| Joyce Bulifant | ... | Peggy Wilson (3 episodes, 1973) | |
| Janet MacLachlan | ... | Jackie Bruce (3 episodes, 1973) |
Series Directed by | |||
| Hal Cooper | (unknown episodes) | ||
| Jack Donohue | (unknown episodes) | ||
| Bill Hobin | (unknown episodes) | ||
| Jack Shea | (unknown episodes) | ||
Series Writing credits | ||
| George Arthur Bloom | (unknown episodes) | |
| Ruth Brooks Flippen | (unknown episodes) | |
| James Fritzell | (unknown episodes) | |
| Everett Greenbaum | (unknown episodes) | |
| Arthur Julian | (unknown episodes) | |
| Norm Liebmann | (unknown episodes) | |
| Larry Markes | (unknown episodes) | |
| Laurence Marks | (unknown episodes) | |
| Gordon Mitchell | (unknown episodes) | |
| Lloyd Turner | (unknown episodes) | |
Series Produced by | |||
| Arthur Julian | .... | producer (unknown episodes) | |
| Herman Rush | .... | executive producer (unknown episodes) | |
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| Love Thy Neighbor | "Love Thy Neighbour" | Love Thy Neighbour | Love Thy Neighbor | "Love Thy Neighbour in Australia" |
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Much in the manner of many sitcoms of the time, this show was cheap and forgettable. The draw was timely racial humor (badly dated today) involving a redneck white man working under and living next door to a black man. Charlie wasn't virulently racist, but his attitude, coupled with Ferguson's combative personality, made for the typical (and obvious) conflicts. Both wives were stereotypically friendly and understanding. All four of the main cast members are talented, but the scripts for the show ensured that their talents were never tested. The sets looked like a neighborhood theater stage and were cheapened further by the use of videotape. Critics who decry the quality of programming here in the Twenty-First Century should take a look at shows like Love Thy Neighbor to realize that at least the quickie junk we have today looks halfway-decent.