The Getaway (1972)

Director:

Sam Peckinpah

Writers:

Walter Hill (screenplay)
Jim Thompson (novel)

Release Date:

13 December 1972 (USA)

Genre:

Action | Crime | Thriller

Tagline:

They're Hot - McQueen/MacGraw

Plot:

A recently released ex-con and his loyal wife go on the run after a heist goes awry.

Plot Keywords:

Heist | On The Run | Betrayal | Police | Ex Convict

Awards:

Nominated for Golden Globe. Another 1 win

Cast

Steve McQueen	...	Doc McCoy
Ali MacGraw	...	Carol McCoy
Ben Johnson	...	Jack Beynon
Sally Struthers	...	Fran Clinton
Al Lettieri	...	Rudy Butler
Slim Pickens	...	Cowboy
Richard Bright	...	The Thief
Jack Dodson	...	Harold Clinton
Dub Taylor	...	Laughlin
Bo Hopkins	...	Frank Jackson
Roy Jenson	...	Cully
John Bryson	...	The Accountant
Bill Hart	...	Swain
Tom Runyon	...	Hayhoe
Whitney Jones	...	The Soldier

Runtime:

122 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

UK:18 (re-rating, uncut) | USA:PG (cut) | UK:X (original rating) | Iceland:16 | France:-12 | Norway:16 (cut) (1973) | Norway:18 (uncut) | Portugal:M/16 | Australia:M | Finland:K-18 | Germany:16 (re-rating) | Italy:VM14 | Sweden:15 | West Germany:18 (nf) | Canada:13+ (Québec) | Canada:PG (Manitoba/Ontario) | Singapore:PG

Filming Locations:

El Paso, Texas, USA

Company:

First Artists

Trivia:

Shot almost entirely in sequence.

Goofs:

Continuity: When Doc finds he can't shoot Rudy after knocking him out in the hotel, he unloads the gun and drops it next him. Later on during the shootout Rudy awakens, grabs his gun, and flips the empty cylinder shut without reloading it. But when he comes out the window to shoot at Doc, his gun is miraculously reloaded.

Quotes:

Jack Beynon: You run the job, but I run the show.

Movie Connections:

Referenced in "Roseanne: The Getaway, Almost (#8.7)" (1995)

Sam Peckinpah's Best Violence Ballet

Steve McQueen and Sam Peckinpah teamed to do two straight films, probably some of the best work in both of their careers. But the difference in a nice character study like Junior Bonner and a tough crime drama like The Getaway shows the versatility of both these remarkable men. The Getaway seems to take its inspiration from John Huston's classic, The Asphalt Jungle.

McQueen is a career criminal whose parole has once again been denied in the ten year stretch he's doing. Wife Ali McGraw submits to parole board chief Ben Johnson's sexual advances to spring McQueen.

But the corrupt Johnson isn't just about sexual harassment. He wants McQueen to rob a bank that his brother is a director, to cover a nice case of embezzlement. He even recruits another pair of criminals, Bo Hopkins and Al Lettieri as part of the gang.

Of course the plan goes wrong as a bank guard is killed and then Hopkins is killed in a double-cross by Lettieri who then fails to do the same to McQueen and McGraw. After that it's a three way race to the border between Johnson's men, Lettieri, and McQueen.

Al Lettieri is a talent that was lost to us way too soon. He played some of the best villains in the early seventies and this one is one of them. He kidnaps veterinarian Jack Dodson and his slut of a wife Sally Struthers. Soon she's more than willing to go and be his girl. Struthers has a great part, so far from being Gloria Bunker Stivic on All in the Family.

My favorite Sam Peckinpah moment in all of his films is that climax at Dub Taylor's flea bag hotel where all the forces meet and shoot up the place. It's Peckinpah's best violence ballet in all of his films, I never tire of seeing it.

The whole film was shot in Texas and I'm not sure how residents of Texas might like this picture of their state. It seems to be one very violent place and a very corrupt one as well.

But I like The Getaway very much, it's my favorite Sam Peckinpah film next to Ride the High Country.