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No, folks, this is NOT a no-budget horror flick from the seventies. Look again - it's well-shot, well-staged, and, if anything, it's wildly overpopulated with enthusiastic minor characters and extras. Godmonster isn't like anything else you've ever seen, heard, read, smelled, or tasted, with the possible exception of a Thomas Pynchon novel. Like Pynchon, Hobbs keeps piling on plot until you think the plate in your head is going to shatter. And then you realize that it's only the first thirty minutes. And it keeps coming at you and it WON'T STOP. I've seen them all, from Acid Eaters to Zombie Nightmare. I've laughed at Begotten, wept over Forbidden Zone, sat amazed at semi-legal prints of White Dog with Dutch subtitles and Addio Uncle Tom with Greek subtitles. I've got Killer Klowns in Spanish.But Godmonster is the last stop on the line. I wish this WERE a crappy rubber-suit monster movie. It'd be vastly less disturbing.
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