| Photos (see all 4 | slideshow) |
| William Shatner | ... | Sam | |
| Ruth Roman | ... | Psychiatrist | |
| Wendell Burton | ... | Joel Clements | |
| Julie Adams | ... | Dorothy | |
| Andy Griffith | ... | Priest | |
| Ayn Ruymen | ... | Jan | |
| Mimi Saffian | ... | Beth Bonds | |
| Jennifer Edwards | ... | Chris | |
| Jamie Smith-Jackson | ... | Alice | |
| Danny Michael Mann | ... | Richie (as Daniel Michael Mann) | |
| Frederick Herrick | ... | Ted | |
| Robert Carradine | ... | Bill | |
| Michael Morgan | ... | Tim | |
| Gary Marsh | ... | Tom | |
| Mackenzie Phillips | ... | Doris (as Mackinzie Phillips) | |
| Al Checco | ... | Male Sadist | |
| Brenda Thompson | ... | Female Sadist (as Brenda Thomson) | |
| Charles Martin Smith | ... | Jim (as Charlie Martin Smith) | |
| Michael Moore | ... | Bud | |
| Jeanne Avery | ... | The Teacher | |
| Barbara Mallory | ... | Marie | |
| Michael Freeman | ... | The boy pusher (as Michael A. Freeman) | |
| Richard Alleman | ... | Counterman | |
| Elizabeth Guber | ... | the Larson Baby (as Elizabeth Jill Guber) |
Directed by | |||
| John Korty | |||
Writing credits(in alphabetical order) | ||
| Beatrice Sparks | book (as Anonymous) | |
| Ellen M. Violett | writer | |
Produced by | |||
| Charles W. Fries | .... | executive producer | |
| Gerald I. Isenberg | .... | producer | |
| Arthur Stolnitz | .... | production executive (as Art Stolnitz) | |
Original Music by | |||
| Michael Omartian | |||
| Bill Schnee | |||
Cinematography by | |||
| Earl Rath | |||
Film Editing by | |||
| Henry Berman | |||
Casting by | |||
| Eddie Foy III | |||
Art Direction by | |||
| Rodger Maus | |||
Set Decoration by | |||
| Robert De Vestel | (as Bob de Vestel) | ||
Makeup Department | |||
| John G. Holden | .... | makeup artist (as John Holden) | |
| Dione Taylor | .... | hair stylist | |
Production Management | |||
| Gary S. Gerlich | .... | post-production supervisor (as Gary Gerlich) | |
| Joe Wonder | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Fred Gammon | .... | assistant director | |
Art Department | |||
| Ted Berkeley | .... | property master | |
Sound Department | |||
| Charles L. Campbell | .... | supervising sound editor | |
| William Edmondson | .... | sound editor (as Bill Edmondson) | |
| Robert J. Litt | .... | recording supervisor | |
| Roger Sword | .... | sound editor (as Roger A. Sword) | |
Camera and Electrical Department | |||
| Dale Musgrove | .... | key grip | |
| James Sherrill | .... | gaffer (as Jim Sherrill) | |
Music Department | |||
| Michael Arciaga | .... | music supervisor | |
| John Mick | .... | music editor | |
| Joel Sill | .... | music producer: Almo Productions | |
Other crew | |||
| Jane Ficker | .... | script supervisor | |
| Elliot Friedgen | .... | production administrator | |
| John Korty | .... | script consultant | |
| Alan Sacks | .... | program developer | |
| Jerry Wineman | .... | production coordinator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I saw this movie when it came out on television in 1973. I was 13 years old at the time. I would rate this movie as a 10. The reason being, it scared the hell out of me when I saw it. It came at a very influential time for me. I knew nothing about drugs, I knew no one who had taken drugs and I had never experimented with drugs at that time.
I was later exposed to drugs, they were very prevalent in the seventies. They were everywhere. I had tried marijuana, and a couple other drugs, but never acquired them for myself and never made it my lifestyle. Because of this movie, I was afraid of where it would take me, and that I wouldn't be strong enough to come back from it.
The characters were strong enough, the movie was good enough, the story was told well enough. well enough in fact to haunt my dreams every time I stepped over the drug line and I think that's why it was made, and it did the job it was supposed to do. I'm sure I'm not the only one.