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Jeremiah Johnson
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Jeremiah Johnson (1972) More at IMDbPro »

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Jeremiah Johnson (1972) -- MattTrailer.com - Trailer (Flash)

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Overview

User Rating:
7.5/10   6,578 votes
MOVIEmeter: ?
Up 20% in popularity this week. See why on IMDbPro.
Director:
Writers:
Vardis Fisher (novel)
Raymond W. Thorp (story) ...
(more)
Contact:
View company contact information for Jeremiah Johnson on IMDbPro.
Release Date:
10 September 1972 (Sweden) more
Genre:
Tagline:
A man of peace driven wild! more
Plot:
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta... more | add synopsis
Awards:
1 win & 1 nomination more
NewsDesk:
User Reviews:
A truly beautiful film, well worth viewing more (73 total)

Cast

  (in credits order) (verified as complete)
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Directed by
Sydney Pollack 
 
Writing credits
Vardis Fisher (novel "Mountain Man")

Raymond W. Thorp (story "Crow Killer") and
Robert Bunker (story "Crow Killer")

John Milius (screenplay) and
Edward Anhalt (screenplay)

David Rayfiel  uncredited

Produced by
John R. Coonan .... associate producer
Mike Moder .... associate producer
Joe Wizan .... producer
 
Original Music by
Tim McIntire 
John Rubinstein 
 
Cinematography by
Duke Callaghan (director of photography)
 
Film Editing by
Thomas Stanford 
 
Casting by
Lynn Stalmaster 
 
Art Direction by
Ted Haworth 
 
Set Decoration by
Ray Molyneaux  (as Raymond Molyneaux)
 
Costume Design by
Wesley Jeffries (uncredited)
 
Makeup Department
Ken Chase .... makeup artist
Lynn Del Kail .... hair stylist
Gary Liddiard .... makeup artist
 
Production Management
John R. Coonan .... production manager
 
Second Unit Director or Assistant Director
Mike Moder .... assistant director
Mike Moder .... second unit director
 
Art Department
Alan Levine .... property master (as Allan Levine)
 
Sound Department
Michael Colgan .... sound effects (as Mike Colgan)
Josef von Stroheim .... sound effects
Charles M. Wilborn .... sound (as Charles Wilborn)
Dan Wallin .... sound re-recording mixer (uncredited)
 
Stunts
Joe Canutt .... stunts (uncredited)
Dean Smith .... stunt double (uncredited)
 
Camera and Electrical Department
Joseph Edesa .... gaffer (as Joe Edesa)
Ray De La Motte .... first assistant camera (uncredited)
 
Costume and Wardrobe Department
Bernie Pollack .... costume supervisor (uncredited)
 
Editorial Department
Don Guidice .... assistant editor
Carol Ann Jackson .... assistant editor (as Carol Jackson)
 
Music Department
Dan Wallin .... scoring mixer (uncredited)
 
Transportation Department
Frank 'Cat' Ballou .... transportation coordinator (uncredited)
 
Other crew
John Arlee .... technical advisor
Kenneth Lee .... livestock supervisor
Phill Norman .... title designer
Douglas W. Randall .... photo double (uncredited)
Ruth West .... auditor (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Crow Killer (USA) (working title)
Liver Eatin' Johnson (USA) (original script title)
more
Runtime:
108 min | 116 min (long version)
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.20 : 1 more
Sound Mix:
70 mm 6-Track (70 mm prints) | Mono (35 mm prints) | Dolby Digital
Filming Locations:

Fun Stuff

Trivia:
Liver Eatin' Johnston's wife (who was pregnant at the time) was actually killed by a random raiding party of Blackfeet not in revenge for a violation of their burial grounds. She was killed in the Spring while Johnston was off trapping and he didn't return to find her body until several months later. He identified the band that had killed her because he recognized a Tennessee rifle he had given her in the possession of a Crow warrior. Also, rather than isolated incidents as shown in the movie, Johnston often recruited other mountain men as well as Indians (particularly Flatheads) to help him with his vendetta. The part about the warriors sent to kill him and told not to return without his scalp was true. more
Goofs:
Errors in geography: The rescue party tells JJ they have been watched all the way from the Gila River. The Gila is 400 miles south of the Colorado border. more
Quotes:
[first lines]
Narrator: His name was Jeremiah Johnson, and they say he wanted to be a mountain man. The story goes that he was a man of proper wit and adventurous spirit, suited to the mountains. Nobody knows whereabouts he come from and don't seem to matter much. He was a young man and ghosty stories about the tall hills didn't scare him none...
more
Movie Connections:

FAQ

Was Paints His Shirt Red one of the Indians who slaughtered Swan and Caleb?
How did Jeremiah know he had the right group of Crow when seeking his revenge?
How does the movie end?
more
12 out of 23 people found the following review useful.
A truly beautiful film, well worth viewing, 18 August 2000
7/10
Author: A-Ron-2 from Storrs, CT

Jeremiah Johnson is NOT a great narrative, instead it is a beautiful foray into the mind of the frontier. Rather than simply tell a story about men who live precarious existences on the far-flung frontiers of human habitation, it tries to show us what those men were like. This is not a perfect film, it has flaws... but it is a beautiful film and one that should be seen.

Perhaps Robert Redford was not the perfect choice to play Jeremiah, perhaps his soft good-looks do not complement what we would like to see in this semi-mythic character, perhaps he undermines just a tad of our credibility... but irregardless, he comes to embody Johnson. I find his gradual transformation from inexperienced explorer into savage force of nature to be entirely beleivable, if perhaps a bit strained.

Ultimately, the real problem lies in the film's narrative structure... it tends to meander too much and to never resolve itself in a meaningful manner. The story turns violent, but we don't really get a sense of why this violence is significant, or germaine to the plot. There are too many false endings, and the movie seems to end abruptly and without real closure.

However, even with all of these problems in mind, Jeremiah Johnson is an experience. It may not be a film that you want to rent with a bunch of friends, but rather a film to watch by yourself, when you are in sort of a contemplative mood. This is a film to relax to, to allow to happen rather than to actively engage it. There are a lot of things to think about and to reflect on, and the film is truly beautiful to watch. This may not be a film that you will watch often, but it is a film that you will value having watched.

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