A Touch of Class (1973)

Director:

Melvin Frank

Writers:

Melvin Frank (written by) and
Jack Rose (written by) ...

Release Date:

1 October 1973 (Sweden)

Genre:

Comedy

Tagline:

They had the perfect love affair. Until they fell in love.

Plot:

Romantic comedy about a pair of clandestine lovers in a London-Spain tryst.

Plot Keywords:

Doctor | Vanity | Gibraltar | London England | Fashion Designer

Awards:

Won Oscar. Another 10 wins & 9 nominations

Cast

George Segal	...	Steven 'Steve' Blackburn
Glenda Jackson	...	Vicki Allessio
Paul Sorvino	...	Walter Menkes
K Callan	...	Patty Menkes
Cec Linder	...	Wendell Thompson
Michael Elwyn	...	Cecil
Mary Barclay	...	Martha Thompson
Nadim Sawalha	...	Night Hotel Manager
Ian Thompson	...	Derek, Steve's Secretary
Ève Karpf	...	Miss Ramos, London Airline Clerk (as Eve Karpf)
David de Keyser	...	Doctor Alvarez (as David De Keyser)
Gaye Brown	...	Dora French
Carl Oatley	...	Bell Boy
Rebecca De Los Reyes	...	Rent-A-Car Clerk
Felipe Solano	...	Malaga Airline Clerk

Runtime:

106 min

Country:

UK

Language:

English | Spanish

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Singapore:PG | UK:12 (video rating) | Finland:K-12 | UK:AA | USA:PG

Filming Locations:

Alembic House - 93 Albert Embankment, Vauxhall, London, England, UK

Company:

Brut Productions

Goofs:

Boom mic visible: Early on in the film, when Vicki and Steve first share the taxi, it is reflected in the windscreen of the taxi just as it pulls up to drop Vicki off in the rain.

Quotes:

Vicki: I'm sorry to bother you at this late hour, but do you have oregano?
Dora French: Christ, I hope not! I had a checkup last week.

Movie Connections:

Referenced in "Unhappily Ever After: A Touch of Glass (#2.7)" (1995)

Soundtrack:

All That Love Went to Waste

Two Top Comedic Performances in Half a Hysterical Film

At times screamingly funny, at least during the first hour, "A Touch of Class" boasts two fine comedic actors in top form and a script that manages to hit more highs than lows. After a catchy title tune, George Segal and Glenda Jackson meet a few times by chance before on-the-prowl Segal, who boasts of never cheating on his wife in the same city, moves in for the pounce. However, the divorced Jackson, who needs some good uninvolved sex, agrees to a tryst if they can manage something better than a "quickie" in a one-star hotel with dirty sheets. From this point the screwball comedy antics pile on. A returning wife and in-laws complicate the arrangements for a week in Spain, and an unwelcome friend shows up for the same flight to Malaga. The laugh meter rises with a faulty clutch, a spastic back, and a sexual performance rating that is on par with a Christmas card from the butcher.

The comedy is in high form as the couple spar and parry towards consummating their relationship. Unfortunately, love enters the equation, and the unwelcome friend slows the merriment further with a serious turn about guilt. Although the pace picks up again when the couple returns to London, the damage has been done, and "A Touch of Class" fails to return to the hilarity of the first hour. Segal and Jackson are certainly not to blame for the sluggish mid section, and both performers deliver fine comedic performances that never go over the top for a laugh and retain a depth of character when the mood turns serious. The film belongs to the two stars, and they play well together. However, the supporting players in general fail to register with the exception of Eve Karpf as the slyly knowing Miss Ramos at Iberia Airlines.

Symptomatic of the movie's slowdown is a scene where Jackson and Segal watch "Brief Encounter" on the television in their love nest. The Celia Johnson and Trevor Howard classic is a heavy "weepie" drama, and both characters wring the handkerchiefs while they watch the film. Although the temptation to insert shots from another film about marital infidelity was obviously too strong to resist, the scene further dampens the film and pushes the characters into a soul-searching phase that leads to the inevitable fadeout. Perhaps if the lovers had watched "A Night at the Opera" or "Bringing Up Baby," viewers would have left the theater laughing instead of sullen like the weather in the final scene.