| Photos (see all 2 | slideshow) |
| Carroll Baker | ... | Baba Yaga | |
| George Eastman | ... | Arno Treves | |
| Isabelle De Funès | ... | Valentina Rosselli | |
| Ely Galleani | ... | Annette | |
| Daniela Balzaretti | |||
| Mario M. Giorgetti | |||
| Sergio Masieri | |||
| Angela Covello | ... | Toni | |
| Cesarina Amendola | |||
| Mario Paolo Giordani | |||
| Carla Mancini | |||
| Giorgio Pellizone | |||
| Lorenzo Piani | |||
| Natalie E. Spleptzow | |||
| Rodolfo Zola | |||
| rest of cast listed alphabetically: | |||
| Franco Battiato | ... | (uncredited) | |
| Michele Mirabella | ... | Man in white in commercial (uncredited) | |
Directed by | |||
| Corrado Farina | |||
Writing credits(in alphabetical order) | ||
| Guido Crepax | comics | |
| Corrado Farina | writer | |
| François de Lannurien | additional dialogue | |
Produced by | |||
| Simone Allouche | .... | producer | |
Original Music by | |||
| Piero Umiliani | |||
Cinematography by | |||
| Aiace Parolin | |||
Film Editing by | |||
| Giulio Berruti | |||
Production Design by | |||
| Giulia Mafai | |||
Costume Design by | |||
| Giulia Mafai | |||
Makeup Department | |||
| Sergio Gennari | .... | hair stylist | |
| Orietta Melaranci | .... | makeup artist (as Oretta Melaranci) | |
Production Management | |||
| Pino De Martino | .... | production manager | |
| Bruno Evangelisti | .... | unit manager | |
| Franco Tupini | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Giulio Berruti | .... | assistant director | |
Art Department | |||
| Renato Moretti | .... | assistant production designer | |
Sound Department | |||
| Mario Piovan | .... | sound engineer | |
Camera and Electrical Department | |||
| Angelo Lannutti | .... | camera operator (as Arcangelo Lannutti) | |
| Eraldo Martella | .... | key grip | |
| Bruno Pasqualini | .... | chief electrician | |
| Claudio Tondi | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Nadia Fabriani | .... | dress maker | |
Editorial Department | |||
| Nicola Alluscia | .... | assistant editor | |
| Paolo Giaccio | .... | assistant editor | |
Other crew | |||
| Lucia Luconi | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb Italy section | Add this title to MyMovies |
The more I see of the late 60s / early 70s pop art eurotrash films, the more addicted I become to them. I initially didn't really like their extreme favoring of style over substance and high art pretensions, but they've grown on me. They range from very good ("Danger: Diabolik", "Venus In Furs") to lesser (such as this one), but I'm rarely outright bored by them. Their silly psychedelic shadings will be a turn off from many cult fans admittedly, but their often beautiful style will attract others. They're often classier than their American counterparts. Don't expect any depth or a coherent story from these, just get lost in the feel.
"Baby Yaga" is a prime example, if not one of the finest from the subgenre. Its full of goofy symbolism which serves absolutely no purpose (just what was the deal with the recurring dreams about Nazism?). However, they're highly entertaining to watch and the sheer strangeness of them more than makes up for the pretentiousness. Even though he apparently feels the film was a failure, Corrado Farina's direction is quite good. It keeps everything moving at a quick pace. Also, the editing is very good and psychedelic (there's very few shots that last for more than three seconds). And while there's no depth to any of this, there is a degree of creativity. Don't attempt to follow the storyline either. While it isn't nearly as confusing as Jess Franco's films from the era, it gets a bit difficult to follow.
If there's one major failing of the film, its the acting. Granted, one doesn't go to these films for Oscar winning performances, but still. As the lead, Isabelle De Funès (resembling a petite cross between Barbara Steele and Louise Brooks) fairs decently enough. However, the hero George Eastman is insufferably dull and Carroll Baker is badly miscast. Certainly past her prime, I wonder if Baker was put in the film simply to generate some star power. She turns in a wooden performance and is way too old for the part. Also, the style begins to wear a bit thin during the last twenty minutes or so. This aside, "Baby Yaga" is still an entertaining bit of erotic-horror. If you're into this kind of thing, dig in. (6/10)