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The Sting (1973)
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Overview
User Rating:
Release Date:
10 January 1974 (Argentina) moreTagline:
Recapture "the STING Experience". REMEMBER HOW GOOD THE FEEL WAS THE FIRST TIME (re-release) morePlot:
In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker. full summary | full synopsisAwards:
Won 7 Oscars. Another 9 wins & 6 nominations moreNewsDesk:
(33 articles)
Frances Ethel Gumm at 87 (From FilmExperience. 10 June 2009, 2:30 PM, PDT)
Julia Roberts Among the Stars for Paul Newman's Charity Fundraiser
(From PEOPLE.com. 9 June 2009, 11:50 AM, PDT)
User Comments:
A Lightweight, Clever Throwback to the Big Cons of the 1930's. moreCast
(Cast overview, first billed only)| Paul Newman | ... | Henry Gondorff | |
| Robert Redford | ... | Johnny Hooker | |
| Robert Shaw | ... | Doyle Lonnegan | |
| Charles Durning | ... | Lt. Wm. Snyder | |
| Ray Walston | ... | J.J. Singleton | |
| Eileen Brennan | ... | Billie | |
| Harold Gould | ... | Kid Twist | |
| John Heffernan | ... | Eddie Niles | |
| Dana Elcar | ... | F.B.I. Agent Polk | |
| Jack Kehoe | ... | Erie Kid | |
| Dimitra Arliss | ... | Loretta | |
| Robert Earl Jones | ... | Luther Coleman (as Robertearl Jones) | |
| James Sloyan | ... | Mottola (as James J. Sloyan) | |
| Charles Dierkop | ... | Floyd (Bodyguard) | |
| Lee Paul | ... | Bodyguard |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
129 minCountry:
USALanguage:
EnglishColor:
Color (Technicolor)Aspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Westrex Recording System)Certification:
UK:A (original rating) | Canada:G (Quebec) | UK:PG (video rating) | Canada:PG (Manitoba/Ontario) | Portugal:M/12 | Australia:PG | South Korea:15 | Brazil:Livre | Canada:A (Nova Scotia) | Argentina:13 | Chile:14 | Finland:K-16 | Netherlands:12 | Norway:15 | Norway:16 (1974) | Peru:14 | Singapore:PG | Sweden:15 | USA:PG | West Germany:12Filming Locations:
Biltmore Hotel - 506 S. Grand Avenue, Downtown, Los Angeles, California, USA moreFun Stuff
Trivia:
Robert Redford's character (Johnny Hooker) is supposedly named after blues legend John Lee Hooker. moreGoofs:
Crew or equipment visible: Just before hooker meets Billie, the camera crew is reflected in a passing vehicle. moreQuotes:
Johnny Hooker: Luther said I could learn some things from you. I already know how to drink. moreSoundtrack:
EASY WINNERS moreFAQ
If Lonnegan was born in Five Points (NYC), why does he have a thick Irish brogue?Is this movie based on a novel?
How much sex, violence, and profanity are in this movie?
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At first sight, THE STING appears to be nothing more than a television movie. It is entirely plot-driven with no real stand out characters or personalities. What makes the film work is excellent production design and a delightfully clever plot filled with many surprises. The movie is feather-weight emotionally, but the depth of the "con" and the way it is fashioned by screenwriter David Ward leaves you with a pleasant experience.
This is more Redford's film than Newman's, who reunite with George Roy Hill, director of BUTCH CASSIDY AND THE SUNDANCE KID. The legendary actors were more flesh and blood in that film, but here, they are merely players who carry the story along. With lesser actors, THE STING may have been a forgettable piece of work. Redford does all of the dirty work after Newman's initial "hook", but the omniscient presence of Newman, as big-time grifter "Henry Gondorff" exists throughout. A mysterious gloved character, a crooked cop, the FBI, and a seemingly bigger con-man "Doyle Lonnegan" (played by the late, great Robert Shaw) are some of the players who are involved in some events that seem to be manipulated by an unseen force. Is Newman as good as he claims in trying to clean out Shaw? We'll see.
The film is shot simply by Hill. No tricky angles or contrived camera movements are used. The action takes place simply in front of us. The production design by Henry Bumstead and James Payne recreates old-time Chicago through the use of built sets, matte paintings of a smaller sky-line, and some location shots. It gives the film an almost artificial look which is fitting considering it is a direct homage to the 1930's and the gangster pictures that so dominated that decade. The story is even furthered by title pages describing "the set-up, the hook, and the sting". They are turned like pages in a book, adding a drop of elegance to a crooked world. An iris is even employed in some scenes.
THE STING is definitely lightweight entertainment. It does not provoke much thought or insight into what is happening on screen. Fun is the word for this amusing little film that depicts a masterful plan for a big steal which would be impossible to pull off today. Look out for Ray Walston in a hilarious role announcing horse races and their results as they are "happening" just after receiving word of the "real" race results from a back room in the betting house. These are good con-men.
RATING: ***