| Videos (see all 6) |
| Jon Voight | ... | Ed | |
| Burt Reynolds | ... | Lewis | |
| Ned Beatty | ... | Bobby | |
| Ronny Cox | ... | Drew | |
| Ed Ramey | ... | Old Man | |
| Billy Redden | ... | Lonnie | |
| Seamon Glass | ... | First Griner | |
| Randall Deal | ... | Second Griner | |
| Bill McKinney | ... | Mountain Man | |
| Herbert 'Cowboy' Coward | ... | Toothless Man | |
| Lewis Crone | ... | First Deputy | |
| Ken Keener | ... | Second Deputy | |
| Johnny Popwell | ... | Ambulance Driver | |
| John Fowler | ... | Doctor | |
| Kathy Rickman | ... | Nurse | |
| Louise Coldren | ... | Mrs. Biddiford | |
| Pete Ware | ... | Taxi Driver | |
| James Dickey | ... | Sheriff Bullard | |
| Macon McCalman | ... | Deputy Queen | |
| Hoyt Pollard | ... | Boy at Gas Station | |
| Belinda Beatty | ... | Martha Gentry (as Belinha Beatty) | |
| Charley Boorman | ... | Ed's Boy (as Charlie Boorman) | |
| rest of cast listed alphabetically: | |||
| Ed O'Neill | ... | Deputy in hospital (uncredited) | |
Directed by | |||
| John Boorman | |||
Writing credits | ||
| James Dickey | (screenplay) | |
| James Dickey | (novel) | |
Produced by | |||
| John Boorman | .... | producer | |
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Tom Priestley | (as Tom Priestly) | ||
Casting by | |||
| Lynn Stalmaster | |||
Art Direction by | |||
| Fred Harpman | |||
Makeup Department | |||
| Michael Hancock | .... | makeup artist (as Michael Handcock) | |
| Donoene McKay | .... | hair stylist | |
Production Management | |||
| Wallace Worsley Jr. | .... | production supervisor (as Wallace Worsely) | |
Second Unit Director or Assistant Director | |||
| Al Jennings | .... | assistant director | |
| Miles Middough | .... | assistant director | |
| Skip Cosper | .... | assistant director (uncredited) | |
| Charles Ziarko | .... | second assistant director (uncredited) | |
Art Department | |||
| Sidney H. Greenwood | .... | property master (as Syd Greenwood) | |
| H. John Ramos | .... | props (uncredited) | |
Sound Department | |||
| Jim Atkinson | .... | sound editor | |
| Walter Goss | .... | sound mixer | |
| Doug E. Turner | .... | dubbing mixer (as Doug Turner) | |
Special Effects by | |||
| Marcel Vercoutere | .... | special effects | |
Stunts | |||
| Bill Couch | .... | stunts (uncredited) | |
| Ralph Garrett | .... | stunts (uncredited) | |
| Gene Witham | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| James O. Blair | .... | electrical supervisor (as Jim Blair) | |
| Arthur Brooker | .... | key grip (as Art Brooker) | |
| Bill Butler | .... | photography: second unit | |
| Earl L. Clark | .... | assistant camera (as Earl Clark) | |
| Sven Walnum | .... | camera operator | |
| Alexander Klein | .... | camera mechanic (uncredited) | |
| George Kohut | .... | camera operator: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Bucky Rous | .... | wardrobe master | |
Editorial Department | |||
| Ian Rakoff | .... | assistant editor | |
Music Department | |||
| Michael Addiss | .... | banjo playing: Billy Redden (uncredited) | |
Other crew | |||
| Sue Dwiggins | .... | production secretary | |
| E. Lewis King | .... | technical advisor | |
| Rospo Pallenberg | .... | creative associate | |
| Ray Quiroz | .... | script supervisor | |
| Charles Wiggin | .... | technical advisor | |
| Tony Adams | .... | tutor (uncredited) | |
| John Fowler | .... | company doctor (uncredited) | |
| Harry Williams | .... | production accountant (uncredited) | |
Thanks | |||
| Earl 'Preach' Parsons | .... | thanks | |
| Frank Rickman | .... | thanks | |
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| Into the Wild | The Night of the Hunter | Excalibur | The Basketball Diaries | The Girl Next Door |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
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This is without a doubt one of the best movies I have ever seen; a chilling account of a doomed canoe trip that will haunt your memory for years to come. It is disheartening to read the number of negative reviews for this excellent film, which I can only attribute to the one-dimensional nature of today's uber-blockbusters. It seems that the finer subtleties of good filmmaking present in Deliverance are lost on today's generation of moviegoers whose cinematic palates have been cloyed with multi-million-dollar special effects, unimaginative dialogue, mindless violence and saccharine plots. Every aspect of this movie has been wonderfully choreographed and combine to create a film that goes well beyond mere entertainment, simultaneously shocking and challenging the audience.
Everything that occurs in this movie serves a poignant purpose; the creators focus on quality rather than quantity. The plot, which seems simple enough, gradually takes on an eerily disturbing nature. The dialogue is sparse, but screenwriters and director use it as a strength, allowing events and cinematography to speak volumes about the characters. The violence, though disturbing, also acts as an integral piece of the film. The scenery is spectacular and Deliverance makes some of the best use of foreshadowing and silence I've ever seen in a movie.
Few movies leave such an impression on the viewer. To this day, I can't hear "Dueling Banjos"--or just about any banjo music for that matter--without thinking of this movie. Nor can I help but feel this movie doomed Ned Beatty's acting career (after seeing this film, every time you see Ned Beatty in any other role, you can't help but remember the infamous riverbank scene). Even people who have never seen the movie know the ghastly meaning of the words "squeal like a pig".
It is truly worth taking the time to see this film. It is an excellent treatise of the human reaction when challenged with fear, danger and adventure.