management | |||
| Donald Goldman | .... | production manager | |
| John Zane | .... | production supervisor | |
Art Department | |||
| Kenig Glubin | .... | props | |
Sound Department | |||
| John Brasher | .... | sound mixer | |
Camera and Electrical Department | |||
| Steve Colwell | .... | grip | |
| Skip Karnas | .... | electrician (as Skip Karness) | |
| Zohrab Kazanjian | .... | still photographer | |
| Melton Maxwell | .... | gaffer (as Mel Maxwell) | |
| Lee Shamburger | .... | grip | |
| Stuart A. Spohn | .... | second assistant camera (as Stuart Spohn) | |
| Steven Wolper | .... | assistant camera | |
Music Department | |||
| James Bond | .... | conductor | |
| Ed Michel | .... | music supervisor | |
Other crew | |||
| Nina Kleinberg | .... | assistant to director | |
| Rick Nulman | .... | production assistant | |
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| Shaft | Heat | Rigged | The Liberation of L.B. Jones | The Grifters |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
The story is that of two con-men: White Folks (Kiel Martin), who had a black mother and a white father and whose skin is white; and Blue Howard ( Mel Stewart), a grizzled black veteran who has taught his young protégé everything he knows about the art of dishonest tricks
Together they cheat the Mafia and the police; they make $10,000 and have to give some of it away to the local black protection retailer; they set up a confidence property deal to get by fraud some over-greedy white businessmen out of $150,000, but cannot quite shield the stolen loot
The distinguished trait of the film is that not all the blacks are all good, and not all the whites are all bad What is more, it makes a point of showing that black men can play on their color to win their own ends