Slaughterhouse-Five (1972)

Director:

George Roy Hill

Writers:

Kurt Vonnegut Jr. (novel)
Stephen Geller (screenplay)

Release Date:

15 March 1972 (USA)

Genre:

Comedy | Drama | Fantasy | Sci-Fi | War

Tagline:

A Man Becomes Unstuck In Time In The Film That Became A Classic.

Plot:

A man tells his story of how he became unstuck in time and abducted by aliens.

Plot Keywords:

Pilgrim | Alien | Planet | Optometrist | Future

Awards:

Nominated for Golden Globe. Another 3 wins & 3 nominations

Cast

Michael Sacks	...	Billy Pilgrim
Ron Leibman	...	Paul Lazzaro
Eugene Roche	...	Edgar Derby
Sharon Gans	...	Valencia Merble Pilgrim
Valerie Perrine	...	Montana Wildhack
Holly Near	...	Barbara Pilgrim
Perry King	...	Robert Pilgrim
Kevin Conway	...	Roland Weary
Friedrich von Ledebur	...	German Leader (as Friedrich Ledebur)
Ekkehardt Belle	...	Young German Guard (as Nick Belle)
Sorrell Booke	...	Lionel Merble
Roberts Blossom	...	Wild Bob Cody
John Dehner	...	Prof. Rumfoord
Gary Waynesmith	...	Stanley
Richard Schaal	...	Howard W. Campbell Jr.

Runtime:

104 min | Canada:93 min (Ontario - edited version)

Country:

USA

Language:

English | German

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System) | 4-Track Stereo

Certification:

Iceland:16 | Canada:PA (Ontario - edited version) | Finland:K-16 | Norway:15 | Sweden:15 | USA:R | Australia:M | UK:X (original rating) | UK:15 (re-rating) (1988)

Filming Locations:

Downtown Airport - 2700 Airport Road, St. Paul, Minnesota, USA

Company:

Universal Pictures

Trivia:

The aircraft used in the movie was owned by the 3M Company

Quotes:

[repeated line]
Valencia Merble Pilgrim: I'm gonna lose weight. I'm really gonna lose weight.

Movie Connections:

Referenced in The Blood Pact: The Making of 'Blade II' (2002) (V)

Soundtrack:

Goldberg variations, BWV 988 - Variation No. 25 a 2 clav. Adagio

So it goes

Kurt Vonnegut was more than worthy of the National Book Award that he received for the novel Slaughterhouse Five, but his humor and literary expertise are often lost in screenplays.

This flawed movie was a cult classic since its release because legions of Vonnegut fans were so fond of the novel that they could overlook the film's flaws. This is probably the only Vonnegut novel to make the transition to the screen as a movie that more than a handful of people are willing to watch. And they watch it again and again. I am reminded of Voltaire lovers who enjoy Leonard Bernstein's Candide. This seems to be the best of all possible Vonnegut movies.

There is a wealth of trivia associated with the cast. Michael Sacks disappeared into obscurity. Sharon Gans joined a community theater company that seemed more like a cult. Holly Near became a feminist folksinger. Valerie Perrine would later give a great performance as Honey Bruce in Bob Fosse's Lenny. Perry King and Ron Liebman became minor stars.

The story is largely allegorical. It is not science-fiction. Vonnegut is coping with the trauma of World War II, particularly the horrors he witnessed during the firebombing of Dresden. Billy Pilgrim's emotional numbness and alientation are characteristic of combat fatigue or post traumatic stress. Despite the lack of a chronological plot, Billy Pilgrim's arc is linear.

To the uninitiated, being "unstuck in time" can be confusing. It's sort of like one's first encounter with hypertext. Perhaps, that's why the movie is better on the second or third viewing. The key to enjoying Slaughterhouse Five is to focus on the best scenes and performances -- much like Billy Pilgrim's advice on living.