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| Jacques Tati | ... | Monsieur Hulot (as Mr. Hulot) | |
| Marcel Fraval | ... | Truckdriver | |
| Honoré Bostel | ... | Director of ALTRA | |
| François Maisongrosse | ... | François (as F. Maisongrosse) | |
| Tony Knepper | ... | Mechanic | |
| Franco Ressel | |||
| Mario Zanuelli | |||
| Maria Kimberly | ... | Maria |
Directed by | |||
| Jacques Tati | |||
Writing credits | ||
| Jacques Tati | original scenario and | |
| Jacques Lagrange | artistic collaboration and | |
| Bert Haanstra | participation | |
Produced by | |||
| Robert Dorfmann | .... | producer | |
Original Music by | |||
| Charles Dumont | |||
Cinematography by | |||
| Eduard van der Enden | (as Edward van den Enden) | ||
| Marcel Weiss | |||
Film Editing by | |||
| Maurice Laumain | |||
| Sophie Tatischeff | |||
| Jacques Tati | (uncredited) | ||
Production Design by | |||
| Adrien De Rooy | |||
Costume Design by | |||
| Jacques Esterel | |||
Makeup Department | |||
| Gert Van Den Berg | .... | makeup artist | |
Production Management | |||
| Georges Laurent | .... | production manager | |
| Wim Lindner | .... | production manager | |
| Marcel Mossotti | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Alain Fayner | .... | assistant director | |
| Roberto Giandalia | .... | assistant director | |
| Marie-France Siegler | .... | assistant director | |
Art Department | |||
| Hugo Van Baren | .... | carpenter (uncredited) | |
Sound Department | |||
| Alain Curvelier | .... | sound | |
| Jean Nény | .... | sound mixer (as Jean Neny) | |
| Ed Pelster | .... | sound | |
Editorial Department | |||
| Patricia Nény | .... | assistant editor | |
| Claude Plouganou | .... | synchronization | |
| Patrick Raynaud | .... | assistant editor | |
Music Department | |||
| Bernard Gérard | .... | conductor | |
Other crew | |||
| Juliette Wuidart | .... | administrator | |
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Not Tati's best, but an amusing take on our affair with the automobile. Remember how Playtime ended, with the traffic circle symphony? Now Mr. Hulot is the designer for an automobile company, having come up with the perfect car for camping. They're trying to get it from Paris to Amsterdam for an auto show, and run into many little setbacks. An American PR gal with a mop of a lapdog seems to get more screen time than Tati, zipping around in her little yellow roadster and usually the cause of the calamities. But it's all goodhearted fun, with lots of nods to the rising counterculture; scraggly hippies abound, playing pranks with the dog, or just driving around in flower-laden vehicles. The camper and its amusing gadgets are the highlight of the film, but there are plenty of Tati's trademark observations to bring a smile to your face. If you can watch a movie without distractions, Tati can't be beat. There's always something new to notice, and while this is no Playtime, it is certainly worth watching.