Dracula A.D. 1972 (1972)

Director:

Alan Gibson

Writer:

Don Houghton (writer)

Release Date:

17 November 1972 (USA)

Genre:

Horror

Tagline:

The Count is back, with an eye for London's hotpants . . . and a taste for everything

Plot:

Johnny Alucard raises Count Dracula(Christopher Lee) from the dead in 1972 London. The Count goes after the descendents of Van Helsing.

Plot Keywords:

Vampire | Good Versus Evil | Cross | Beautiful Woman | Hammer Horror

Cast

Christopher Lee	...	Count Dracula
Peter Cushing	...	Professor Van Helsing
Stephanie Beacham	...	Jessica Van Helsing
Christopher Neame	...	Johnny Alucard
Michael Coles	...	Inspector
Marsha A. Hunt	...	Gaynor (as Marsha Hunt)
Caroline Munro	...	Laura Bellows
Janet Key	...	Anna
William Ellis	...	Joe Mitcham
Philip Miller	...	Bob
Michael Kitchen	...	Greg
David Andrews	...	Detective Sergeant
Lally Bowers	...	Matron Party Hostess
Constance Luttrell	...	Mrs. Donnelly
Michael Daly	...	Charles

Also Known As:

Dracula '72 (UK) (working title)
Dracula 1972 (International: English title) (informal title)
Dracula 1972 D.C. (International: English title) (poster title)
Dracula Chases the Mini Girls (UK) (working title)
Dracula Chelsea '72 (UK) (working title)
Dracula Today

Runtime:

USA:96 min

Country:

UK

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

UK:15 (re-rating) (1995) | UK:18 (re-rating) (1988) | UK:X (original rating) | Singapore:PG | West Germany:16 (VHS) | West Germany:16 | Canada:13+ (Quebec) | Netherlands:12 (DVD rating) (2006) | Finland:(Banned) (1972) | Norway:16 | Sweden:15 | USA:PG

Filming Locations:

Aldenham Country Park, Hertfordshire, England, UK

Company:

Hammer Film Productions

Trivia:

Dracula's taunting of Van Helsing in the church ("You would play your brains against mine, against me who has commanded nations?") directly references Dracula's dialogue from Stoker's novel: "Whilst they played wits against me, against me who commanded nations, and intrigued for them, and fought for them, hundreds of years before they were born, I was countermining them."

Quotes:

Joe Mitcham: Okay, okay. But if we do get to summon up the big daddy with the horns and the tail, he gets to bring his own liquor, his own bird and his own pot.

Movie Connections:

Referenced in Sundown: The Vampire in Retreat (1990)

Soundtrack:

You better come through

Hammer - Can't touch them!

Pythonesque, outlandishly stylish in parts - criminally battered out in others - 'AD, 1972' is a hugely enjoyable film. It is an excellent party movie - both in terms of subject matter and as an accompaniment to much alcohol, although this role was perhaps the final nail in the coffin for any fondness Lee had for Dracula. One has only to see his response to George Lucas putting fangs on a Yoda doll on the set of 'Attack of the Clones' to gauge this. Christopher Lee has often said that 'the Wicker Man' was his best film. The British film cognoscenti laud that film because of its chronological signposting of the beginning-of-the-end of the British film industry. He made 'Dracula: AD 1972' at the same time and his mono-syllabic - almost no-syllabic - role is perhaps what he compared Lord Summerisle to.

It's flaws, however, are what makes the film so enjoyable. Here is the old-men-of-Hammers' idea of what youth culture was like in the 1970s. Loads of RSC twits pretending to be cockney - Ben Elton, Damon Albarn and Jamie Oliver must have studied this film intensely. Stephanie Beecham's character - to the squirming of female viewers and the anger of male audience members - dates the ugliest man in Christendom, here. Van Helsing should have killed him first then made up an excuse: "He was an . . . ugh . . . yes, that's right an ugh-monster!" 'The Stoneground' - a kind of 'Mungo Jerry meets the Doors at Kenny Lynch's House' - achieve celluloid immortality - though I can find none of the tracks found here in their (only?) eponymous album. It is true that, had the filmmakers made a cardboard standee of Lee in costume instead of including the actor no-one would have noticed. Lee does not so much "phone-in" his performance as be photographed without his knowledge and have that photograph put on the internet then beamed back in time. Peter Cushing is the bedrock of the movie. The maestro portrays Van Helsing with calm dignity and a conviction unworthy of the manure that is the script. The above could be taken as advice not to see the film - but don't avoid it, you'll have the time of your afterlife.