| Photos (see all 3 | slideshow) |
| Florinda Bolkan | ... | Clara Mataro | |
| Renato Salvatori | ... | Franco Mataro, the husband | |
| Daniel Quenaud | ... | Luigi, Clara's lover | |
| José María Prada | ... | Dr. Ciranni | |
| Teresa Gimpera | ... | Gina | |
| Hugo Blanco | ... | Brother-in-law | |
| Julia Peña | ... | Edvige | |
| Miranda Campa | ... | Nurse Guidotti | |
| Angela Cardile | ... | La Rossa, the redhead | |
| Anna Carena | ... | Mother-in-law | |
| Monica Guerritore | ... | Maria | |
| Maria Mizar | ... | Nurse Garin | |
| Alessandro Romanazzi | ... | Son | |
| Adriana Asti | ... | Scanziani | |
| Enrico Baroni | |||
| Edda Conti | |||
| Lia Giovannella | |||
| Franca Mazzoni | |||
| Giampaolo Rossi | |||
| Luigi Antonio Guerra | |||
| Mario Garriba | |||
| rest of cast listed alphabetically: | |||
| Gaetano Amoroso | ... | (uncredited) | |
| Christian De Sica | ... | Mariani, Il Giovane In Treno (uncredited) | |
| Francesco Rocciola | ... | (uncredited) | |
| Vincenzo Rocciola | ... | (uncredited) | |
Directed by | |||
| Vittorio De Sica | |||
Writing credits(in alphabetical order) | ||
| Rafael J. Salvia | uncredited | |
| Rodolfo Sonego | story | |
| Cesare Zavattini | writer | |
Produced by | |||
| Marina Cicogna | .... | producer | |
| Arthur Cohn | .... | producer | |
Original Music by | |||
| Manuel De Sica | |||
Cinematography by | |||
| Ennio Guarnieri | |||
Film Editing by | |||
| Franco Arcalli | (as Kim Arcalli) | ||
Art Direction by | |||
| Luigi Scaccianoce | |||
Set Decoration by | |||
| A. D'Angelo | (interior decorator) | ||
Costume Design by | |||
| Nadia Vitali | |||
Makeup Department | |||
| Maria Teresa Corridoni | .... | hair stylist | |
| Alessandro Jacoponi | .... | makeup artist (as Alessandro Iacoponi) | |
| Giulio Mastrantonio | .... | makeup artist | |
Production Management | |||
| Serafín García Trueba | .... | production manager: Spain (as Garcia Trueba) | |
| Michele Marsala | .... | production supervisor | |
| Fausto Pierannunzi | .... | production manager | |
| Claudio Vinale | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Luisa Alessandri | .... | assistant director | |
Art Department | |||
| Bruno Cesari | .... | set dresser | |
| Adolfo Cofiño | .... | art director: Spain (as Adolfo Copino) | |
Sound Department | |||
| Fausto Ancillai | .... | sound mixer | |
| Roberto Arcangeli | .... | sound effects editor | |
| Alberto Moretti | .... | boom operator | |
| Alvaro Orsini | .... | sound | |
Camera and Electrical Department | |||
| Giulio Battiferri | .... | camera operator | |
| Giuseppe Fornari | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Elisabetta Lo Cascio | .... | assistant costume designer | |
Editorial Department | |||
| Marisa Letti | .... | assistant editor | |
Other crew | |||
| Serena Merlini | .... | script girl | |
| Ermete Santini | .... | administrator | |
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| Edvard Munch | La historia oficial | Rocco e i suoi fratelli | The Painted Veil | 8½ |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Italy section | Add this title to MyMovies |
This is an amazingly beautiful film. The story of a woman of little means and a horrendous family life who learns much about the world in a sanatorium in the Italian alps. It gives her a brief vacation from a hard life. And understanding. And hope. Truly wonderful. Florinda Bolkan is a great actress ... emoting without emotion. This movie has many levels of plot and story rolled into a single, seemingly simple story. There are many levels of relationships in the movie. Of particular interest is the set of relationships formed between patients from the upper class, the 'paying' patients and those who are in the sanatorium paid for by the national health. The juxtapositions between have and have not, happy and sad, sick and healthy, doctor and patient, hardworking and lazy and many others form the basis of what we see as Clara's learning process and set of life dilemmas.
Hard to find but worth it. Belongs on the top 250 list....but not enough people have seen it to vote.