| Photos (see all 33 | slideshow) | Videos |
| Richard Roundtree | ... | John Shaft | |
| Frank Finlay | ... | Amafi | |
| Vonetta McGee | ... | Aleme | |
| Neda Arneric | ... | Jazar | |
| Debebe Eshetu | ... | Wassa | |
| Spiros Focás | ... | Sassari (as Spiros Focas) | |
| Jacques Herlin | ... | Perreau | |
| Jho Jhenkins | ... | Ziba | |
| Willie Jonah | ... | Oyo | |
| Adolfo Lastretti | ... | Piro | |
| Marne Maitland | ... | Col. Gonder | |
| Frank McRae | ... | Oziot | |
| Zenebech Tadesse | ... | The Prostitute | |
| A.V. Falana | ... | Ramila's Son | |
| James E. Myers | ... | Williams | |
| Nadim Sawalha | ... | Zubair | |
| Thomas Baptiste | ... | Kopo | |
| Jon Chevron | ... | Shimba | |
| Glynn Edwards | ... | Vanden | |
| Cy Grant | ... | Emir Ramila | |
| Jacques Marin | ... | Cusset | |
| Nick Zaran | ... | Sadi | |
| Aldo Sambrell | ... | Angelo |
Directed by | |||
| John Guillermin | |||
Writing credits | ||
| Ernest Tidyman | (characters) | |
| Stirling Silliphant | (written by) | |
Produced by | |||
| René Dupont | .... | associate producer (as Rene Dupont) | |
| Roger Lewis | .... | producer | |
Original Music by | |||
| Johnny Pate | |||
Cinematography by | |||
| Marcel Grignon | (director of photography) | ||
Film Editing by | |||
| Max Benedict | |||
Casting by | |||
| Irene Howard | |||
| Jose Villaverde | |||
Production Design by | |||
| John Stoll | |||
Art Direction by | |||
| José María Tapiador | (as Jose Maria Tapiador) | ||
Makeup Department | |||
| Mariano García Rey | .... | makeup artist (as Mariano Garcia Rey) | |
Production Management | |||
| Donald C. Klune | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Miguel Gil | .... | assistant director (as Miguel Angel Gil Jr.) | |
| David Tomblin | .... | second unit director | |
Art Department | |||
| Benjamín Fernández | .... | assistant art director (uncredited) | |
Sound Department | |||
| Peter Sutton | .... | sound | |
| Hal Watkins | .... | sound | |
Special Effects by | |||
| Antonio Molina | .... | special effects | |
Stunts | |||
| Miguel Pedregosa | .... | stunt coordinator | |
Costume and Wardrobe Department | |||
| Frank Balchus | .... | wardrober | |
Music Department | |||
| Johnny Pate | .... | conductor | |
| William Saracino | .... | music editor | |
Other crew | |||
| Horace Jenkins | .... | script advisor | |
| Takauki Kubota | .... | stick fight stager | |
| Recent Posts (updated daily) | User |
|---|---|
| goof? | fuhzbubble |
| TV SERIES | mattslittlebrother |
| Looking For A Blaxploitation Movie. | kitie7 |
|
|
|
|
|
| Across the Universe | The Loss of Sexual Innocence | The Aviator | Big Fish | Magnum Force |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
I am a huge fan of the original film in this series, SHAFT--having scored it an 8 and enjoyed every minute of it. Unfortunately, the sequels (SHAFT'S BIG SCORE and SHAFT IN Africa) were major disappointments--mostly due to really bad writing and lots of ridiculous story elements. In SHAFT'S BIG SCORE, Shaft has a gun battle with about a dozen crooks. They have a machine gun and tons of pistols as well as a helicopter. Shaft has a shotgun and a pistol and manages not only to win but shoot down the copter!!! Sadly, it only got worse in SHAFT IN Africa.
The main plot idea isn't bad. A group of concerned officials want to infiltrate an evil mob that sneaks illegal workers from Africa into Europe and treats them like slaves. A timely topic now as well as then. However, having Shaft be the guy to infiltrate was just silly. While the film was set in East Africa, Shaft looks little like one of these people--mostly because almost all Black-Americans trace their ancestry back to West Africa--on the other side of the continent. In addition, he didn't really try to use an appropriate accent throughout the film--only once or twice--and he didn't shave or cut his hair to blend in with the slaves. He simply looked like "Richard Roundtree: Movie Star" amidst the poor unfortunate villagers. Unfortunately, about the only thing going for the film is the action and extreme violence (for 1973). Sadly, even the great tune "Shaft" was gone and the music was rather bland throughout the film!
By the way, although it looked cool, why did Shaft bother to blow up the bunker at the end of the film even though the bad guy and all his men were dead?! It just seemed like a silly excuse for pyrotechnics.