Overview
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Release Date:
12 December 1973 (USA)
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Tagline:
No *#@!!* Navy's going to give some poor **!!@* kid eight years in the #@!* brig without me taking him out for the time of his *#@!!* life.
Plot:
Two Navy men are ordered to bring a young offender to prison but decide to show him one last good time along the way.
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Awards:
Nominated for 3 Oscars.
Another 5 wins
&
6 nominations
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User Comments:
They don't seem to make movies like this anymore, do they?
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Crew believed to be complete
Additional Details
Runtime:
103 min
Color:
Color (Metrocolor)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): In Nichiren Shoshu Buddhism, prayer beads include two strands which hang on the left hand and three strands on the right while chanting with palms pressed together. When Donna is seen in profile chanting for Meadows, her prayer beads appear opposite from the correct arrangement with three strands on the left hand.
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Quotes:
Meadows:
[
looking at porn] Are they really doing that when they take that picture?
Buddusky:
[
pause] Well kid, there's more things in this life than you can possibly imagine. I knew a whore once in Wilmington. She had a glass eye... used to take it out and wink people off for a dollar.
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Soundtrack:
Sing Us Another Song
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While the question is a bit rhetorical, I do mean it- you don't see that many movies made anymore like this, The Last Detail by Hal Ashby (Being There) and Robert Towne (later to write another Nicholson gem, Chinatown), where the story is just a baseline to the characters studied in subtle and not so subtle ways. It even grows on the viewer if seen multiple times, where what seems to be dragging on is loaded with nuance. There's a level of existentialism to it: how free are Buddusky and Mulhall, or their choices? Probably not much at all, at least not any more or less than the doomed Meadows. But this is not the only method of Ashby on the material, there are also superlative performances from Jack Nicholson, Otis Young, and a newcomer at the time, Randy Quaid.
Nicholson and Young play Buddusky (Bad-ass), and Mulhouse (Mule), who are assigned "chicken-s*** detail", to transport petty thief Quaid, sent up for eight years in a naval brig. On the way up the Eastern seaboard, the three stop in Washington, New York, and Boston, and the two try to show the youngster a good time before imprisonment. Probably one of the most under-looked pictures of the 1970's, though one of the more note-worthy, especially for it's attitude delivered ten-fold by Nicholson's Cannes winning Buddusky, and Towne script. A scene in a bar in Washington and a scene at a Nichiren Shosu meeting steal the lot, though there's plenty to look for. It's one of my favorite tragic-comic sleepers, and one of Ashby's best.