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Based on the old (and rather controversial) E.C. Comics of the mid-20th century, this horror anthology is an above average entry in an intriguing (and all but dead) genre. Here there is a tour group seen roaming through some ancient catacombs with five attendees obstinately staying behind, despite numerous warnings to stick close together. They find themselves severed from the group and wind up in a tomb-like room with creepy Richardson in a monk's robe doling out orders and insights. The quintet is made to sit while each one gets a glimpse into his or her recent life. Thus the five brief stories are presented in order, each one with a morbid, ironic or gory twist to it. Collins (looking svelte and attractive) is in the first one. She splits her husband's head open as he's benignly reading the newspaper while cheery Christmas music plays on the soundtrack. (Hilariously, she kicks him down the steps while "God Rest Ye Merry Gentlemen" drones on.) Before she can properly dispose of his body, an escaped mental patient in a Santa suit starts terrorizing her! Then Hendry is shown leaving his wife and children for a younger woman. A fateful experience on the freeway changes his life forever. Next up, snooty Phillips is being driven up the wall by his neighbor - kindly, but eccentric, old man Cushing. Phillips continuously thwarts Cushing until he gives up...but does he? A fourth tale features Greene (as a greedy gunrunner) who is forced to part with his possessions, but his wife spies an inscription on an old statuette and discovers that she can use it to ask for three wishes. This doesn't work out quite as optimistically as she had hoped. Finally, Patrick is a militant, heartless administrator of a home for the blind. He pushes the male inhabitants there to their limit and winds up paying dearly for his sins. Though no story gets enough time spent on it to really flesh it out to it's greatest potential, most of them are really intriguing and usually very well acted. The spareness of the locations and effects help set a rather desolate and chilly mood. The finest acting is probably provided by Cushing in a very atypical role. The most memorable vignette is the last one which features an unforgettable comeuppance. Fans of British horror (and especially of anthologies) will rank this pretty highly, but it's interesting enough to lure other viewers as well.
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