| Jack Lemmon | ... | Harry Stoner | |
| Jack Gilford | ... | Phil Greene | |
| Laurie Heineman | ... | Myra | |
| Norman Burton | ... | Fred Mirrell | |
| Patricia Smith | ... | Janet Stoner | |
| Thayer David | ... | Charlie Robbins | |
| William Hansen | ... | Meyer | |
| Harvey Jason | ... | Rico | |
| Liv Lindeland | ... | Ula (as Liv Von Linden) | |
| Lara Parker | ... | Margo | |
| Eloise Hardt | ... | Jackie | |
| Janina | ... | Dusty | |
| Ned Glass | ... | Sid Fivush | |
| Pearl Shear | ... | Cashier | |
| Biff Elliot | ... | Tiger Petitioner (as Biff Elliott) | |
| Ben Freedman | ... | Taxi Driver | |
| Madeline Lee | ... | Receptionist | |
| rest of cast listed alphabetically: | |||
| Barton MacLane | ... | (clips from 'High Sierra') (archive footage) | |
| Tony Regan | ... | Man at show (uncredited) | |
| Leoda Richards | ... | Woman at show (uncredited) | |
| Jeffrey Sayre | ... | Man at Show (uncredited) | |
| Ken Weiner | ... | Movie Patron (uncredited) | |
Directed by | |||
| John G. Avildsen | |||
Writing credits(in alphabetical order) | ||
| Steve Shagan | writer | |
Produced by | |||
| Edward S. Feldman | .... | executive producer | |
| Martin Ransohoff | .... | producer | |
| Steve Shagan | .... | producer | |
Original Music by | |||
| Marvin Hamlisch | |||
Cinematography by | |||
| James Crabe | (as Jim Crabe) | ||
Film Editing by | |||
| David Bretherton | |||
Casting by | |||
| Caro Jones | |||
Art Direction by | |||
| Jack T. Collis | (as Jack Collis) | ||
Set Decoration by | |||
| Ray Molyneaux | |||
Makeup Department | |||
| Harry Ray | .... | makeup artist | |
Production Management | |||
| Frank Baur | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ronald L. Schwary | .... | second assistant director (as Ron Schwary) | |
| Christopher N. Seiter | .... | assistant director (as Christopher Seiter) | |
Art Department | |||
| Donald B. Nunley | .... | property master (as Don Nunley) | |
Sound Department | |||
| Bud Alper | .... | sound | |
| Robert Knudson | .... | sound (as Robert I. Knudson) | |
Camera and Electrical Department | |||
| Ross A. Maehl | .... | gaffer (as Ross Maehl) | |
| John Murray | .... | key grip | |
| Jack Willoughby | .... | camera operator | |
Costume and Wardrobe Department | |||
| John A. Anderson | .... | wardrobe | |
| Joseph Magnin | .... | fashion show wardrobe | |
Editorial Department | |||
| David Ramirez | .... | assistant editor | |
Music Department | |||
| Marvin Hamlisch | .... | conductor | |
Other crew | |||
| Pat Quinn | .... | fashion show consultant | |
| Ray Quiroz | .... | script supervisor | |
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| Professione: reporter | Midnight Cowboy | Sans toit ni loi | Body Heat | The Funhouse |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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I first saw this movie as a young man on PBS in Boston,in the late seventies and was immediately struck by the power, honesty and conviction of Lemmon's portrayal, of the ultimate mid life crisis.
Little did I know, that thirty years later, I would be going through one of my own and would once again be drawn to, and struck by, the sincerity and integrity of Jack Lemmon's performance.
The film has it's critics, self indulgent, sentimental and simplistic are only some of comments made, but the film still has the power to make you question what you have done with your own life. It asks you how you got to where you are, and it makes you ask yourself if it was all worth it. It also questions/exposes the Great American Dream and asks, if that is not the be all and end all, then what is?
Harry Stoner is not a man you should feel sorry for, but Lemmon's interpretation forces you to question his ideals and your own, as you follow this crisis point in his life. In the end, whether you like the film or not, or agree with what it is trying to say, you can't deny Lemmon his Academy Award.