| Photos (see all 9 | slideshow) |
| Jack Palance | ... | Count Dracula | |
| Simon Ward | ... | Arthur Holmwood | |
| Nigel Davenport | ... | Dr. Van Helsing | |
| Pamela Brown | ... | Mrs. Westenra | |
| Fiona Lewis | ... | Lucy Westenra | |
| Penelope Horner | ... | Mina Murray | |
| Murray Brown | ... | Jonathan Harker | |
| Virginia Wetherell | ... | Dracula's wife (as Virginia Wetherall) | |
| Barbara Lindley | ... | Dracula's wife | |
| Sarah Douglas | ... | Dracula's wife | |
| George Pravda | ... | Innkeeper | |
| Hana Maria Pravda | ... | Innkeeper's wife (as Hanna-Maria Pravda) | |
| Reg Lye | ... | Zookeeper | |
| Fred Stone | ... | Priest | |
| Roy Spencer | ... | Whitby Inn clerk | |
| John Challis | ... | Stockton-on-Tees clerk | |
| Nigel Gregory | ... | Midvale shipping clerk | |
| John Pennington | ... | Richmond shipping clerk | |
| Martin Read | ... | Coast Guardsman | |
| Gita Denise | ... | Madam Kristoff | |
| rest of cast listed alphabetically: | |||
| Sandra Caron | ... | Whitby Inn maid (uncredited) | |
Directed by | |||
| Dan Curtis | |||
Writing credits(in alphabetical order) | ||
| Richard Matheson | writer | |
| Bram Stoker | novel | |
Produced by | |||
| Dan Curtis | .... | producer | |
| Robert Singer | .... | associate producer | |
Original Music by | |||
| Bob Cobert | (as Robert Cobert) | ||
Cinematography by | |||
| Oswald Morris | |||
Film Editing by | |||
| Richard A. Harris | |||
Casting by | |||
| Boaty Boatwright Baker | |||
Production Design by | |||
| Trevor Williams | |||
Costume Design by | |||
| Ruth Myers | |||
Makeup Department | |||
| Paul Rabiger | .... | makeup artist | |
| Bobbie Smith | .... | hair stylist | |
| Hillary Smith | .... | hair stylist | |
Production Management | |||
| Tim Hampton | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Derek Kavanagh | .... | first assistant director | |
| Bill Westley | .... | first assistant director | |
Sound Department | |||
| Roy Charman | .... | sound mixer | |
| Gerry Humphreys | .... | dubbing mixer | |
| Mike Le Mare | .... | dubbing editor | |
Special Effects by | |||
| Kit West | .... | special effects | |
Camera and Electrical Department | |||
| Maurice Arnold | .... | focus puller | |
| Jimmy Turrell | .... | camera operator (as James Turrell) | |
Costume and Wardrobe Department | |||
| Brian Owen-Smith | .... | wardrobe supervisor | |
Editorial Department | |||
| Jack Davies | .... | assistant editor | |
| Anthony Palk | .... | editor: UK (as Tony Palk) | |
Music Department | |||
| Bob Cobert | .... | conductor (as Robert Cobert) | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Stuart Freeman | .... | location manager | |
| Ruth Kennedy | .... | assistant to producer | |
| Kevin Marshall | .... | production assistant | |
| Recent Posts (updated daily) | User |
|---|---|
| Dracula website | rdatsun |
| It Was Very Scary (In 1975 for a 10 year old) | wintwins |
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| Dracula | Dracula | Dracula | The Hound of the Baskervilles | Shadow of the Vampire |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb UK section | Add this title to MyMovies |
MORD39 RATING: *** out of ****
At first glance, Jack Palance would seem to be the wrong type for the lead in this television version of DRACULA; but once the movie is well under way, he is purely magnificent in the role. He admittedly truly got "into" the character, so much so that he sometimes feared he might never be able to get out again!
In the disastrous 1990's we were fed Coppola's BRAM STOKER'S DRACULA, which was a huge disappointment. It stole elements from this 1973 version, most notably the idea of Dracula as a more sympathetic character searching for the reincarnation of his old lover (here she's played by the stunning Fiona Lewis). But the 1992 version failed miserably because we grew to really like Dracula, and that should NEVER happen. But with this Dan Curtis production, we can feel sad for the Count's dilemma, yet still fear and despise him as the villain despite his tragedy. Palance's vampire comes off as a monster, but with just a hint of his past life of humanity which even he seems to miss.
The direction is sound, and the scenery is simple but atmospheric.
To this date, not one version of Stoker's novel has been adapted exactly as he intended it, including this one. There are liberties taken here, but it still remains a better choice than the Coppola film. This is a relatively unseen item that should be re-discovered.