| Videos |
| Ryan O'Neal | ... | Moses Pray | |
| Tatum O'Neal | ... | Addie Loggins | |
| Madeline Kahn | ... | Trixie Delight | |
| John Hillerman | ... | Deputy Hardin / Jess Hardin | |
| P.J. Johnson | ... | Imogene | |
| Jessie Lee Fulton | ... | Miss Ollie | |
| James N. Harrell | ... | The Minister (as Jim Harrell) | |
| Lila Waters | ... | The Minister's Wife | |
| Noble Willingham | ... | Mr. Robertson | |
| Bob Young | ... | Gas Station Attendant | |
| Jack Saunders | ... | Station Master | |
| Jody Wilbur | ... | Cafe Waitress | |
| Liz Ross | ... | The Widow Morgan (Pearl) | |
| Yvonne Harrison | ... | The Widow Bates (Marie) | |
| Dorothy Price | ... | Ribbon Saleslady | |
| Eleanor Bogart | ... | The Widow Stanley (Elvira) | |
| Dorothy Forster | ... | The Widow Huff (Edna) | |
| Lana Daniel | ... | Moze's Girlfriend | |
| Herschel Morris | ... | The Barber | |
| Dejah Moore | ... | Salesgirl ($20 bill) | |
| Ralph Coder | ... | Store Manager | |
| Harriet Ketchum | ... | Store Customer | |
| Desmond Dhooge | ... | Cotton Candy Man | |
| Kenneth Hughes | ... | Harem Tent Barker | |
| George Lillie | ... | The Photographer | |
| Burton Gilliam | ... | Floyd (Desk Clerk) | |
| Floyd Mahaney | ... | Beau (Hardin's Deputy) | |
| Gilbert Milton | ... | Leroy's Father | |
| Randy Quaid | ... | Leroy | |
| Tandy Arnold | ... | Leroy's Brother | |
| Dennis Beden | ... | Leroy's Brother | |
| Vernon Schwanke | ... | Leroy's Brother | |
| Hugh Gillin | ... | 2nd Deputy | |
| Art Ellison | ... | Silver Mine Gentleman | |
| Rose-Mary Rumbley | ... | Aunt Billie (as Rosemary Rumbley) | |
| rest of cast listed alphabetically: | |||
| Jack Benny | ... | Himself (on his radio show) (voice) (uncredited) (archive footage) | |
| Jim Jordan | ... | Fibber McGee (on his radio show) (voice) (uncredited) (archive footage) | |
| Marian Jordan | ... | Molly McGee (on her radio show) (voice) (uncredited) (archive sound) | |
| Ed Reed | ... | The Lawman (Bates Home) (uncredited) | |
| Don Wilson | ... | Himself (on Jack Benny radio show) (voice) (uncredited) (archive footage) | |
Directed by | |||
| Peter Bogdanovich | |||
Writing credits(in alphabetical order) | ||
| Joe David Brown | novel "Addie Pray" | |
| Alvin Sargent | screenplay | |
Produced by | |||
| Peter Bogdanovich | .... | producer | |
| Frank Marshall | .... | associate producer | |
Cinematography by | |||
| László Kovács | (director of photography) (as Laszlo Kovacs) | ||
Film Editing by | |||
| Verna Fields | |||
Casting by | |||
| Gary Chason | |||
Production Design by | |||
| Polly Platt | |||
Set Decoration by | |||
| John P. Austin | (as John Austin) | ||
Costume Design by | |||
| Polly Platt | (uncredited) | ||
Makeup Department | |||
| Dorothy Byrne | .... | hair stylist | |
| Rolf Miller | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Jerry Ballew | .... | second assistant director | |
| Gary Daigler | .... | trainee assistant director | |
| Ray Gosnell Jr. | .... | assistant director (as Ray Gosnell) | |
Art Department | |||
| George Lillie | .... | painter | |
| Ed Shanley | .... | construction coordinator | |
| James H. Spencer | .... | set designer (as James Spencer) | |
| Mark Wade | .... | assistant prop man | |
| Tony Wade | .... | prop master | |
Sound Department | |||
| William C. Carruth | .... | assistant sound editor (as Bill Carruth) | |
| Les Fresholtz | .... | sound mixer | |
| Richard Portman | .... | sound re-recordist | |
| Kay Rose | .... | sound editor | |
| Frank E. Warner | .... | sound editor (as Frank Warner) | |
| Norman Webster | .... | boom operator | |
Visual Effects by | |||
| Jack Harmon | .... | optical effects | |
Camera and Electrical Department | |||
| Richmond L. Aguilar | .... | gaffer (as Richmond Aguilar) | |
| Bobby Byrne | .... | camera operator (as Robert Byrne) | |
| Dick Colean | .... | assistant camera | |
| George Hill | .... | key grip | |
| Leonard Lookabaugh | .... | dolly grip | |
| Lou Noto | .... | assistant camera (as Louis Noto) | |
| Lawrence E. Peets | .... | best boy (as Larry Peets) | |
Costume and Wardrobe Department | |||
| Pat Kelly | .... | costumer | |
| Sandra Stewart | .... | costumer | |
Editorial Department | |||
| Rick Fields | .... | post-production assistant (as Richard Fields) | |
| William Neel | .... | assistant editor | |
Transportation Department | |||
| Gil Casper | .... | driver: camera car | |
| Clyde Harper | .... | transportation captain | |
Other crew | |||
| Selma Brown | .... | production secretary | |
| Neil Canton | .... | production assistant | |
| Rudi Fehr | .... | records from the collection of | |
| Karen Hale Wookey | .... | script supervisor (as Karen Wookey) | |
| Richard Waltzer | .... | production assistant | |
| Mae Woods | .... | assistant to producer | |
| Ralph M. Leo | .... | production accountant (uncredited) | |
Thanks | |||
| Jack Benny | .... | special thanks | |
| Hoagy Carmichael & His Orchestra | .... | special thanks | |
| Bing Crosby | .... | special thanks | |
| Ramona Darby | .... | special thanks | |
| Jimmie Davis | .... | special thanks | |
| Jimmie Grier and His Orchestra | .... | special thanks | |
| Peggy Healy | .... | special thanks | |
| Jack Hylton and His Orchestra | .... | special thanks | |
| Johnny Hamp's Kentucky Serenaders | .... | special thanks | |
| Jim Jordan | .... | special thanks | |
| Marian Jordan | .... | special thanks | |
| Frank Luther | .... | special thanks | |
| Enric Madriguera and Orchestra | .... | special thanks | |
| Nat Gonella and His Georgians | .... | special thanks | |
| Ozzie Nelson and Orchestra | .... | special thanks (as Ozzie Nelson and His Orchestra) | |
| Dick Powell | .... | special thanks | |
| Leo Reisman and His Orchestra | .... | special thanks | |
| Larry Stewart | .... | special thanks | |
| Tommy Dorsey & His Orchestra | .... | special thanks | |
| Victor Young and His Orchestra | .... | special thanks | |
| Paul Whiteman | .... | special thanks (as Paul Whiteman and His Orchestra) | |
| Don Wilson | .... | special thanks | |
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| The Night of the Hunter | Nightmare Alley | Heaven Can Wait | My Own Private Idaho | The Notebook |
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Paper Moon has to be one of the finest pieces of American cinema to grace the 70's. Bogdanovich's direction bares a strong resemblance to The Last Picture Show, but overall this film is much more satisfying and enjoyable. The Black and White photography gives the film a nostalgic beauty that perfectly complements the Depression-era it attempts to recreate. Also notable is the charming Jazz-based score, with a wonderful opening title track, reinforcing the film's charm. As good as the story, direction and music are however, the true stars of the film are the O'Neal twosome. Both bring forth their best performances of their careers, and share a chemistry on screen that only a father and daughter could. Ryan O'Neal brings forth a subtle charm as the wise-talking, but inept hustler Moses Pray. Tatum however, even upstages her father with what has to be the best youth performance in history. She is funny and moving when need be, and always charming, eliciting laughs many times based solely on her malleable facial expressions. Her show-stopping five minute shot, no matter how long it took to film, proves just how fully Tatum was able to embody little Addie Pray. The movie is always entertaining, with never a dull spot, with a strong supporting performance by Madeline Kahn to help keep things rolling during the middle. This is a true classic that should be seen by people of all ages, I can't recommend it enough!