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La course du lièvre à travers les champs (1972)
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Overview
User Rating:
Release Date:
15 September 1972 (France) morePlot Keywords:
NewsDesk:
Streets Of No Return: Shoot The Piano Player—Introductory Remarks by Essayist Mike White(From Twitch. 6 August 2008, 12:21 PM, PDT)
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Offbeat Caper Film that Cannot Sustain it's Momentum more (4 total)Cast
(Cast overview, first billed only) | Jean-Louis Trintignant | ... | Tony |
 | Robert Ryan | ... | Charley |
| Lea Massari | ... | Sugar |
| Aldo Ray | ... | Mattone |
| Jean Gaven | ... | Rizzio |
| Tisa Farrow | ... | Pepper |
| Nadine Nabokov | ... | Majorette |
| André Lawrence | ... | Gypsy chief |
| Don Arrès | ... | Mastragos |
| Louis Aubert | ... | Renner |
| Ellen Bahl | ||
| Béatrice Belthoise | ||
| Jean Coutu | ... | Inspector |
| Jean-Marie Lemieux | ... | Lester |
| Michel Maillot | ... | Gypsy |
Additional Details
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Add content advisory for parentsRuntime:
USA:99 min | West Germany:127 min | France:122 minLanguage:
FrenchColor:
Color (Eastmancolor)Sound Mix:
MonoFun Stuff
Quotes:
Sugar: [nodding towards the handcuffed Tony] Who is he?Mattone: Somebody about to die.
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Unusual caper film that is hampered by a overall sense of smugness. A group of gangsters decide to proceed with a kidnapping even though their intended victim has already died.
Starts out like a bang with some of the fastest, most well staged, most realistic action you'll ever see. Then it just starts to slow down until it almost comes to a standstill. There is a array of offbeat touches throughout, but even that bag gets empty. The result is a very somber, stilted ending that almost looks like a car running out of gas. Trying to turn it into something 'philosophical' doesn't help. There is enough bizarre, entertaining ingredients already without having to try to make it more than it is.
Ryan is tremendous in one of his last film appearances. Farrow is also fun in her role. At times she looks and sounds almost exactly like her older sister Mia, except for the long hair. Ray seems to be the only drawback here. His broad buffoonery seems out of place in a film that tries so hard to be elusive.