| Photos (see all 20 | slideshow) | Videos (see all 2 NEW) |
| Charlton Heston | ... | Thorn | |
| Leigh Taylor-Young | ... | Shirl | |
| Chuck Connors | ... | Tab | |
| Joseph Cotten | ... | Simonson | |
| Brock Peters | ... | Hatcher | |
| Paula Kelly | ... | Martha | |
| Edward G. Robinson | ... | Sol Roth | |
| Stephen Young | ... | Gilbert | |
| Mike Henry | ... | Kulozik | |
| Lincoln Kilpatrick | ... | The Priest | |
| Roy Jenson | ... | Donovan | |
| Leonard Stone | ... | Charles | |
| Whit Bissell | ... | Santini | |
| Celia Lovsky | ... | The Exchange Leader | |
| Dick Van Patten | ... | Usher #1 | |
| Morgan Farley | ... | Book #1 | |
| John Barclay | ... | Book #2 | |
| Belle Mitchell | ... | Book #3 | |
| Cyril Delevanti | ... | Book #4 | |
| Forrest Wood | ... | Attendant | |
| Faith Quabius | ... | Attendant | |
| Jane Dulo | ... | Mrs. Santini | |
| Tim Herbert | ... | Brady | |
| John Dennis | ... | Wagner | |
| Jan Bradley | ... | Bandana Woman | |
| Carlos Romero | ... | New Tenant | |
| Pat Houtchens | ... | Fat Guard | |
| Joyce Williams | ... | The Furniture Girls | |
| Erica Hagen | ... | The Furniture Girls | |
| Beverly Gill | ... | The Furniture Girls | |
| Suesie Eejima | ... | The Furniture Girls | |
| Cheri Howell | ... | The Furniture Girls | |
| Kathy Silva | ... | The Furniture Girls | |
| Jennifer King | ... | The Furniture Girls | |
| Marion Charles | ... | The Furniture Girls | |
| rest of cast listed alphabetically: | |||
| Robert Ito | ... | Shoe Seller (uncredited) | |
| Ida Mae McKenzie | ... | Woman Calling for Revolution (uncredited) | |
| Richard Sterne | ... | TV Announcer (uncredited) | |
Directed by | |||
| Richard Fleischer | |||
Writing credits | ||
| Stanley R. Greenberg | (screenplay) | |
| Harry Harrison | (novel "Make Room! Make Room!") | |
Produced by | |||
| Walter Seltzer | .... | producer | |
| Russell Thacher | .... | producer | |
Original Music by | |||
| Fred Myrow | |||
Cinematography by | |||
| Richard H. Kline | (director of photography) | ||
Film Editing by | |||
| Samuel E. Beetley | |||
Casting by | |||
| Jack Baur | |||
Art Direction by | |||
| Edward C. Carfagno | |||
Set Decoration by | |||
| Robert R. Benton | (as Robert Benton) | ||
Costume Design by | |||
| Pat Barto | |||
Makeup Department | |||
| Bud Westmore | .... | makeup artist | |
| Sherry Wilson | .... | hair styles | |
Production Management | |||
| Lloyd Anderson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Gene Marum | .... | second assistant director | |
| Daniel McCauley | .... | assistant director (as Daniel S. McCauley) | |
Art Department | |||
| Terry Ballard | .... | property master | |
Sound Department | |||
| Harry W. Tetrick | .... | sound | |
| Charles M. Wilborn | .... | sound | |
| Van Allen James | .... | sound editor (uncredited) | |
Visual Effects by | |||
| Robert R. Hoag | .... | special photographic effects | |
| Augie Lohman | .... | special visual effects (as A. J. Lohman) | |
| Matthew Yuricich | .... | special photographic effects | |
Stunts | |||
| Denny Arnold | .... | stunts (uncredited) | |
| May Boss | .... | stunts (uncredited) | |
| Joe Canutt | .... | stunt coordinator (uncredited) | |
| Joe Canutt | .... | stunt double: Charlton Heston (uncredited) | |
| Larry Duran | .... | stunts (uncredited) | |
| Gary Epper | .... | stunts (uncredited) | |
| Jeannie Epper | .... | stunts (uncredited) | |
| Stephanie Epper | .... | stunts (uncredited) | |
| Tony Epper | .... | stunts (uncredited) | |
| Fritz Ford | .... | stunts (uncredited) | |
| Ralph Garrett | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| Kim Kahana | .... | stunts (uncredited) | |
| Frank Orsatti | .... | stunts (uncredited) | |
| Eddie Paul | .... | stunts (uncredited) | |
| Dick Warlock | .... | stunts (uncredited) | |
| Ted White | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Norman A. Burza | .... | costumer (as Norman Burza) | |
| Betsy Cox | .... | costumer | |
Music Department | |||
| Gerald Fried | .... | symphony music conductor | |
Other crew | |||
| Frank R. Bowerman | .... | technical consultant: Director of Environmental Engineering Programs, University of Southern California & President, American Academy of Environmental Engineers (as Professor Frank R. Bowerman) | |
| Joe Canutt | .... | action sequence coordinator | |
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| The Dancer Upstairs | Watchmen | L.A. Confidential | Magnum Force | Midnight Cowboy |
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I saw Soylent Green back in 1973 when it was first released and maybe another eight times over the years on T.V. or video. It was always one of my favorite sci-fi and/or Charlton Heston films.
Recently, the Egyptian theater in L.A. had a twelve film Charlton Heston retrospective. I flew in from out of state to see six of the films over a two day period. Soylent Green looked great on the large Egyptian screen with a perfect new print. From its opening montage to the going home scene to the great ending the film was fantastic.
Charlton Heston as a cop who lives in a dog eat dog world with few natural resources left and no understanding as to how the world used to be and Eddie Robinson as a man who remembers the past are both great.
Their chemistry together is wonderful. The film also looks so much better in a great 35mm print. Fleisher really knows how to fill the screen,and the cinematoraphy, writing, music used, and everything about it works. The film is also very powerful in its bleak and very possible view of the future. Just think how the world population grew, the rain forest that disappeared, resources used up, green house effect getting worse since 1973. I just wonder why this film has not played in theaters all these years. Its reputation should be better.
Speaking of reputations, often people speak as if Charlton Heston is not a great actor. Seeing him in El-Cid, Soylent Green, The Warlord, The Omega Man, Will Penny, and Major Dundee back to back I am convinced he is one of our best actors. Of course he made about a dozen other great films and for those that care you know what they are.