Soylent Green (1973)

User Rating:

7.0/10   

Director:

Richard Fleischer

Writers:

Stanley R. Greenberg (screenplay)
Harry Harrison (novel)

Release Date:

9 May 1973 (USA)

Genre:

Drama | Mystery | Sci-Fi | Thriller

Tagline:

It's the year 2022... People are still the same. They'll do anything to get what they need. And they need SOYLENT GREEN.

Plot:

In an overpopulated futuristic Earth, a New York police detective finds himself marked for murder by government agents when he gets too close to a bizarre state secret involving the origins of a revolutionary and needed new foodstuff.

Plot Keywords:

Food | New York City | Murder | Police | Police Detective

Awards:

3 wins & 1 nomination

Cast

Charlton Heston	...	Thorn
Leigh Taylor-Young	...	Shirl
Chuck Connors	...	Tab
Joseph Cotten	...	Simonson
Brock Peters	...	Hatcher
Paula Kelly	...	Martha
Edward G. Robinson	...	Sol Roth
Stephen Young	...	Gilbert
Mike Henry	...	Kulozik
Lincoln Kilpatrick	...	The Priest
Roy Jenson	...	Donovan
Leonard Stone	...	Charles
Whit Bissell	...	Santini
Celia Lovsky	...	The Exchange Leader
Dick Van Patten	...	Usher #1

Runtime:

97 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Australia:M (original rating) | Australia:PG (TV rating) | France:U | UK:15 (DVD rating) | UK:AA (original rating) | Iceland:16 | USA:TV-MA (TV rating) | Canada:PG | Finland:K-18 | Norway:15 (re-rating) | Norway:16 (original rating) | Singapore:PG | Sweden:15 | UK:15 | USA:PG | West Germany:16

Filming Locations:

Los Angeles Sports Arena - 3939 S. Figueroa Street, Exposition Park, Los Angeles, California, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

The last film shot at MGM studios.

Goofs:

Revealing mistakes: When Thorn is running towards the "going home" building, his head disappears into the matte just before the shot cuts. Later in the same scene, as he sees Sol "going home", part of his arm disappears behind the orange wall seen through the window.

Quotes:

[first lines]
Voice over PA: First stage removal. First stage removal. Streets prohibited to non-permits in one hour. Streets prohibited to non-permits in one hour.

Movie Connections:

Spoofed in "Codename: Kids Next Door: Operation P.I.N.K.-E.Y.E./Operation K.A.S.T.L.E. (#3.7)" (2004)

Soundtrack:

Symphony No. 6 in B Minor, Op.74: 'Pathetique': I. Adagio - Allegro non Troppo

A smart sci-fi with an engaging vision of the future

It is the year 2022 and nothing has changed even if things have gotten worse. New York City has become even more overpopulated and is just yet another city heaving in its own filth with countless "have-nots" fighting over sparse resources. Energy supplies are low, water is strictly controlled, living spaces are small and cramped and "real" food is a luxury reserved for the very rich. The masses do not have such luxuries and eat rationed supplies of high-nutrient processed foods from the Soylent Corporation. Detective Thorn is a "have-not" and just like everyone else is out to get what he can for himself and friend Sol Roth. Called to a burglary that became a murder, Thorn learns that the victim is a director at Soylent and suspects that all the curious thing about the crimes may be coming together to be far more than the work of some random thug.

Famous for its "shock" ending (which everyone must know and most people will guess) this film is actually more than just one scene and is actually an intelligent sci-fi detective story that has an engaging central story and a generally interesting vision of the future that is much more convincing than the one of Hollywood blockbusters and such. The investigation is solid but it is the world it happens within that is most interesting as we see a world where, surprise surprise, the poor people are left to make do while those better off can still enjoy the finer things while they remain. It is not an earth shattering view of the future but it is a convincing one and I enjoyed being in this story and seeing this world played out. Personally I bought it but it may help that I mistrust corporations anyway and believe that the poor will be the first to get shafted when anything bad happens, simply because they have less to work with.

The narrative is not the strongest though and in terms of it being a detective story it could have been better. Some viewers have complained about the lack of action, which I think is a pretty unfair accusation since it wasn't trying to be that type of film. The main characters are interesting. Thorn is a man of authority but he is just like everyone else, out to get what he can and takes advantage of others the first chance he gets. His relationship with Roth is not fully explained but it worked anyway and provided a touch of humanity. It helps that both actors did good jobs of it as well. Heston normally plays the gruff hero but here at least he allows the corruption within man's heart to come out. Robinson has less of a character but his performance is assured and is touching for reasons internal and external to the film. Support is not so good but it is less important in the smaller roles; Cotton is a nice find though.

Overall this is a famous film that is good but not without its faults. The narrative is reasonably interesting and carries the film all the way to a nice (but too well-known) conclusion but it is in the general vision of the future of a world where the people are struggling to get by with resources running low. A smart sci-fi that is well worth seeing.