| Photos (see all 3 | slideshow) |
| Jon Voight | ... | Vic Bealer | |
| Carole Androsky | ... | Rodine Bealer | |
| Anne Archer | ... | Drenna Valentine | |
| Gene Borkan | ... | Rockoff | |
| Ron Burns | ... | Larking | |
| Rosalind Cash | ... | Poppy | |
| Jeanne Cooper | ... | Nola Bealer | |
| Peggy Cowles | ... | Bett Van Daumee (as Peg Cowles) | |
| Leigh French | ... | Lovette | |
| Ned Glass | ... | Arty Bale | |
| Bob Hastings | ... | Ariel Van Daumee | |
| Kathy Mahoney | ... | Shereen Bealer | |
| Art Metrano | ... | Jay David Swooze | |
| Jaye P. Morgan | ... | Magda | |
| Harry Northup | ... | Parker | |
| Nancie Phillips | ... | Connie Swooze | |
| Jeff Thompson | ... | High Valentine | |
| E.J. Peaker | ... | Janelle Sharkey | |
| Ray Ballard | |||
| Mac Chandler | |||
| Owen Harian | |||
| rest of cast listed alphabetically: | |||
| Ken Norton | ... | Boxer hitting the speed bag (uncredited) | |
| Sheila Surkes Scotti | ... | Boxer's Wife (uncredited) | |
Directed by | |||
| Charles Eastman | |||
Writing credits(in alphabetical order) | ||
| Charles Eastman | writer | |
Produced by | |||
| Saul Krugman | .... | producer (as Saul J. Krugman) | |
| Joseph T. Naar | .... | producer | |
Cinematography by | |||
| Philip H. Lathrop | |||
Film Editing by | |||
| Christopher Holmes | |||
| William Neel | |||
| Ralph E. Winters | (as Ralph Winters) | ||
Art Direction by | |||
| Cary Odell | |||
Set Decoration by | |||
| James L. Berkey | |||
Makeup Department | |||
| Gordon Bau | .... | makeup artist | |
Production Management | |||
| Nate H. Edwards | .... | unit manager (as Nate Edwards) | |
Second Unit Director or Assistant Director | |||
| Terry Morse Jr. | .... | first assistant director (as Terry Morse) | |
Sound Department | |||
| Larry Jost | .... | sound | |
Stunts | |||
| Hubie Kerns Jr. | .... | stunts | |
Editorial Department | |||
| Joel Cox | .... | assistant editor | |
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| Southside | Play It to the Bone | Flying Fists | Raging Bull | Don King: Only in America |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
This flop was filmed a few years before it was released in 1973. It was made, but was never released until Jon Voight's popularity was soring with Mid-Night Cowboy.
The All-American Boy tries to pass itself off as a boxing film, but the sport is nothing but a backdrop for a symbolic ride of deep interpretations of the mis-use of "beauty" to get by in life.
Voight plays Vic "Bomber" Beasley, a strapping, undefeated amateur boxer, destined for Olympic Gold and a successful career in boxing. Tall, muscular, charming, and handsome, that's Vic, but that's only his physical appearance. Inside he is a heartless, lazy, self-centered user. The Bomber uses an array of women, among them Anne Archer(she looks about 16), E.J. Peaker, and Rosalind Cash. In a "weird" role is veteran character actor Gene Borkan as a gay boxing manager named Arty.
The film seems to want to depict how society falls all over itself to be around "beautiful" people and catering to their every whim, with little in return.
Voight is wooden and lacks any type of emotion, but that what makes him so great. He is void of feeling for anyone except himself. He uses his looks and charm to get what he wants from his family, friends, women, and even other men, gay or straight.
The All-America Boy was a box-office flop. It will be a flop for you unless you read between the lines. An out-standing piece of film-making.