| Renaud Verley | ... | Juan (John in English version) | |
| Viveca Lindfors | ... | Marta | |
| Alfredo Mayo | ... | Don Pedro | |
| Maribel Martín | ... | Esther | |
| Nuria Gimeno | ... | Teresa | |
| Christina von Blanc | ... | María (as Christine Betzner) | |
| Saturno Cerra | |||
| Nicole Vesperini | |||
| Erasmo Pascual | ... | Priest | |
| Antonio Puga | |||
| Juan Cazalilla | |||
| Tito García | |||
| Rosetta Vellisca | |||
| Ángel Blanco | |||
| Susana Latour | ... | Juan's mother | |
| rest of cast listed alphabetically: | |||
| William Layton | |||
Directed by | |||
| Claudio Guerín | |||
| Juan Antonio Bardem | (uncredited) | ||
Writing credits | ||
| Santiago Moncada | (story) | |
| Santiago Moncada | (screenplay) | |
Produced by | |||
| Robert Ausnit | .... | delegate producer | |
| Claudio Guerín | .... | producer | |
| Luis Laso | .... | executive producer | |
Original Music by | |||
| Adolfo Waitzman | |||
Cinematography by | |||
| Manuel Rojas | |||
Film Editing by | |||
| Magdalena Pulido | |||
Production Design by | |||
| Eduardo Torre de la Fuente | |||
Set Decoration by | |||
| Eduardo Torre de la Fuente | |||
Costume Design by | |||
| Maiki Marín | (as Maiqui Marín) | ||
Makeup Department | |||
| Vicenta Palmero | .... | hair stylist | |
| Julián Ruiz | .... | key makeup artist | |
| Antonio Segovia | .... | assistant makeup artist | |
Production Management | |||
| Ricardo Bonilla | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Sinesio Isla | .... | assistant director | |
| Miguel Suarez | .... | second assistant director | |
Art Department | |||
| Juan de la Flor | .... | property master | |
| Horacio Rodríguez | .... | assistant set decorator | |
Sound Department | |||
| Luis Castro | .... | sound effects | |
Camera and Electrical Department | |||
| José Luis Aguilar | .... | second assistant camera | |
| Julio Leyva | .... | assistant camera (as Julio Martín Leyva) | |
| Simón López | .... | still photographer | |
| Domingo Solano | .... | camera operator | |
Costume and Wardrobe Department | |||
| María Teresa Iglesias | .... | seamstress | |
Editorial Department | |||
| José María Biurrún | .... | second assistant editor | |
| María Teresa Mateos | .... | assistant editor | |
Other crew | |||
| Demetrio Bravo | .... | second production assistant | |
| Isabel Ruiz Capillas | .... | shooting secretary (as Maribel Ruiz Capillas) | |
| Luis Vázquez | .... | production assistant | |
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| Suddenly, Last Summer | The Hard Word | No es nada, mamá, sólo un juego | The Echo Game | De battre mon coeur s'est arrêté |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Spain section | Add this title to MyMovies |
"The Bell From Hell" sadly suffers from a couple of incredibly badly dubbed DVD-versions that carelessly got dropped on the market somehow. Personally, I owned a version that I tried to watch FOUR times, but never got past the opening 15 minutes because I couldn't understand one iota of what the characters were mumbling. Luckily enough, the eerie atmosphere and dark cinematography looked so promising already that I never gave up the search for a decent version! And I'm glad I didn't, otherwise I would have missed out on one of the most uniquely bizarre & original horror films ever made in the European continent! This is a seriously strange movie, raw and perhaps slightly perverse, but really stuffed with ingenious story lines and highly impressive shock-sequences. The plot is twisted and introduces the handsome young Juan on the day he's released from the mental asylum. He was institutionalized for quite a long time, since the day his mother died, largely because his crippled aunt wanted sole control over the family fortune. Now that he's released Juan gets back at her and her three gorgeous daughters through wicked mind games and torture. You'd think Juan deserves his vengeance, but his sick pranks do indicate he's really insane... Synchronous with these events, the movie displays images of a brand new church bell being prepared for service, yet the connection with the main characters only becomes clear near the climax. "The Bell from Hell" is a really good film! There are some very freaky scenes (the dungeon!) and some hard gore (the abattoir!) but director Claudio Guerín maintains style throughout his whole film. Perhaps not as brilliantly as Mario Bava or Antonio Margheriti would do it, but certainly sufficient. The music is terrific (another Euro-horror classic that turns a harmless lullaby into a terrifying tune) and the girls all look ravishing. Sure there are quite a few holes in the script and several continuity-errors, but any fan of European exploitation horror is easily able to look past all that. Equally (in)famous as the film itself is the accident (?) that killed the young and promising director Claudio Guerín. Days before completing the film, he fell off the church decor. I'm sure the contemporary dictator Franco didn't attend his funeral, as Guerín's film can also be seen as a mockery of his repressive regime. Don't you love trivia?