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Furyô anego den: Inoshika Ochô (1973)
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Overview
User Rating:
Release Date:
17 February 1973 (Japan) moreTagline:
The Biography of the Woman Boss of Bad Girls...Plot:
Reiko Ike stars as Ocho, a gambler and pickpocket in Meiji Era Tokyo. After sheltering a fleeing anarchist... more | add synopsisUser Comments:
Awesome Japanse exploitation classic more (20 total)Cast
(Cast overview, first billed only)| Reiko Ike | ... | Ochô Inoshika | |
| Akemi Negishi | ... | Ogin Shitateya | |
| Ryôko Ema | ... | Omiya | |
| Yôko Hori | ... | Okinu | |
| Naomi Oka | ... | Okoi | |
| Rena Ichinose | ... | Osayo Igirisu | |
| Hachirô Oka | |||
| Shin'ichirô Hayashi | |||
| Rie Saotome | ... | Yuki | |
| Jun Midorikawa | ... | Shinobu | |
| Yôko Mihara | |||
| Tadashi Naruse | ... | Shunosuke (as Masataka Naruse) | |
| Takashi Shirai | ... | Oota | |
| Tsuyoshi Arita | |||
| Yuzuru Moritani |
Additional Details
Also Known As:
Anego den (Japan) (short title)Elder Sister: Ochô Inoshika (International: English title) (literal title)
Ochô (Japan) (short title)
Sex and Fury (International: English title)
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Parents Guide:
View content advisory for parentsRuntime:
88 minCountry:
JapanColor:
ColorAspect Ratio:
2.35 : 1 moreFun Stuff
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I had looked forward for a while to seeing this and it did not disappoint. The story has good good amount of intrigue and twists and turns, keeping things constantly interesting. The acting ranges from good in the case of Reiko Ike, but pretty poor in the case of Christina Lindberg. The rest of the cast fall between these two poles. The sex and violence aspects of the film are plentiful, though the violence leaves something to be desired. It could have done with a littl more realism (too many swords being obviously held in place by dying extras) and maybe more savagery, in a Lone Wolf and Cub style. There is also more sex than violence and I would have kinda preferred an equal amount of both. However, the film is energetic, frequently jaw droppingly great, beautifully directed and photographed filled with beautiful women. It could have done without the idiotic bits of humour and could certainly have done with being a little more sensible at times, for places do seem faintly ludicrous, if still entertaining, but is still a thoroughly gnarly landmark in cult exploitation world cinema.