| Photos (see all 59 | slideshow) | Videos (see all 4) |
David S. Ward (written by)
10 January 1974 (Argentina) more
Recapture "the STING Experience". REMEMBER HOW GOOD THE FEEL WAS THE FIRST TIME (re-release) more
In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker. full summary | full synopsis
Won 7 Oscars. Another 9 wins & 6 nominations more
AFI Fest 2009: Something’S Gonna Live, North By Northwest
(From Alternative Film Guide. 26 October 2009, 12:41 AM, PDT)
Robert Pattinson, Brad Pitt And More Overnight Sex Symbols
(From MTV Movie News. 29 September 2009, 2:52 AM, PDT)
Classy bit of story telling more (181 total)
| Paul Newman | ... | Henry Gondorff | |
| Robert Redford | ... | Johnny Hooker | |
| Robert Shaw | ... | Doyle Lonnegan | |
| Charles Durning | ... | Lt. Wm. Snyder | |
| Ray Walston | ... | J.J. Singleton | |
| Eileen Brennan | ... | Billie | |
| Harold Gould | ... | Kid Twist | |
| John Heffernan | ... | Eddie Niles | |
| Dana Elcar | ... | F.B.I. Agent Polk | |
| Jack Kehoe | ... | Erie Kid | |
| Dimitra Arliss | ... | Loretta | |
| Robert Earl Jones | ... | Luther Coleman (as Robertearl Jones) | |
| James Sloyan | ... | Mottola (as James J. Sloyan) | |
| Charles Dierkop | ... | Floyd (Bodyguard) | |
| Lee Paul | ... | Bodyguard | |
| Sally Kirkland | ... | Crystal | |
| Avon Long | ... | Benny Garfield | |
| Arch Johnson | ... | Combs | |
| Ed Bakey | ... | Granger | |
| Brad Sullivan | ... | Cole | |
| John Quade | ... | Riley | |
| Larry D. Mann | ... | Train Conductor | |
| Leonard Barr | ... | Burlesque House Comedian | |
| Paulene Myers | ... | Alva Coleman | |
| Joe Tornatore | ... | Black Gloved Gunman | |
| Jack Collins | ... | Duke Boudreau | |
| Tom Spratley | ... | Curly Jackson | |
| Kenneth O'Brien | ... | Greer | |
| Ken Sansom | ... | Western Union Executive | |
| Ta-Tanisha | ... | Louise Coleman | |
| William 'Billy' Benedict | ... | Roulette Dealer (as William Benedict) | |
| rest of cast listed alphabetically: | |||
| Patricia Bratcher | ... | Manicurist (uncredited) | |
| Susan French | ... | Landlady (uncredited) | |
| John F. Goff | ... | Lacey - Speakeasy bouncer (uncredited) | |
| Bruce Kimball | ... | Lacey - Speakeasy bouncer (uncredited) | |
| Chuck Morrell | ... | FBI Agent Chuck (uncredited) | |
| Guy Way | ... | Gambling den boss (uncredited) | |
Directed by | |||
| George Roy Hill | |||
Writing credits(WGA) | ||
| David S. Ward | (written by) | |
Produced by | |||
| Tony Bill | .... | producer | |
| Robert Crawford Jr. | .... | associate producer (as Robert L. Crawford) | |
| Julia Phillips | .... | producer | |
| Michael Phillips | .... | producer | |
Cinematography by | |||
| Robert Surtees | (director of photography) | ||
Film Editing by | |||
| William Reynolds | |||
Art Direction by | |||
| Henry Bumstead | |||
Set Decoration by | |||
| James W. Payne | (as James Payne) | ||
Makeup Department | |||
| Jim Gillespie | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Ernest B. Wehmeyer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Charles Dismukes | .... | second assistant director | |
| Ray Gosnell Jr. | .... | first assistant director (as Ray Gosnell) | |
| Sergio Emmanuele Anastasio | .... | trainee assistant director (uncredited) | |
| John Slosser | .... | dga trainee (uncredited) | |
Sound Department | |||
| Robert R. Bertrand | .... | sound (as Robert Bertrand) | |
| Ronald Pierce | .... | sound | |
| Michael Colomby | .... | sound re-recording mixer: restoration remix (uncredited) | |
Visual Effects by | |||
| Albert Whitlock | .... | special photographic effects | |
Stunts | |||
| Steven Burnett | .... | stunts (uncredited) | |
| Mickey Gilbert | .... | stunts (uncredited) | |
| Scott Gourlay | .... | stunts (uncredited) | |
| John Moio | .... | stunts (uncredited) | |
| Dean Smith | .... | stunt double (uncredited) | |
Costume and Wardrobe Department | |||
| Edith Head | .... | costumes | |
| Andrea E. Weaver | .... | costumer: women (uncredited) | |
Music Department | |||
| Marvin Hamlisch | .... | music adaptor | |
| Scott Joplin | .... | composer: piano rags | |
| Billy Byers | .... | music arranger (uncredited) | |
Other crew | |||
| Charlsie Bryant | .... | script supervisor | |
| Jaroslav Gebr | .... | title artwork | |
| John Scarne | .... | technical consultant | |
| John Longenecker | .... | intern: AFI (uncredited) | |
| Eileen Peterson | .... | unit publicist (uncredited) | |
| John Scarne | .... | card dealer double: Paul Newman's hands close-ups (uncredited) | |
129 min
Color (Technicolor)
1.37 : 1 more
Mono (Westrex Recording System)
UK:A (original rating) | Canada:G (Quebec) | UK:PG (video rating) | Canada:PG (Manitoba/Ontario) | Portugal:M/12 | Australia:PG | South Korea:15 | Brazil:Livre | Canada:A (Nova Scotia) | Argentina:13 | Chile:14 | Finland:K-16 | Netherlands:12 | Norway:15 | Norway:16 (1974) | Peru:14 | Singapore:PG | Sweden:15 | USA:PG | West Germany:12
Biltmore Hotel - 506 S. Grand Avenue, Downtown, Los Angeles, California, USA more
It was just prior to Elizabeth Taylor's presentation of the Best Picture Oscar for this film that the streaker Robert Opel darted across the stage as David Niven was introducing her. It was this incident (among others) that inspired singer Ray Stevens to write the song "The Streak" that went to the top of the US charts the month after the awards. Incidentally, Opel was found murdered in his San Francisco gallery in 1979. more
Factual errors: The poker scene takes place aboard the 20th Century Limited, a luxury train that ran between New York and Chicago from 1902 to 1967. Arrival times in Chicago varied over the years, but they usually were between about 7 and 9 a.m. The train would not be arriving in Chicago in what appears to be the middle of the night, as happens in "The Sting." more
Henry Gondorff: Tough luck, Lonnehan. But that's what you get for playing with your head up your ass! more
Referenced in Dirty Mary Crazy Larry (1974) more
THE ENTERTAINER more
|
|
|
|
|
| Confidence | Scarface | Goodfellas | The Godfather | Black Caesar |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Comedy section |
| IMDb USA section | Add this title to MyMovies |
Small time conmen Johnny Hooker and Luther Coleman unwittingly scam a runner for Chicago main man Doyle Lonnegan. When Luther is murdered, Hooker goes on the run and seeks out Luther's old friend Henry Gondorff to help him put together a major sting to take revenge on Lonnegan. However with so much heat on Hooker and the stakes so high can they pull it off and get away clean?
Almost a follow up to Butch and Sundance, this film partners the stars of the day Newman and Redford to good effect. The story is a little less fun but still very enjoyable to watch as it builds to a great finale. The use of chapters ran the risk of fragmenting the film into bits but instead it really helps set it out and makes it more manageable. Although it is not as light hearted and jovial as the theme music suggests it still manages to flow nicely with the slightly darker drama not spoiling anything but only serving to make it feel more grown up.
The cast are all very good and make the film easy to watch. Redford comes off the best in terms of characters and his role really suits both his carefree attitude (the start of the film) but also his more serious side (the rest of the film). Newman has a lesser role that perhaps doesn't suit him quite as well, but he does have several really good scenes (the hustles) where he does very good work. Shaw's accent is a little heavy at first but I got used to it and it worked for me and he was a really good foil for Redford/Newman. The support cast including Durning, Walston, Gould, Jones and others all do good work.
The direction and use of music is really good and the sense of period is well crafted and doesn't just feel like it was painted on. I'm not sure if it deserved Best Picture or not because I don't know what the rest of the field was for that year but it is a really enjoyable film that is quite fun to watch several times even 30 years later and isn't that the main thing?